Tag Archives: Czechoslovakia

A tragicomic film about people from the social periphery. Director Dušan Hanák portrayed his characters with a sensitive understanding, without romanticizing. That was also why the f ilm, similarly to Hanák’s previous works 322 and Pictures of the Old World, ended up on a shelf until 1988. Impressive performances are given by Czech actress Iva Janžurová, Polish actor Roman Klosowski and Serbian actor Milan Jeli?. In 1989, the film won a Silver Bear for Best Directing from the IFF Berlin.
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The protagonist (Rudolf Hrusinsky) is a dull, fat, shy government clerk indulging in voyuerism and ego fantasies. In love with another clerk (Kveta Fiolova), he is urged on in his pursuit by a commiserate executive. The story is told in a flashback sequence as the cuckolded Hrusinsky attempts suicide by gassing himself in his bathtub. The “Murder” of the title is not a murder as such, rather the murder that Hrusinsky remembers planning upon discovering his wife’s unfaithfulness with his supposed friend and advisor. Both plots failing in his mind, he loses himself in fantastic reveries of his funeral and of hypocritical mourners. ‘ Deciding (perhaps) that this is not the way out either, he gives up the attempt and imagines a life of reconciliation and eventual affluence.
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It’s Sunday morning. The church bells call people to the Mass, but the army officer Arnost is still sleeping in his austere and shabby room in the barracks. He wakes slowly, and attunes himself step by step to the world and what to do this arid Sunday. He loads his pistol and puts it to his head and in his mouth, without firing it off. While he turns around, he is now and then interrupted by short flashbacks in his memory of situations with frivolous women and much drinking, as well as some daydreams about enforced weddings. He has a relationship with three blond women. Two of them are adult. One is willowy and a bit aloof, the other voluptuous and possessive. The third is a little girl, who he likes to talk with. He goes to the gatekeeper of the barracks, and starts a chat. Through a spyglass he suddenly sees two young women sunbathing topless. As it is within the military area, he orders the gatekeeper to arrest them. The women don’t take him seriously, but he writes a report.
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The Organ is a drama set in the times of the wartime Slovak State. A young Polish deserter and gifted organist finds shelter from the fascists in a Slovak Franciscan monastery. He gets into a conflict with the local organist and choir leader, a man limited in his world views and spiritual values. The collision of talent and beauty with pettiness and closed-mindedness leads to envy and ill will, which draw young Felix away from his temporary hiding place and back to the dangers of war.
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In 1900, Stepha, the vivacious 30 year old daughter of a wealthy couple, agrees to marry her cousin Paul, who has accumulated large debts as an Austrian army officer. Paul refuses to work or to consummate the marriage, and then his health steadily declines.
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A WW2 story of a young Austrian soldier running from the Russian army and a woman whom he forces to come along in order to save his wounded mate.
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Tale Bozena Nemcova served as a template for a romantic story about a courageous, self-made girl scorned daughter of a shepherd, who is not afraid of anything – neither night nor swim. But the superstitious villagers about her telling all sorts of strange things, even seeking union with the powers of hell. Bold and courageous Bara stupid prejudices of their fellow men almost suffer. Energetic girl brings her pieces to boil the whole village.
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A new teacher with high standards and a strong sense of duty replaces an easy grader. Once bad grades begin to pile up, a product of his predecessor’s subservience to the system, the new teacher has to stand up for himself and his students.
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