Tag Archives: 1980s

An unlucky woman’s mother is murdered by a scarf-wielding killer named Silk, leaving the woman injured, traumatised and suffering from amnesia. She’s committed to a mental institution, where Silk follows her, looking for the papers he was trying to get from her mother. And Silk’s only the beginning of her problems, since the asylum is run by a mad doctor, performing experiments in chemical lobotomies!
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A Viking with a conscience, Erik (Tim Robbins) tires of pillaging and decides to set out on a quest. When the wise Freya (Eartha Kitt) informs Erik that a great mythic wolf has eaten the sun, the warrior resolves to venture to Asgard, home of the Norse gods, to set things right. Before Erik can reach Asgard, he and his allies must first find a magical horn that resides in the land of King Arnulf (Terry Jones), who, luckily for the hero, has a lovely daughter, Princess Aud (Imogen Stubbs).
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Comical goings on at an exclusive golf club. All the members are wealthy and eccentric, and all the staff are poor and slightly less eccentric. The main character is ‘Danny’; he’s a caddy who will do almost anything to raise money to go to college. There are many subplots, including the assistant green keeper’s pursuit of a cute (obviously stuffed) gopher.
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An obscured thief breaks into a school gymnasium at night to steal a portable telescope from the science lab. On the following morning, the thief, Tomek (Olaf Lubaszenko) sets up the telescope on his desk, facing the window of his room, and across the courtyard into an adjacent apartment. Later in the day, an attractive, hurried woman named Magda (Grazyna Szapolowska) stops by the post office in order to claim a money order after receiving a notification in her mailbox, only to be informed by the attentive young postal clerk, Tomek, that there is nothing being held at the station on her behalf. Back home, Tomek sets his alarm clock to 8:00 pm, the approximate time of Magda’s return home.
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Death from the very beginning – a rat decomposing in the water, a cat hanging from a railing as giggling children run off. In Krzysztof Kieslowski’s expansion of the Decalogue: Five segment (“Thou shalt not kill”), the commandment bounds individual and governmental killing into one object of anguished contemplation.
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The Ten Commandments, exact and uncompromising, literally cast in stone, continues to provide a source of moral conflict in contemporary society. In the ten part epic masterpiece, Decalogue, Krzysztof Kieslowski examines the dilemma of fundamental sin in the lives of ordinary Warsaw citizens.
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A small group of cosmic explorers, including a woman, leaves Earth to find freedom and start a new civilization. They do not realize that within themselves they carry the end of their own dream. They eventually die one by one, while their children revert to a primitive native culture, creating new myths and a new god. Some time later, a space bureaucrat, running from a broken heart, arrives and finds the colonizer’s descendants enslaved by bird-monsters called Cherns. Society is divided into numerous classes, and everyone is waiting for the arrival of a messiah. The newcomer is considered a suitable candidate, and for some time he lives as a god. In the end he is crucified by his people.
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Austeria takes place during the opening days of World War I, in the Austro-Hungarian province of Galicia. Tag (Franciszek Pieczka) is a Jewish innkeeper whose inn (austeria means inn in the local Polish dialect) is located near the border with Russia. War has broken out and local civilians are fleeing the advancing Russian Army, and several groups of refugees have taken shelter in Tag’s inn for the night. A group of Hassidic jews from the neighboring village arrive, followed by an Austrian baroness on and a Hungarian hussar cut off from his unit…
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Blue Lake Woman tells the story of Nagare, a painter who wanted to commit a lover’s suicide with Mizue, the wife of his friend and patron Takigawa. Growing afraid at the last moment, he doesn’t go through with it – but Mizue sinks to the bottom of Blue Lake. Some time later, Nagare follows an invitation by Takigawa, who claims to have forgiven everything. To Nagare’s shock, Takigawa’s new wife, Ameko, looks exactly like Mizue. While staying as Takigawa’s guest, Nagare becomes haunted by Mizue’s ghost, who wants to be reunited with him at the bottom of Blue Lake…
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A meek word processor impulsively travels to Manhattan’s Soho District to date an attractive but apparently disturbed young woman and finds himself trapped there in a nightmarishly surreal vortex of improbable coincidences and farcical circumstances.
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