Tag Archives: 2000s

As a twelve-year-old boy, Nicola de Leo already knew she wanted to become a woman. Today, the now forty-year-old transsexual lives in Venice and has changed her name to Nicole. She has undergone a hormone treatment and grown breasts, but she still lives inside the body of a middle-aged man, including a penis, a beard and a substantial Adam’s apple. This is why Nicole is applying for a sex change through official channels. ‘I never thought it would be so hard. I thought making the decision was enough,’ she says. During five tense years, Nicole fights her emotional and physical struggle in the presence of director Alberto Vendemmiati’s camera. Working as an actress, a seller of carnival masks and a prostitute, she finances her cosmetic treatments and looks forward to the subsidised sex change operation. Meanwhile, she turns to her elderly mother for support, who has a hard time accepting that her son will soon be a daughter.
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Louise Traon never films Manoel De Oliveira directly. Instead, she chooses to avoid him, skirt round him, skim past him and keep her distance, yet all the while drawing close to the art of cinema itself, homing in on its very essence. Her film tells the story of a girl who grew up with the images of an old gentleman, and who now wants to show her own images. This touching self-portrait gives insight into a man who appears to have lived many lives, showing his work through a remarkable link with time.
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In an indefinite time somewhere in the Arctic with Soviet soldiers, the nomads Saiva and her stepdaughter Anja are permanently moving seeking a safe place in the arctic tundra. They camp in a remote area far north where Saiva believes they will be safe and survive fishing and hunting reindeer and small animals. Their lives change when Saiva finds Loki, a frozen stranger that is dying in the ice. Saiva brings him to their tent and recalls when she met her boyfriend and his tribe; how soviet soldiers have slaughtered them and raped her; and how she rescued Anja and killed the aggressors. When Loki is recovered, he and Anja fall in love with each other, affecting her relationship with Anja.
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The story of Jesus Christ told from an Islamic perspective.
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Daft Punk’s Electroma is an odyssey of two robots who journey across a mythic American landscape of haunting, surreal beauty on a quest to become human. Their symbolic quest, which takes them from endless two lane highways to small idyllic towns to the arid desert, finds Daft Punk once again resisting conformity and developing new ways to highlight their inventive vision. A silent feature-length film that made its international debut at the 2006 Cannes Film Festival, Electroma will interest Daft Punk fans and film enthusiasts alike. With its breathtaking cinematography, innovative filming techniques, and above all its underlying search for humanity within a dystopian environment, Daft Punk have delivered a film that finds a common thread with their previous work while exploring new horizons as directors of their first feature film.
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Two best friends, So-yool and Yeon-hee, dream of becoming the top artists in Seoul together. But their friendship doesn’t last long as Yoon-woo, So-yool’s first love and songwriter, falls in love with Yeon-hee and her voice. So-yool’s feeling of jealousy and inferiority towards Yeon-hee grows by the day, and she eventually makes a drastic decision to bring the two lovers down.
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A man calling himself Jin-young walks into a police station to report a missing person: himself. Starting at the end of the story, Jin-young is revealed to be be Suk-won, a lawyer suffering severe memory loss and a total change of character. Formerly ruthless and calculating, the amnesiac Suk-won is kind and gentle; completely unlike the man his colleagues want for the important trial of their highest billing client, Mrs. Kim. In order to appease his firm, Suk-won goes to see a psychiatrist. At the hospital he meets Jin-young, a skittish woman he is inexplicably drawn to even as she does her best to steer clear him. As Suk-won investigates both his own past and Mrs. Kim’s case the tragic truth of his and Jin-young’s enduring connection to each other is revealed, bringing Suk-won full circle in a story of loss and the pain of remembrance.
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On the one hand you have Judith Zahn, an arrogant, snobbish, bitchy Parisian editor. On the other hand meet Julien Demarsay: an insecure, timid, young bookseller from the East of France who has just written his first autobiographic novel, with what it takes of navel-contemplating and soul-searching. What do they have in common? Nothing much, except that sex will unite them, ambition part them before true love is born between them at last.
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In this sly comedy, six of the world’s worst gangsters managed to heist $2 million, but only one got away. Now after four years in the clink, five bumbling thieves from Montreal are forced to walk the famous Camino pilgrimage in Spain to prove they’ve changed their ways and deserve their cut of the loot.
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In the early 1970s, with Greece under the rule of a military junta, pre-teen Stavros discovers a strange accompaniment to the awakening of eros: he subverts the meanings of classical myths, creating strange physical symptoms in those around him. Stavros’ conservative parents, perplexed and flustered, take him from specialist to specialist. Diagnoses vary, until a fortune-teller deems that the boy is victim of a rare, ancient disease, which exhibits himself when he is in love. After the collapse of the junta, as Stavros meets the toils of love and politics in university, the influence of his strange affliction extends, from his immediate environment into the political arena.
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