Tag Archives: Argentina

The epic story of the first contact, encounter, approach, betrayal and, eventually, life-transcending friendship, between Karamakate, an Amazonian shaman, last survivor of his people, and two scientists that, over the course of 40 years, travel through the Amazon in search of a sacred plant that can heal them. Inspired by the journals of the first explorers of the Colombian Amazon, Theodor Koch-Grunberg and Richard Evans Schultes.
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Daniel es un periodista al que le encargan un artículo a partir de la fotografía de un presunto suicida. Al iniciar la investigación, conoce a Marcela, la enigmática fotógrafa que le asignan como compañera, con la que no ha mantenido antes ninguna relación, y de la que comienza lentamente a enamorarse.
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Two rural Argentinean girls head for the capital with horrifying consequences in “A Fly in the Ashes,” a punchy drama about human trafficking that neatly balances grim social realism with a good story, an urgent message and a memorable perf from a Maria Laura Caccamo as an urban street saint. Helmer Gabriela David has wisely larded her joyless little tale with strong characterizations and suspense, and the result has generated decent fest play on the Spanish circuit. Further exposure is warranted for an item that, while local in treatment, carries universal resonance.
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In Patagonia, a successful interior designer’s life falls apart after he suffers a horrific accident.
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An older European woman becomes enchanted with a young Dominican woman who must struggle to make ends meet. Love brings a flow of entanglements in a drama which unfolds like palm trees in an irresistible storm.
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A group of children, age 7 through 14, are left home alone at a house in a secluded community in the countryside. Their innocence is gradually corrupted as they experiment with rule-breaking, ultimately leading to house break-ins around the neighborhood.
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From the port of Santa Maria of Buenos Aires, the city as a desert where we can not expect mercy or no relief. Black and sound vessels. Orchestral trains. Abandoned children. Lights of methylene blue. Theater lobbies. Broad avenues. Straight narrow streets. Studies outdated. Air collisions. Smokeless chimneys. Identical letters. Furtive encounters. Prefabricated swamps. Slimy beds. Prohibited Islands. Almost a million books. Stone angels. Allegorical stones. Songwriters locals body and soul. Deceptions. Robberies. Scams. Black and white images of a dead Buenos Aires. Eleven directors collective experiment with thirty two characters over a city of five parts: Traps. The money. Desert. Lights. The dead. Temperate and relatives, the remains of a shipwreck: Speaking of Buenos Aires. These young directors met to collaborate on this unusual project, not only for its technical specifications, but for its narrative structure. There are several scenes joined together only by the city. None of these has come to define a unique story, each is part of a larger situation that we see, as if the beginning and end of each story should be completed by the viewer. Or rather, as if there were no need to begin and end because, ultimately, this is nothing more than the conventional way of telling stories.
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A teenage summer in a small town in the desert, a dysfunctional family, a rock band, a can full of glue, two boys, one girl, loads of tongue kisses, dry heat, wind in Patagonia, existential angst… A teenage story in the middle of nowhere.
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Buenos Aires at the end of summer. Marina, Sofia and Violeta are alone in the family home after their grandmother, who had brought them up, has died. They have to come to terms with her death, each in her own way. Marina concentrates on her studies while looking after the household, whereas Sofia becomes obsessed by her appearance and goes out with friends. As for Violeta, she wanders around between bedroom and sitting room where, from time to time, she receives an older man. Discord, laughter, meanness, gestures of affection determine the rhythm of this period of uncertainty, until one day in autumn Violeta disappears without warning…
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