Tag Archives: 2000s

There are breakpoints in the history, the result of a single event may change the whole course… In 1909, an assassination attempt of a Japanese governor fails – the assassin was shot by a soldier. Now, in 2009, Korea is just another state of the Japan Empire and Seoul has become a major city. A Korean resistance group called Hureisenjin is formed to fight for liberty and independence. Two cops, a Japanese and a Korean (who denies his heritage) are investigating the actions of this “terrorist” group. And their work lead them to an artifact of the ancient Korean religion of “Sun and Moon”.
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Bored by spending the summer in the city, 15-year-old Rita decides to take a fancy to her new neighbor, a photographer who is setting up an exhibit of his shots in Melanesia. What starts as a game turns into a blazing crush and Rita can’t distinguish between reality and fantasy anymore.
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Cold War-era international intrigue, declassified top-secret documents, and a clandestine deal between John F. Kennedy and Yugoslavia’s president Josip Tito are just the tip of the iceberg in this absorbing directorial debut from filmmaker Žiga Virc. Blurring the lines between fact and fiction, Houston, We Have a Problem! explores the myth behind the origins of America’s race to be the first country to send a man to the moon, and a supposed multi-billion-dollar deal involving America’s purchase of Yugoslavia’s space program in the early 1960s.
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Jesus Franco, also known as Jess Franco, was one of the biggest names in cinema “B” worldwide. With more than 200 works and a large and peculiar use of pseudonyms, his work remains difficult to categorize, which makes it more exciting if possible. Through a series of interviews with Franco, “Call him Jess Redux” about the viewer sadist, esoteric and erotic world of the director, as refined as rogue. This new version of “Call him Jesus” (2000), considered the documentary reference Franco and directed by Carles Prats and Manel Mayol, incorporates new unpublished statements irreducible Madrid filmmaker and pays homage to his muse and companion, Lina Romay incorporating their active presence the story.
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A single mother struggles to pay the rent and put food on the table for her 10 year old son.
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Gabriel has been separated for four years now. Since then his 8 year old daughter is the center of his life. Completely avoiding getting involved in a new romantic relationship, Gabriel focus all his energy in his daughter and work. This plan gets spoiled when Vicky, a platonic love from his adolescence, now a beautiful and independent woman appears in his life. When romance is about to start, she puts one condition: She would never get involved with a man with children. She just does not want children in her life. When Gabriel is confronted with this, he says he has no children. From that moment on his life becomes a torment, playing every trick at hand in order to hide his child and belongings from Vicky in every date.
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1978. While the military coup that assaulted Brazil in 1964 starts to teeter, we follow a romance involving an 18 years old soldier and the cultural ringleader of an anarchist cabaret. Tattoo depicts the conflicts and reflections of a whole generation observed from a marginal perspective. Through the vantage point of the exception, the film elucidates the norm.
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When Jonathan Jordan gets divorced he’s thrust back into the world of being a single Mormon – a world who’s ultimate goal is eternal marriage. Struggling to fit in, Jonathan decides to stop going to church only to be pursued by the members of the local singles ward who want to reactivate him. Nothing works until Jonathan falls for Cammie Giles, the ward activities director. Suddenly, going to church becomes much more appealing. But is he going for the right reasons?
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The Chant of Steppes builds on a love triangle. Mohabat likes two men but she can not make the right choice and decides to marry the one who wins the bouzkachi contest. A poet and an artist have to cross mountains and steppes to engage in a noisy and dusty contest of horsemen in order to gain the hand and the heart of the beautiful Mohabat. The rules of the traditional Oriental game called bouzkachi are strict – a team of riders has to get the headless carcass of a ram clear of the other players to win the contest.
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Ivan is a priest in a rural church known for the apples that grow on a large tree in front. He’s odd: seeing the world through rose-colored glasses, in denial about personal facts, and convinced he’s at war with Satan. The rectory is a half-way house for recently paroled convicts. Adam arrives for 12 weeks, a large, tough neo-Nazi, first baffled by Ivan’s thick-headed optimism, then angry. He vows to break Ivan’s faith. Meanwhile, in exasperation at Ivan’s insistence, Adam sets a personal goal: to bake an apple pie. All goes awry for the tree: crows, worms, lightening. The Book of Job gives Adam perverse insight, and his hooligan mates provide the resolution’s spring.
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