Tag Archives: english subtitles

Venice, sixteenth century. Giulio, a foreign gentleman spends a memorable night in the city where he meets and beds two beautiful women. They are Angela, a widowed lady, and Valeria, whose husband has left for Florence.
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Story of a nine-and-a-half year old girl left alone in Sweden while her family is in Africa during the summer of 1981. Read More »

Henri Savin has managed a trucking company for his lover, Dominique Montlaur, for many years. Now he is planning to leave her for Julie Manet, the woman he has made pregnant, and Dominique is hysterical. She first threatens suicide, then shows up at a meeting of Savin and Julie. Dominique tries everything she can think of to break Savin and Julie apart, to no avail. Frustrated in her efforts, she jumps off a cliff and dies. Savin insists that he and Julie lie to the police about the encounter, although Dominique’s death was a suicide and therefore they had no direct hand in it. Detective Waldeck investigates Dominique’s death.
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A man has been killed on the Dover/Boulogne car ferry. What is the connection between him and the attempts being made to kill Jane Kerrell, a young girl in her early twenties? As she speeds through the French countryside to the South of France, several attempts are made on her life as she is deliberately forced off the road by another car. But when she reports these attempts, the local Cap Ferrat Police Inspector and the sinister psychiatrist, Dr. Forla believe these attempts are in her imagination and Dr Forla, concludes that Jane is mentally disturbed. At her wits end Jane finds an ally in the young English painter, Paul Hedley who finally believes her life is in danger following an attempt to murder him. When Inspector Malling of Scotland Yard and Mr. Breese arrive in Cap Ferrat trying to uncover the connection between Jane and the murdered man on the ferry, this thrilling puzzle of international intrigue begins to unravel against the backdrop of the French Riviera.
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Ex-gangster Fernand (Lino Ventura) receives a call from a dying friend, a mob boss nicknamed “The Mexican”. The doomed mobster talks Fernand into taking care of some criminal business and looking after his soon-to-be-married daughter. When a longtime mobster heavy, Volfoni takes exception to Fernand for being an outsider, they come after Fernand who is equal to the task. He defends himself in a series of comical killings from the onslaught of the mob.
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Six months before his retirement from the criminal police, inspector Joss finds his colleague Gouvion dead, in a poorly faked suicide attempt. Joss loses his temper, and investigates on his own, which leads him through the bas-fond of Paris…
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Kaspar and the class pushover Joosep are 16 and life in high school isn’t easy. Without meaning to, Kaspar defends Joosep against the bullying of his classmates, but every time Kaspar tries to him, it backfires, with the class taking it out on Joosep. Kaspar just wants his friends, his girl and his unassuming life back. Joosep wants to regain his dignity and the chance to switch to a high school far away. But their classmates are relentless, going further and further with each incident.
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Kató Varga (Klári Tolnay) is unable to play its part in front of the Admissions Committee of the School of Dramatic Art. Geszty (Tivadar Bilicsi), severe President of the Commission maintains that she has no talent for acting and mercilessly tells you will never be an actress. Kató prepares to take revenge and under the false name of Katyi Csiba, dressed as a peasant village, obtains admission to the house Geszty. Turning everything upside down, she makes your life hell.
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The lackluster and plodding station master Bolwieser has the (mis)fortune to be married to the town’s siren; his trusting nature leads him into serious trouble when she beds nearly every available guy.
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From the port of Santa Maria of Buenos Aires, the city as a desert where we can not expect mercy or no relief. Black and sound vessels. Orchestral trains. Abandoned children. Lights of methylene blue. Theater lobbies. Broad avenues. Straight narrow streets. Studies outdated. Air collisions. Smokeless chimneys. Identical letters. Furtive encounters. Prefabricated swamps. Slimy beds. Prohibited Islands. Almost a million books. Stone angels. Allegorical stones. Songwriters locals body and soul. Deceptions. Robberies. Scams. Black and white images of a dead Buenos Aires. Eleven directors collective experiment with thirty two characters over a city of five parts: Traps. The money. Desert. Lights. The dead. Temperate and relatives, the remains of a shipwreck: Speaking of Buenos Aires. These young directors met to collaborate on this unusual project, not only for its technical specifications, but for its narrative structure. There are several scenes joined together only by the city. None of these has come to define a unique story, each is part of a larger situation that we see, as if the beginning and end of each story should be completed by the viewer. Or rather, as if there were no need to begin and end because, ultimately, this is nothing more than the conventional way of telling stories.
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