Tag Archives: Denmark

A satire, psychological drama and comedy rolled into one, director Erik Clausen’s Villa Paranoia adeptly draws upon rich characters, who demonstrate the values and strength of the human heart, to create a portrait of Denmark today.
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Malmö, Sweden during the Second World War. Stig is a 15 year old pupil on the verge of adulthood. Viola is 37 years old and his teacher. He is attracted by her beauty and maturity. She is drawn to him by his youth and innocence, a god-sent relief from her drunk and miserable husband. They start a passionate and forbidden relationship – but it has consequences they never could have expected.
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In a secluded valley in Iceland, Gummi and Kiddi live side by side, tending to their sheep. Their ancestral sheep-stock is considered one of the country’s best and the two brothers are repeatedly awarded for their prized rams who carry an ancient lineage. Although they share the land and a way of life, Gummi and Kiddi have not spoken to each other in four decades. When a lethal disease suddenly infects Kiddi’s sheep, the entire valley comes under threat. The authorities decide to cull all the animals in the area to contain the outbreak. This is a near death sentence for the farmers, whose sheep are their main source of income, and many abandon their land. But Gummi and Kiddi don’t give up so easily – and each brother tries to stave off the disaster in his own fashion: Kiddi by using his rifle and Gummi by using his wits. As the authorities close in the brothers will need to come together to save the special breed passed down for generations, and themselves, from extinction.
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When a high-school girl complains of her inability to reach sexual climax, her doctor suggests that she keep a diary of her sexual encounters. She does just that and soon finds herself caught up in a sexual merry-go-round that includes making a hardcore porno film in Sweden, an escapade with a German sadist and a lesbian encounter.
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It all begins when an average family (slightly chilly because they’re forced to take their vacation out of season) is struck by good fortune.
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Anna is a modern, independent single girl, focused on her job and wary of getting caught in romantic relationships. Her life is all about fun. Strangers without strings. No commitment, no casualties. She has just found a new apartment, and is tempted to let her latest boyfriend, Frank, move in with her. Instead, she finds a tenant: The flamboyant, fun-loving Camilla, who shares Anna’s views on love and commitment. But then an old boyfriend happens to knock on her door: Johan, the very man who five years previously broke Anna’s heart. Anna is tempted. It’s not good. More than ever, she needs to get back on the merry-go-round and move on. Fortunately, she receives an offer to design costumes for a theatre in Paris. As far away from romantic temptation as possible — right?
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Like modern times’ Don Quixote and Sancho Panza, Sam and Jonathan, two travelling salesmen peddling novelty items, take us on a kaleidoscopic wandering through human destinies. A trip that shows us the beauty of single moments, the pettiness of others, the humor and tragedy that is in us, life’s grandeur as well as frailty of humanity.
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Set in the late 1800s, Hunger is about a struggling, starving Norwegian writer (Per Oscarsson) who rejects charity, even though he lives penniless in the streets, because he believes in the strength of his talent. Oscarsson won the Best Actor Award at the Cannes Film Festival for his remarkable performance. The film is based on Knut Hamsun’s novel, Sult.
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32 year old Charlotte (Trine Dyrholm) could have it all, but she doesn’t want it. After moving out of her boyfriend’s apartment, she becomes the upstairs neighbor of Veronica (David Dencik), who is in the process of transitioning from male to female.
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Emma (Line Kruse) is an eleven year-old only child from a wealthy Danish family. Emma’s parents seem more interested in their own interests than in her. One evening when Emma overhears her mother talking about how tragic it must be to have your child kidnapped, Emma decides to stage her own kidnapping. She soon meets Malthe, a kind-hearted, child-like, naïve sewer cleaner who literally stumbles on to her. She convinces Malthe that she is a Russian princess whose family is being chased by Bolsheviks, so Malthe lets Emma stay with him in his very modest abode. After being “kidnapped” for a few days, Emma decides to return home. But, just as she is about to return, she overhears a couple of servants talking about how her parents don’t seem to be very upset over her dilemma. She then returns to Malthe and a close bond soon develops between Emma and Malthe. Meanwhile, the police are finally called and begin their investigation. Emma writes a ransom note for $2000, and her father pays it.
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