Tag Archives: Ayumi Ishida

Akira comes to Kyushu to investigate the circumstances surrounding his father’s imprisonment more than 19 years ago. Read More »

During his travels, Tora-san gets drunk with an old man in Kyoto. Read More »

Retired yakuza gangster Shuji (Ken Takakura) moves back from Osaka to a remote coastal village to start a new life as a fisherman with his family, his arrival from the city coinciding with that of the beautiful bar hostess Keiko (Yuko Tanaka, who provided the voice of Lady Eboshi in Princess Mononoke). Keiko’s new bar, as its name Hotaru (‘firefly’) suggests is soon acting as a magnet for all the local fishermen, much to the chagrin of their wives. Not soon after the arrival of Keiko’s roguish lover Yajima (Kitano), also an ex-mobster, the locals are drawn into a host of collective vices including gambling and all-night drinking sessions. After a truly stand-out scene in which Yajima runs rampage through the village on a heroin-induced spree with a carving knife, he is run out of town by Shuji, but not before slashing Shuji’s shirt open during the fracas to reveal the tattoo of a woman’s face upon his back. With Shuji’s gangster past now revealed he finds himself ostracised by the local community and drawn towards the sympathetic character of the bar hostess with whom he shares a common past. When Yajima rears his ugly head one more time in order to borrow money from Keiko to pay off a debt to the yakuza, it is to Shuji that she turns for help, threatening to upset his domestic apple cart and pitch him back towards his old life.
Read More »

A very beautiful film. This is a Ken Takakura vehicle, and as such follows his formula. Takakura plays to type as the laconic brooder who suffers multiple tragedies with manly stoicism. While the variety of his film varied greatly, his films with director Yasuo Furuhata were always of the highest quality, and this is no exception. Takakura is a cop training to be a sharpshooter for the Olympic games, he divorces his wife and abandons his daughter when he discovers she’s had an affair. Later his coach is gunned down by a fleeing criminal. Years later Takakura returns to his snowy hometown and starts an affair with a middle-aged bar owner. The story is a bit thick, with a number of subplots, yet it is extrordinarily melancholic, as Takakura seems to regret everything he’s done in his life and is made over and over again to relive his mistakes. There is very little “action” as such, and no yakuzas of any kind; but beyond that this is one of the most lushly beautiful and emotional films you can see (if you can see it), with an excellent score by Ryudo Uzaki.
Read More »