
This mini-series tells for the first time the full story of British Security Coordination Read More »
Tag Archives: Barbara Hershey
Americana (1981) David Carradine

In a small town in rural Kansas, a troubled veteran attempts to restore an old merry-go-round ride. Read More »
Shy People (1987) Andrey Konchalovskiy, Jill Clayburgh, Barbara Hershey, Martha Plimpton

New York pretentious Diana Sullivan is writing a series of articles on the theme of “family” for Cosmopolitan magazine. Read More »
The Public Eye (1992) Howard Franklin, Joe Pesci, Barbara Hershey, Richard Riehle

Leon Bernstein is New York’s best news photographer in 1942, equally at home with cops or crooks. Read More »
A Soldiers Daughter Never Cries (1998) James Ivory, Leelee Sobieski, Kris Kristofferson, Barbara Hershey

This fictionalized story, based on the family life of writer James Jones, is an emotionless slice-of-life story. Read More »
The Last Hard Men (1976) Andrew V. McLaglen, Charlton Heston, James Coburn, Barbara Hershey

In the early 20th century, some convicts while on a road gang escape and one of the convicts is Zach Provo Read More »
A World Apart (1988) Chris Menges, Barbara Hershey, David Suchet, Jodhi May

A White enclave in Johannesburg, South Africa, in the 1960s. Molly Roth, 13 years old, is the daughter of leftist parents Read More »
Passion (1999) Peter Duncan, Richard Roxburgh, Barbara Hershey, Emily Woof, Biography, Drama, Music, Romance
The complicated relationship between Percy Grainger, famous Australian-born early 20th century folk musician Read More »
Boxcar Bertha (1972) Martin Scorsese, Barbara Hershey, David Carradine, Barry Primus, Crime, Drama, Romance

Based on “Sister of the Road,” the fictionalized autobiography of radical and transient Bertha Thompson as written by physician Dr. Ben L. Reitman Read More »
The Stunt Man (1980) Richard Rush, Peter O’Toole, Steve Railsback, Barbara Hershey, Action, Comedy, Drama, Romance, Thriller

While on the run from the police, Steve Railsback hides in a group of moviemakers where he pretends to be a stunt man. Both aided and endangered by the director (Peter O’Toole) he avoids both the police and sudden death as a stuntman. The mixture of real danger and fantasy of the movie is an interesting twist for the viewer as the two blend in individual scenes.
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