Tag Archives: english subtitles

The owner of a large bookstore chain starts putting the owner of a small local bookstore out of business. Meanwhile they have been corresponding over the internet without knowing who either of them are. They can’t stand each other in person but over the internet they are very attracted. He finds out who she is but she doesn’t know. He starts to like her more but she still hates him. He has to fix it.
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Rosalba, a young tourist guide, suffers from a strange ailment: the very least melody sets off in her gesticulation and she beings to dance, as suddenly as uncontrollably. Despite her ruses to hide her eccentricity, this uncontrollable body might well seduce her surprising co-worker, Alain.
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A stowaway (Stanis?aw Tym) sneaks aboard a ship departing on a cruise down the Vistula River. The captain takes him for a Communist Party cultural coordinator and the intruder gladly adapts to his new role, immediately setting to work at manipulating the passengers and crew into silly and vaguely humiliating games. Before long, Tym has got everyone under his thumb and created his own comedic dictatorship.
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It all begins when an average family (slightly chilly because they’re forced to take their vacation out of season) is struck by good fortune.
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When a man vanishes without a trace, his wife becomes the number one suspect. Trying to prove her innocence, she digs for the truth and unearths dark secrets about the man she thought she knew.
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When Maggy Fuller (Aley Underwood) receives an anonymous letter full of praise and encouragement, she can?t imagine who would say such wonderful things to her. After all, the rebellious teenager is practically invisible to her dad and a disappointment to her mom. Her search for the mysterious letter?s author leads her Sam Worthington (Bernie Diamond), an aging man who tries to change the world using a pen name, a phone book, and one handwritten note at a time. Maggy?s unlikely new friend seems to know her better than anyone and inspires her to become a letter writer, too, but a tragedy tests her faith, forcing her to continue her search for her own purpose in life.
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This rock opera tells the story of one year in the life of a group of bohemians struggling in modern day East Village New York. The story centers around Mark and Roger, two roommates. While a former tragedy has made Roger numb to life, Mark tries to capture it through his attempts to make a film. In the year that follows, the group deals with love, loss, AIDS, and modern day life in one truly powerful story.
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China’s enfant terrible Lou Ye returns after a five-year government ban on filmmaking with Mystery (2012), a rain-soaked melodrama set against the disconsolate mist of Wuhan’s impetuously erected industrial landscape. Opening with an explosive car crash, Ye’s latest is a tangled wreck of moral impasses and social inspection. Slicing through a sheet of unrelenting rainfall, two modified sports cars – driven by a group of insufferably affluent kids – race through the streets of the Hubei province capital. Their recklessness is dramatically halted, however, when they fail to notice a young woman who has wandered into the road.
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Jessie McMullen (Sean Connery) is a widower, a tough guy and most of all, proud of his past as a career criminal (now semi-retired). He raised his son Vito (Dustin Hoffman) to follow in his footsteps, but Vito went straight once he had a son of his own, Adam (Matthew Broderick). Over the years, Vito became ashamed of his family’s criminal past. He has tried to raise his son right, which in his mind means keeping young Adam away from his deadbeat grandfather. Little does Vito know that this strategy has backfired; the mystery surrounding Jessie has caused Adam to idolize him.
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Rinku is a suicide-prevention counselor, living with her husband Shigehiko. He’s older than she, scrubbing things constantly, sexually indifferent. They sleep apart. During Tokyo’s rainy season, Iguchi, a photographer Rinku has counseled by phone, sends her pictures he has taken through her skylight: she’s wearing a short skirt, masturbating. He offers her the negatives if she’ll follow his instructions. She’s humiliated and agrees. He tells her he’s only giving her license to express her inner desires. He sends her into the night to walk on the wild side. Then, she asks a favor of him, and soon her husband receives phone calls and photographs. Where will this triangle lead?
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Saya (Yui Aragaki) is a young widow mother. Her husband Yutaro (Yo Oizumi) died in an accident. Yutaro abandoned his wealthy family to marry Saya. To protect her baby, she goes to the town of Sasara where her aunt lived. Her aunt passed her house down to Saya. Saya and her baby settles down there, but she has difficulties dealing with her situation. At this time, her dead husband Yutaro borrows other people’s bodies to help Saya, but Yutaro’s family tries to take her baby away.
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A raucous teen boy with a feminine face is teased everywhere, so his odd biker father dresses him as a girl and sends him to an all-girl school. The lad introduces himself as Sukeban, and a classmate, Michiko, takes him to after-school activities. Lessons on humility turn violent when a masked hatchet-wielding woman turns up. Jealousy, syringes of hormones, bare breasts, a blood bath, and more figure in the resolution.
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Continuing his penchant for directing films in the characteristically Japanese genre he virtually created, director Takashi Ishii here presents yet another stylish rape/thriller. Nami is an attractive woman, and she loves her husband, who runs the real estate agency she works at. One day, during a rainstorm, a mysterious drifter stumbles into her and, following her on her way back to the office, asks for (and gets) a job from her husband, over her protests. Not long after that, Nami and the newcomer are trading amorous glances. When the drifter gets her alone in a model house, he rapes her on the floor. For some reason, this doesn’t offend Nami, and she encourages the socially backward man to take her to bed often. Eventually, the two of them decide to do away with her husband, despite the fact that Nami still loves him.
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John and Laura Baxter are in Venice when they meet a pair of elderly sisters, one of whom claims to be psychic. She insists that she sees the spirit of the Baxters’ daughter, who recently drowned. Laura is intrigued, but John resists the idea. He, however, seems to have his own psychic flashes, seeing their daughter walk the streets in her red cloak, as well as Laura and the sisters on a funeral gondola.
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Bernhard Wicki’s astonishing The Bridge was the first major antiwar film to come out of Germany after World War II, as well as the nation’s first postwar film to be widely shown internationally, even securing an Oscar nomination. Set near the end of the conflict, it follows a group of teenage boys in a small town as they contend with everyday matters like school, girls, and parents, before enlisting as soldiers and being forced to defend their home turf in a confused, terrifying battle. This expressively shot, emotionally bruising drama dared to humanize young German soldiers at a historically tender moment, and proved influential for the coming generation of New German Cinema auteurs.
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