Tag Archives: 2000s

A reclusive telemarketer has only one semblance of a friend: His telecommuter boss. But the telemarketer’s social circle seems to improve greatly when a whimsical co-worker enters his life. Only, as he begins to sketch his new friend’s portrait, disturbing “voices” from the phone man’s past threaten to lead him into a network of destruction.
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From executive producers Wes Craven, Ben Affleck, Matt Damon and Chris Moore comes the “incredible horror extravaganza” Feast (Harry Knowles, Ain’t It Cool News), whose production was chronicled on the third season of Bravo’s hit reality series Project Greenlight. When a motley crew of strangers find themselves trapped in an isolated tavern, they must band together in a battle for survival against a family of flesh-hungry creatures. Terrifying and full of surprises, Feast turns the screen blood red as the group is devoured one-by-one.
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Locked doors, and the monster inside us. In L.A., tightly-wound Julian Wright is separated. He meets Michael, she’s seductive and uninhibited; by chance, a few days later they connect. The PR firm where he’s creative director is competing to be bought by a household name (think Proctor & Gamble); winning will bring money, status, and a big ad budget. His firm’s win depends on both his ideas and his maintaining traditional values; so, he puts his divorce on hold. His family adds problems: childhood memories and his sister’s abusive husband threaten his balance. His fuse is short. Will self control hold obsession and fury in check, or is Michael the spark that will start a conflagration?
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This rock opera tells the story of one year in the life of a group of bohemians struggling in modern day East Village New York. The story centers around Mark and Roger, two roommates. While a former tragedy has made Roger numb to life, Mark tries to capture it through his attempts to make a film. In the year that follows, the group deals with love, loss, AIDS, and modern day life in one truly powerful story.
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China’s enfant terrible Lou Ye returns after a five-year government ban on filmmaking with Mystery (2012), a rain-soaked melodrama set against the disconsolate mist of Wuhan’s impetuously erected industrial landscape. Opening with an explosive car crash, Ye’s latest is a tangled wreck of moral impasses and social inspection. Slicing through a sheet of unrelenting rainfall, two modified sports cars – driven by a group of insufferably affluent kids – race through the streets of the Hubei province capital. Their recklessness is dramatically halted, however, when they fail to notice a young woman who has wandered into the road.
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Colum Kennedy went with his family to an Irish village to visit the places of origin of their ancestors. Once he arrived in the village realizes that the community is populated by beastly shape-shifting beings able to transform into animals. Colum begins to feel an intense passion for a woman who can transform into a wolf and must make a choice: return to his family and bring her home or to give in to temptation.
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Rinku is a suicide-prevention counselor, living with her husband Shigehiko. He’s older than she, scrubbing things constantly, sexually indifferent. They sleep apart. During Tokyo’s rainy season, Iguchi, a photographer Rinku has counseled by phone, sends her pictures he has taken through her skylight: she’s wearing a short skirt, masturbating. He offers her the negatives if she’ll follow his instructions. She’s humiliated and agrees. He tells her he’s only giving her license to express her inner desires. He sends her into the night to walk on the wild side. Then, she asks a favor of him, and soon her husband receives phone calls and photographs. Where will this triangle lead?
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Saya (Yui Aragaki) is a young widow mother. Her husband Yutaro (Yo Oizumi) died in an accident. Yutaro abandoned his wealthy family to marry Saya. To protect her baby, she goes to the town of Sasara where her aunt lived. Her aunt passed her house down to Saya. Saya and her baby settles down there, but she has difficulties dealing with her situation. At this time, her dead husband Yutaro borrows other people’s bodies to help Saya, but Yutaro’s family tries to take her baby away.
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Roxanna (Misty Mundae) knows who she wants, what she craves, and how to get them, and nothing or no one is going to stop her. She spends her night and days experimenting with her sweet young body – satisfying a hot erotic appetite with an endless parade of female loves. But Roxanna’s obsession with exquisite pleasure of the flesh begins to take over her life, and soon lesbian desires surge beyond her control! Naughty fantasies become mouth watering reality, and Roxanna loses herself completely to this world of delectable sin. With the final realization that she has taken things too far, further than her mind and body can handle, Roxanna must come to terms with her insatiable libido or face the devastating consequences.
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When the Jade Empress hatches a plan for world domination, it’s up to crime-fighting duo Bikini Avenger and Thong Girl to stop her and her nefarious minions.
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