Tag Archives: english subtitles

In Marseilles, a woman commits suicide after she is raped in an alley. Nightly, her brother Gerard broods at the scene hoping to catch the rapist. He lives with his lover Bella whom he neglects, an alcoholic brother who lurks about, and his father who’s stayed drunk since the daughter’s death, ignoring work and his own companion. At a seedy bar, Gerard meets a wealthy, nihilistic hedonist and his beautiful sister. Gerard flips for her and thinks she’s his ticket out of the slum. Bella warns him otherwise and also, in jealousy, sets two thugs on him. Then Gerard thinks he’s found his sister’s rapist. These emotional crises force Gerard to choose what’s most important.
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Laurent Bertal is a successful attorney who lives in Berne with his beautiful and adoring wife Evelyne. Theirs appears to be the perfect marriage, but while on holiday in Italy Evelyne falls in love with a young Frenchman, Rémy. While Evelyne is profoundly unsettled by this romantic entanglement, Rémy regards it as a mere distraction and soon heads back to Paris where he lives with his mistress, Marion. One day, Evelyne is overjoyed when she receives an invitation from Rémy to spend a weekend with him in Paris. The morning after their first night together in Rémy’s apartment, Evelyne accidentally breaks a glass ornament in the shape of a castle. The incident proves to be an omen of bad luck.
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Three shorter comedies: In “Saro Tutta Per Te” (I Will Be All Yours), Tognazzi is Enrico, a dentist who has agreed to vacation with his ex-wife at her lover’s villa. In “Si Buana” (Yes, Buana), Villaggio is Wilson, a man in charge of a group of tourists in Kenya. In the final episode, “La Vacanze Intelligenti” (Intelligent Vacation), Alberto Sordi is Remo, a greengrocer who, along with his wife, gets sent on a vacation by their well-meaning children who want to “improve” their parents’ minds by sending them off to see Etruscan tombs, hear performances of atonal modern music, and appreciate the wonders of avant-garde modern art.
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Young mother of two Eva is send on holiday to France by her husband to relief her stress. There she meets lesbian Liliane who lives in a commune.
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Medea is in Corinth with Jason and their two young sons. King Kreon wants to reward Jason for his exploits: he gives the hand of his daughter, Glauce, to Jason as well as the promise of the throne. In exchange, Medea and the boys are to be banished. Jason explains that his actions ensure a rich future for Medea and her sons. She asks that she be allowed to stay; Kreon refuses. She asks for one more day, and begs Jason to seek the king’s permission to allow their sons to stay in Corinth. Jason agrees and Medea prepares a gift for her sons to give to Glauce. Will Medea leave peacefully?
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Tsuboi and Kinoshita have just arrived at a desolate town. Both of them are amateur filmmakers. Tsuboi is a screenwriter and Kinoshita a director. They have come to this town because Funaki, an actor, has tempted them to come here, but he has yet to arrive. Tsuboi and Kinoshita start wandering around the town and happen to meet a young woman, Atsuko. The three of them go on a journey together and become friends. But one day, Atsuko disappears.
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‘Kurt’ claims to be a sales rep. He also claims to be English in spite of his heavy Italian accent. Kurt is an habitual liar and a dangerous driver, at the very least. In the south of France he meets Léa, age 16. Between his increasingly strange dates with Léa, Kurt engages in a number of armed robberies, some successful, some not… The police are perplexed by a series of crimes including disappearances and a murder. They conclude that they are dealing with a madman… After he proposes, Léa breaks up with Kurt. The attempt to find a new girlfriend leads to a shooting by Kurt, now calling himself André. Léa’s information identifies Kurt/André as Roberto Succo, psychiatric patient and parental murderer. The police hunt for Roberto covers three countries.
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A film comprised of three interconnected vignettes that depict women at three stages of life in Iran. The first part centers on a young girl on her ninth birthday who is told that she can no longer play with the boys she had been playing with only the day before because she is now a woman. Told from the perspective of a 9-year-old girl who does not feel like or know what the word “woman” refers to, we see how devastatingly this affects both the girl and the boy with whom she had been friends. The second part is about a young woman who decides to enter a bicycle race against her husband’s wishes. As first, the husband and then increasing numbers of men from her village ride beside her on horseback to convince her to return home. The race begins to symbolize a freedom that she desperately wants from the limitations that have been placed on her. Finally, the third part shows us an old woman who has come into some money and is now free to do what she wants.
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An American starlet inflames two Italian peasants who forget about their respective fiance’s. One of them even thinks of marrying her and begins to plan for the engagement banquet. When the girl decides to live the countryside harmony reigns again.
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An American ballerina arrives in Hungary to enroll in a ballet school and it soon becomes apparent that things are not what they seem.
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