Tag Archives: 2000s

Juan, a young man convicted of terrorism, is given amnesty from a Lima prison; he boards a bus to return home and, in his mind’s eye, recalls events in his village near Huaraz when he was 10 or 12. His father is long dead, his mother lives with Fermin, secretly a sympathizer with the Communist guerrillas in the hills. Town leaders are assassinated at night. When Juan discovers Fermin’s secret, Juan is spirited away to the guerrillas to learn Marxist slogans and how to fight. When the band decides to attack the town to avenge the death of a comrade, Juan must choose. There are no white hats on any side: critical thought without love of life bears no fruit, writes Erich Fromm.
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On the surface Henrik and Nina Christofferson are an ordinary family living happily. But they have a problem. Their daughter, Stine, a difficult 14 year old, has a habit of telling lies in class. When Stine accuses her father of sexual abuse, and is believed by seemingly eager social workers, their family is thrust into crisis. Could Henrik have done it? And when Stine prepares to return home, the ugly side of family life is exposed.
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“Adam Resurrected” follows the story of Adam Stein, a charismatic patient at a mental institution for Holocaust survivors in Israel, 1961. He reads minds and confounds his doctors, lead by Nathan Gross. Before the war, in Berlin, Adam was an entertainer–cabaret impresario, circus owner, magician, musician–loved by audiences and Nazis alike until he finds himself in a concentration camp, confronted by Commandant Klein. Adam survives the camp by becoming the Commandant’s “dog”, entertaining him while his wife and daughter are sent off to die. Years later we find him at the Institute. One day, Adam smells something, hears a sound. “Who brought a dog in here?” he asks Gross. Gross denies there is a dog but Adam finds him–a young boy raised in a basement on a chain. Adam and the boy see and recognize each other as dogs–and their journey begins. “Adam Resurrected” is the story of a man who once was a dog who meets a dog who once was a boy.
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In 1958, in New York City, the upper class Diane Arbus is a frustrated and lonely woman with a conventional marriage with two daughters. Her husband is a photographer sponsored by the wealthy parents of Diane, and she works as his assistant. When Lionel Sweeney, a mysterious man with hypertrichosis (a.k.a. werewolf syndrome, a disease that causes excessive body hair), comes to live in the apartment in the upper floor, Diane feels a great attraction for him and is introduced to the world of freaks and marginalized people, falling in love with Lionel.
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Only 5 flight hours from Paris, in a working-class suburb of Tel Aviv, two people meet. He is a bred-and-born Israeli and she is a Russian immigrant. He is a taxi driver and she is a music teacher. He has no aspirations. She gave up hers long ago. He is afraid of flying and she is about to fly away. What are the odds of them ending up together?
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In Montreal, the teenagers Manon, Anne, Isa, Claudie and Sophie are friends since their childhood. While spending a couple of days in the cottage of Sophie’s parents nearby a lake, the girls decide to give a party, and Manon and Sophie hitch for a ride to the town in a jeep to buy some beers and supplies and they invite the driver to the party. On the return, the same driver stops the car and later Sophie is found stabbed, raped and covered of blood. Fifteen years later, Manon sees the guy in a car-wash and she invites her former friends to return to the house nearby the lake, where wounds of their traumatic loss are disclosed.
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The taboo relationship between young Nadav and his Aunt Nina transcends definition on its way to odd highs and lows.
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Story of a nine-and-a-half year old girl left alone in Sweden while her family is in Africa during the summer of 1981. Read More »

Kaspar and the class pushover Joosep are 16 and life in high school isn’t easy. Without meaning to, Kaspar defends Joosep against the bullying of his classmates, but every time Kaspar tries to him, it backfires, with the class taking it out on Joosep. Kaspar just wants his friends, his girl and his unassuming life back. Joosep wants to regain his dignity and the chance to switch to a high school far away. But their classmates are relentless, going further and further with each incident.
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From the port of Santa Maria of Buenos Aires, the city as a desert where we can not expect mercy or no relief. Black and sound vessels. Orchestral trains. Abandoned children. Lights of methylene blue. Theater lobbies. Broad avenues. Straight narrow streets. Studies outdated. Air collisions. Smokeless chimneys. Identical letters. Furtive encounters. Prefabricated swamps. Slimy beds. Prohibited Islands. Almost a million books. Stone angels. Allegorical stones. Songwriters locals body and soul. Deceptions. Robberies. Scams. Black and white images of a dead Buenos Aires. Eleven directors collective experiment with thirty two characters over a city of five parts: Traps. The money. Desert. Lights. The dead. Temperate and relatives, the remains of a shipwreck: Speaking of Buenos Aires. These young directors met to collaborate on this unusual project, not only for its technical specifications, but for its narrative structure. There are several scenes joined together only by the city. None of these has come to define a unique story, each is part of a larger situation that we see, as if the beginning and end of each story should be completed by the viewer. Or rather, as if there were no need to begin and end because, ultimately, this is nothing more than the conventional way of telling stories.
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