After World War II is over, two Army pals take opposite paths in civilian life. Read More »
Tag Archives: Anne Crawford
Millions Like Us (1943) Sidney Gilliat, Frank Launder, Patricia Roc, Gordon Jackson, Anne Crawford
Categorised as a British World War II propaganda film this less known example is a superb work Read More »
It’s Hard to Be Good (1948) Jeffrey Dell, Anne Crawford, Jimmy Hanley, Raymond Huntley
A conscientious captain emerges from the war with ambitions to spread peace Read More »
Caravan (1946) Arthur Crabtree, Stewart Granger, Jean Kent, Anne Crawford, Adventure, Drama, Romance
During the last half of the 19th century writer Richard Darrell saves Don Carlos from two robbers, and is entrusted by Don Carlos to take a valuable necklace to Spain. Richard leaves his fiancé, Oriana, and starts the trip. He meets Wycroft, a henchman for Sir Francis Castteldow, an aristocrat out to steal Oriana from Richard. The latter is assaulted, robbed and nearly killed and, as a result, loses his memory. He marries a gypsy girl, Rosal, while Oriana, thinking him dead marries the dastardly Sir Francis. Everybody will meet again. Complications will arise.
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Mad About Men (1954) Ralph Thomas, Glynis Johns, Donald Sinden, Anne Crawford, Comedy, Fantasy
Gymnastics school teacher Caroline Trewella inherits a house on the Cornwall coast. In the basement/smuggler’s cave, she discovers mermaid Miranda. The young women share a common ancestor and are remarkably alike in looks. While Caroline is away on a bicycling tour, Miranda has fun taking her place on land. With the help of her friend Nurse Carey, Miranda feigns an injury that keeps her wheelchair-bound… or more often needing to be carried by a man. And the ever flirtatious Miranda certainly knows how to attract all the men of the village!
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Headline (1943) John Harlow, David Farrar, Anne Crawford, John Stuart, Crime, Drama, Thriller
Headline serves as a vehicle for handsome David Farrar, who in 1943 was Britain’s fastest-rising leading man. Farrar is cast as Broogle, a crime reporter who’ll do anything-ANYTHING-for a story. When the wife of the publisher disappears after witnessing a murder, Broogle ignores Scotland Yard’s warnings to “lay off” and endeavors to solve the mystery himself. The film’s best performance is rendered by BBC radio favorite Richard Goolden, cast as a self-styled “psychological” detective. While genuine journalists howled at the innacuracies in Headline, audiences ate it up.
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