Tag Archives: 1980s

The Emperor’s Naked Army Marches On is a brilliant exploration of memory and war guilt, a subject often ignored in modern Japan. In this controversial documentary, Kazuo Hara follows Kenzo Okuzaki in his real-life struggle against Emperor Hirohito. He proudly declares that he shot BBs at the Royal Palace, distributed pornographic images of the Emperor, and once killed a man for the sake of his strange crusade. As the film progresses, Okuzaki reveals a gruesome mystery: why were some Japanese officers killing their own soldiers during WWII? What happened to their bodies? Okuzaki begs, cajoles, and occasionally beats the story out of elderly veterans. When these old men do break down and talk, their testimonies are some of the most chilling, riveting descriptions of wartime desperation ever committed to film. In his desire to unearth these horrors, Okuzaki’s behavior grows increasingly extreme and bizarre. By the film’s end, Hara seems to ask whether the terrible nature of this buried incident is worth the violence of Okuzaki’s methods.
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Beautiful young Chieko is hired as assistant manager at the office of a large corporation. Her boss is an oversexed married man whose advances and behavior make her uncomfortable. When she finds out from the other girls in the office that they have had the same problem with him, they get together and come up with a special plan to get their revenge.
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Mary-Jane asks, “Do all women fall in love with a boy, or just those without sons?” She’s divorced with two daughters, Lucy and Loulou. Lucy has a party where Mary-Jane notices Julien, 14, small and brassy, but she sees a sensitive side. She contrives to spend time with him and lets him know she’s available to him. He’s on the cusp between child and man, alternating between playing a video game, Kung Fu Master, where he tries to rescue Sylvie, and joining friends in bluff talk about sexual exploits. As Lucy realizes what is happening, she’s repulsed, but Mary-Jane, encouraged by her own mother, carries on. Is it love or jealousy of lost youth? Is there any way this can end well?
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Elizabeth sends telegrams to her old boyfriend Ben in NYC and to her younger sister Leo in Rome to join her in Paris, where she is selling her dead father’s estate. When Ben and Leo arrive, a mysterious adventure begins.
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Real estate broker and former boxer enters an old cinema in the decadent downtown São Paulo and meets an intriguing and mysterious woman, very much alike the leading lady of the film. He gets involved with her and her problems and in no time is being accused of a crime.
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The villainous mayor of a small town in Georgia, Varlam (Avtandil Makharadze), responsible for Stalin-like terror in his megalomania, dies and is given a pompous burial. Problem arises when the attractive Guliko (Iya Ninidze), someone whose two daughters were persecuted by the mayor, keeps digging up his grave and placing it somewhere else. She is arrested after telling authorities Varlam has no business being buried with such honor. During her trial, the story of the evil mayor is told in flashback, using the power of symbols and surreal dream images to bring back the recollections of that nightmarish regime.
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A wife escapes her pressure-filled marriage only to have her husband haunt her literally and figuratively.
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Unemployed journalist Jack Brown (Richard Pryor) is attempting to make ends meet as the night janitor in a ritzy department store owned by Louisiana millionaire U.S. Bates (Jackie Gleason). On his annual visit to his father’s store, Bates’ pampered son, Eric (Scott Schwartz), is told he can choose one item in the toy department. To everyone’s horror, he chooses Jack. Paid handsomely to spend one week with the troublesome kid, Jack soon discovers the roots of Eric’s bad behavior.
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Three girls are arrested under false pretenses and transferred to a small private prison that caters white slaves to rich sheiks.
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An American archaeologist is in Egypt with his pregnant wife, searching for the tomb of a long-lost Egyptian queen. At the same moment he discovers the tomb and opens it’s accursed seal, his wife gives birth to his daughter. Years later it transpires that the malevolent spirit of the Egyptian queen left the tomb just as he was entering, and possessed his baby girl. As the truth becomes clear, the archaeologist realizes that he must destroy his daughter in a ceremonial ritual, before she uses her awesome powers to threaten the safety of mankind.
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