Tag Archives: english subtitles

In Karaoglan: Baybora’s Son, Karaoglan comes from far Asia to Byzantine empire seeking his father Baybora whom he never knows. Balaban, a devoted friend of Karaoglan accompanies him. Baybora is a despot who forces Byzantinians to pay protection money. Karaoglan and Baybora meet each without knowing who they are. They fight and Karaoglan gets heavily wounded…
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A lonely teen spending his summer at a posh Swiss villa, is going through agony as it seems that everyone has somebody except for him. He finally learns that good things happen to those who wait, as he meets a gorgeous, virginal, nymphet, played by Syllvia Kristal. Lots of T&A, together with plenty of laughs, in this romp in the Swiss hillsides.
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The young girl Flossie comes straight from a Swiss boarding school to Stockholm where she meets a young embassy clerk. Together with her friend Eva each tell the other two of previous sexual encounters. (uncut version)
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Popular Italian rock star Luciano Ligabue made his directorial debut with this Italian drama based on Fuori e dentro il borgo, his collection of autobiographical short stories about growing up in small-town Italy of the ’70s. DJ Bruno reflects on the past, a small circle of friends, and the hopes of their generation. At the group’s core is Freccia, a heroin user until Marzia steps in to help him kick the habit. As expected, Iena marries and settles down, while unhappy Boris is a victim of his own cynicism, and Tito is driven to violence by his dysfunctional family. An older bartender listens to the group’s woes and dreams. Along with a guitar score and a closing-credits song by Ligabue, tunes of the time include ones by Iggy Pop, Roxy Music, and David Bowie. Shown at the 1998 Venice Film Festival.
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This movie centers around a group of people that are both very Italian-Catholic and the same time oversexed and jaded European bourgeosis from the late “dolce vita” era. The main protagonist is a former priest who has become bored to the point of impotence by the easy availability of beautiful women. He misses the shame of the priesthood which made sex somehow more enjoyable, and this somehow leads to his strange fascination with photographing asses . He gets involved with a sexy married woman (Martine Brochard), but he is more interested in her virginal maid (Gloria Guida)–or, to be more specific, in the maid’s ass. The woman’s husband meanwhile, a hilariously pretentious actor, discovers the affair. Strangely, he is not angry at his wife’s infidelity but depressed that she was so indiscreet, and he too takes solace in his maid’s ass.
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Franco at his finest – somebody get this film on DVD now! This obscure Golden Films production got to pop the Franco-cherry on my new movie projector. It was just the right choice! Lina Romay, chubby like she just walked out of an Anders Zorn-painting, plays Irena (Female Vampire flashbacks, anybody?) who’s part of a kind of hypnosis nightclub act with the magician Fábian. He’s not a very nice guy and uses his hypnotic powers to use poor Irena as an instrument of vengeance, sleeping with and killing off his enemies. Or is the whole set up just part of her nightmares? An unusually good, hypnotic (in both meanings of the word) sleaze flick that really shows what Franco can achieve with extremely limited resources – some hotel rooms, a handful of actors (the same old faces that’s in all films from this period), a film camera and some re-used Daniel White music. Man, I really love this stripped down Golden Films stuff when it’s done right and this films is much closer in spirit to, say, Macumba Sexual than Mansion of the Living Dead. Parts of the film are almost delirious. There’s a thick, intimate atmosphere and interesting experimental photography. Some scenes are almost bordering on the poetic, for example we have a beautifully shot long kiss filmed through a glass door, bathing in sunlight. Say what you want about Lina’s acting capacity but here she gives all she’s got, somewhat reprising her roles in Female Vampire and Doriana Gray. Even though the story itself is more similar to Nightmares Come at Night. Highly recommended!
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Emotionless has left Six Doors, as has Cold Blood, who has decided to investigate the death of Lord Bu on his own. The departure of two of the four constables has effectively left Six Doors defunct. At this time, trouble begins to brew in the Imperial Palace as Emperor Huizong plans to travel incognito to the outside world. When he is almost assassinated and subsequently disappears, Cold Blood, Emotionless, Iron Hands and Life Snatcher must band together once again under Master Zhuge to save the empire from a massive conspiracy.
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“The Dancing Hawk” refers to the son of a peasant who senses he can climb to the job in troubled times by playing his cards right. His slavery to work match his ambitions, and gradually he reaches the social position he desires. But the costs have included a dehumanized soul and a loss of a moral conscience. People have had to pay for his advancement, including those nearest to him. The downfall is equally painful: either imprisonment or the easy wasy out are offered as the alternatives.
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In this drama at the end of World War II, the inhabitants of a small Japanese fishing village must come to terms with their nation’s defeat and the sudden occupation of General MacArthur and his troops.
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Set in the late 1800s, Hunger is about a struggling, starving Norwegian writer (Per Oscarsson) who rejects charity, even though he lives penniless in the streets, because he believes in the strength of his talent. Oscarsson won the Best Actor Award at the Cannes Film Festival for his remarkable performance. The film is based on Knut Hamsun’s novel, Sult.
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