Tag Archives: 2000s

Prepare yourself to be either infuriated or fascinated by this French film. There’s no in-between reaction available here.When people talk about seeing a really weird film where nothing happened and the end didn’t make any sense, this is the film they’re probably talking about. I’d call it fascinating, but I’m well aware that I’m probably in the minority.
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Year 1952. Bill Rowan is 18, dreaming his life away at the family’s riverside home, waiting to be called up for two years conscription in the Army. He swims each morning and yearns for a pretty girl who cycles past at that time on the tow path across the river. This idyll is shattered by the harsh realities of boot camp. He meets Percy, an amoral prankster, and together they plot the downfall of Sergeant Yeomans, their rigid tormentor. Percy and Bill are rivals and antagonists, but gradually forge a deep friendship. After basic training many conscripts are shipped out to fight the Chinese in the Korean War, but Bill and Percy are assigned to the claustrophobia of a closed, prison-like training camp where they act as instructors.
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In her teenage years, Qian Yiehong (Yan Bingyan) rejected a boy out of political differences. He hit her back with a brick, and since then her back has hurt whenever it rains. Some time later, she falls in love with a married man, but he betrays her in the end, leaving her with the pain of abortion. Qian finally gets married to a man whom she does not love. But when she divorces him, he brutally extract his tooth to give as a souvenir to her…
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Helena Trestikova is the author of 10 episodes from the series Women on the Brink of the New Millennium, intimate portraits of both successful women and women on the social periphery. The tragic story of a girl named Katka who believes that joy and happiness can be applied through a hypodermic needle. All she is left with is despair. We first meet Katka at a rehab clinic in Nemcice, still full of optimism and faith in a drug-free future. The film tries to draw attention to the drug problem from a somewhat different point of view.
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Bill and Turner Ross’s Tchoupitoulas begins with wistful narration from its young protagonist, an impoverished African-American boy with a distinctly Southern drawl detailing a dream he’s recently had: “I don’t really have dreams,” he says, “but last night I did. It was actually a close-up of my future—like a flashback, except a flashing future. I was dreaming I seen me in the NFL, and I was playing for the New York Giants.” Right away, the similarities between this doc-fiction hybrid and Benh Zeitlin’s Beasts of the Southern Wild are evident, which makes sense considering both films are products of Court 13, a so-called “independent filmmaking army” made up of a group of ex-New Yorkers who moved to New Orleans in hopes of fostering a grassroots film community. But thanks to its decidedly less sensationalistic point of view, Tchoupitoulas proves the perfect antidote to the twee affectations of Zeitlin’s feature.
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A day in the lives of a group of average teenage high school students. The film follows every character and shows their daily routines. However two of the students plan to do something that the student body won’t forget.
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J.KESSELS is both a hilarious road movie and a bittersweet trip down memory lane, a crazy ride in a flame-adorned Plymouth Gold Duster from provincial Holland to Hamburg’s Reeperbahn and back. And a hallucinatory trip through the mind of an author, who no longer knows if his novel is a product of his own imagination, or if he is actually living it. The lead character is Kessels, a chain smoking tough guy with a heart of gold. Kessels and Frans are ageing youngsters who like nothing better than to consume nicotine, beer and country & western music. However, in Frans’ novels Kessels and he are fearless crime fighters: heroes even, but the world around them is unaware of it. Heroes who create a flurry of misunderstanding at every step. Frans accepts the assignment for Kessels and him to kidnap a philandering criminal in Hamburg and return him to his wife, because the caller is the younger brother of BB, or Brigitte, once the focus of little Frans’ prepubescent sexual dreams and awakening…
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When Idaho Legislator Curtis Bowers wrote a “letter to the editor” about the drastic changes in America’s culture, it became the feature story on the evening news, people protested at the Capitol, and for weeks the local newspapers were filled with responses. He realized then… he’d hit on something. Ask almost anyone and you’ll hear, “Communism is dead! The Berlin Wall came down.” Thought the word communism isn’t used anymore, this film will show the ideas behind it are alive and well. Join Bowers for a fascinating look at the people and groups that have successfully targeted America’s morality and freedom in their effort to grind America down. It’s a well documented AGENDA.
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Determined to no longer work for anyone else, Jérôme tries to set up his own company, no matter the cost and despite his wife’s reluctance. Ugo, their 11-year-old son, plays tennis and wants to become a champion. To do so, he must get into the French national tennis training school at Roland Garros.
Like his father, Ugo is ready to do anything to achieve his aims. Together, Ugo and Jérôme come to learn that you can’t bend the rules in order to succeed.
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Tam, a timid loner, is bullied regularly by his fellow pupils at school. He is met with similar rejection and suspicion within the narrow confines of his parents’ dingy home, where his father beats him. One day Tam arranges online to meet Phum at a derelict swimming pool. They are both looking for sex, but their encounter leaves them with a feeling of comfort and security. A close bond develops between the two boys and, before long, they are roaming the rubbish heaps and dark corners of the city together, day and night. Phum opens a door for Tam, revealing a fantastical parallel universe full of spirits and dangerous encounters. Although he feels safe and loved for the first time in his life, Tam can no longer differentiate between dream and reality and finds himself increasingly drawn into a spiral of paranoia and violence. In his feature debut Boonyawatana leads his protagonist into an ambiguous microcosm full of chasms, at the same time cleverly toying with the conventions of different genres.
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