Tag Archives: english subtitles

This early gem starring the great Mifune Toshiba tells the tale of Katakana Yonetaro aka “The Shark,” a rough-and-tumble horse trader in Japan’s rugged northernmost territory of Hokkaddo.. always ready to drink, fight, gamble and chase women he falls victim to a crooked game with loaded dice. This little-known film captures the wild ways of early Japan after the fall of the shogunate when men had only their own strengths and skills to rely on. A brilliant yet tragic tale that can now be told.
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Bored by spending the summer in the city, 15-year-old Rita decides to take a fancy to her new neighbor, a photographer who is setting up an exhibit of his shots in Melanesia. What starts as a game turns into a blazing crush and Rita can’t distinguish between reality and fantasy anymore.
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Cold War-era international intrigue, declassified top-secret documents, and a clandestine deal between John F. Kennedy and Yugoslavia’s president Josip Tito are just the tip of the iceberg in this absorbing directorial debut from filmmaker Žiga Virc. Blurring the lines between fact and fiction, Houston, We Have a Problem! explores the myth behind the origins of America’s race to be the first country to send a man to the moon, and a supposed multi-billion-dollar deal involving America’s purchase of Yugoslavia’s space program in the early 1960s.
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After escaping from an asylum the mad Dr. Niemann and his hunch back assistant revive Count Dracula, the Wolf Man and the Frankenstein monster in order to extract revenge upon their many enemies.
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Jesus Franco, also known as Jess Franco, was one of the biggest names in cinema “B” worldwide. With more than 200 works and a large and peculiar use of pseudonyms, his work remains difficult to categorize, which makes it more exciting if possible. Through a series of interviews with Franco, “Call him Jess Redux” about the viewer sadist, esoteric and erotic world of the director, as refined as rogue. This new version of “Call him Jesus” (2000), considered the documentary reference Franco and directed by Carles Prats and Manel Mayol, incorporates new unpublished statements irreducible Madrid filmmaker and pays homage to his muse and companion, Lina Romay incorporating their active presence the story.
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“Jigger’ Lane forms a band that includes singer Ginger ‘Character’ Powell, wife of the trumpeter Leo Powelll, and Nickie Haroyen and Peppi. All of them dedicate themselves to work as a unit and to play ‘blues’ music. The dedication isn’t paying off in money and, while riding the rails in a boxcar, they meet and befriend a gangster named Del Davis. He offers them a job at a New Jersey roadhouse, where Powell falls in love with Kay Grant, a former ‘real-good friend’ of Davis. But when Powell learns that ‘Character’ is about to have a baby, he returns to her. “Jigger” tries to make Kay the band’s singer and, when this fails, runs off with her. She leaves him with nothing to show for him except a nervous breakdown.Back at the roadhouse, after his recovery, Kay shows up, has a quarrel with Davis, shoots and kills him and plans to take back up with “Jigger”, who knows better but just can’t help himself. While she is waiting in a car for him, along comes cripple Brad Ames, who she put in …
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There is something vaguely mythical to the manner in which Konwicki introduces his characters, both to us and to each other, lapped as much by the ethereal eeriness of the score as by the seaside winds that send their hair aflutter. When they tend to speak to each other in whispers, it seems almost out of respect for the otherworldly aura of their locale, as though it is to their eyes as improbably beautiful as Konwicki’s camera renders it to us. They—referred to in the credits only as “He” and “She”, mysterious and mythical in themselves—do not whisper much; there’s a clear silent heritage at work here, conferring meaning to the motion of faces and the movement of the camera along this spectral shore.
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Follows the fluctuating fortunes of three friends in feudal Japan who are ronin: masterless warriors, who wander from castle to castle, selling their services to whichever lord will fill their rice bowls. These are not the YOJIMBO Super Samurai but rather the rank and file, the spear-carriers. The irony is that even though they use the servants’ entrance, they still feel themselves bound by the samurai code of Bushido; and this tension leads to tragedy.
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A young doctor at a hospital, Susan Wheeler (played by Geneviève Bujold), starts noticing a pattern of strange occurrences with patients. Healthy patients are suddenly developing complications and ending up in comas. She starts investigating and what she reveals is astonishing.
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In 1960, a group of social outcasts who are bullied by a gang of greasers led by Henry Bowers are also tormented by an evil demon who can shape-shift into a clown and feed on children’s fears and kill them. After defeating the demonic clown as kids, it resurfaces 30 years later and they must finish it off as adults once again.
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