Tag Archives: 2000s

On the most evil night of the year, a beautiful blond woman and ruggedly handsome archeologist hitman find themselves trapped in a forest haunted by bizarre flesh eating Native American demon zombies. As they flee the woman’s crime boss husband, who seeks to murder them for their illicit love affair, their car is destroyed in a head-on collision with one of the demons, a Stone Man. The blond woman and assassin must escape the perils of the dark and evil forest, on foot, without becoming demon food or getting themselves slaughtered by the woman’s vengeful, fat cat husband.
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Harry Balbo, a nerdy and spineless flange salesman, witness a violent killing by a gorgeous female vampire in a alley. Nobody believes him, neither does the police. Obsessed by the woman, Harry soon contacts a neighbor named Strickland, who is a vampire hunter, because he wants to find her. They begin to track the zone where she hunts to locate her refuge…
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Rosalba, a young tourist guide, suffers from a strange ailment: the very least melody sets off in her gesticulation and she beings to dance, as suddenly as uncontrollably. Despite her ruses to hide her eccentricity, this uncontrollable body might well seduce her surprising co-worker, Alain.
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When a man vanishes without a trace, his wife becomes the number one suspect. Trying to prove her innocence, she digs for the truth and unearths dark secrets about the man she thought she knew.
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When Maggy Fuller (Aley Underwood) receives an anonymous letter full of praise and encouragement, she can?t imagine who would say such wonderful things to her. After all, the rebellious teenager is practically invisible to her dad and a disappointment to her mom. Her search for the mysterious letter?s author leads her Sam Worthington (Bernie Diamond), an aging man who tries to change the world using a pen name, a phone book, and one handwritten note at a time. Maggy?s unlikely new friend seems to know her better than anyone and inspires her to become a letter writer, too, but a tragedy tests her faith, forcing her to continue her search for her own purpose in life.
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The Hamiltons deal with the sudden death of their parents, then seem to move on. David, the oldest, tries his best to take charge of the family. Twins Wendell and Darlene become more conniving and dark. Francis, the youngest and most sensitive of the group, finds an old video camera that reveals – beneath the veil of normalcy – something is very wrong with the family.
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From executive producers Wes Craven, Ben Affleck, Matt Damon and Chris Moore comes the “incredible horror extravaganza” Feast (Harry Knowles, Ain’t It Cool News), whose production was chronicled on the third season of Bravo’s hit reality series Project Greenlight. When a motley crew of strangers find themselves trapped in an isolated tavern, they must band together in a battle for survival against a family of flesh-hungry creatures. Terrifying and full of surprises, Feast turns the screen blood red as the group is devoured one-by-one.
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Locked doors, and the monster inside us. In L.A., tightly-wound Julian Wright is separated. He meets Michael, she’s seductive and uninhibited; by chance, a few days later they connect. The PR firm where he’s creative director is competing to be bought by a household name (think Proctor & Gamble); winning will bring money, status, and a big ad budget. His firm’s win depends on both his ideas and his maintaining traditional values; so, he puts his divorce on hold. His family adds problems: childhood memories and his sister’s abusive husband threaten his balance. His fuse is short. Will self control hold obsession and fury in check, or is Michael the spark that will start a conflagration?
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This rock opera tells the story of one year in the life of a group of bohemians struggling in modern day East Village New York. The story centers around Mark and Roger, two roommates. While a former tragedy has made Roger numb to life, Mark tries to capture it through his attempts to make a film. In the year that follows, the group deals with love, loss, AIDS, and modern day life in one truly powerful story.
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China’s enfant terrible Lou Ye returns after a five-year government ban on filmmaking with Mystery (2012), a rain-soaked melodrama set against the disconsolate mist of Wuhan’s impetuously erected industrial landscape. Opening with an explosive car crash, Ye’s latest is a tangled wreck of moral impasses and social inspection. Slicing through a sheet of unrelenting rainfall, two modified sports cars – driven by a group of insufferably affluent kids – race through the streets of the Hubei province capital. Their recklessness is dramatically halted, however, when they fail to notice a young woman who has wandered into the road.
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