Tag Archives: 1970s

During World War I, a German U-boat sinks a British ship and takes the survivors on board. After it takes a wrong turn, the submarine takes them to the unknown land of Caprona, where they find dinosaurs and neanderthals.
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Jean discovers that Anne cannot get enough of being humiliated by her mistress, Claire. Read More »

Rossellini’s final film relates the story of Christ in the director’s unsentimental, realistic style.
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This gory low-budget British outing involves a team of archaeologists landing on fog-shrouded Snape Island – recently the site of a hideous double murder – in search of the tomb of a Phoenician chief and subsequently falling victim to an unseen maniac. Accompanying the shore party is a private detective (Bryant Halliday), hired by the family of the young woman suspected of the crimes (Candace Glendenning), who is determined to get to the bottom of the mysterious murders. Though it is eventually determined that the real killer is still at large, the archaeologists stubbornly refuse to abort their dig…and summarily suffer the consequences. Released originally in 1972, this crass, exploitative potboiler (based on a story by horror author George Baxt) found its way to American theaters in 1981 as Beyond the Fog in an attempt to cash in on John Carpenter’s 1980 film. Released later to video and cable as Tower of Evil.
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A young male model-cum-hustler juggling “relationships” with three women while looking for the big score, a rich girl who will keep him afloat for life. But no relationship is developed, no background examined, no motivation explained. He just bounces from woman to woman like a pinball and ends up marrying an emotionally stunted girl who plays with dolls.
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Johnny has been left a hefty inheritance from his recently deceased uncle – an infamous ladies’ man. But there is a unique stipulation standing in the way of its collection. The sexually inexperienced Johnny has seven days to bed the last seven women that his uncle had seduced. All of them are young, lusty and insatiable beauties who gladly obey the uncle’s dying request and show Johnny all there is to know about around-the-clock lovemaking and more! But as Johnny’s triumphs and pleasures mount from girls one through six, he discovers that his seventh and final conquest – the most luscious vixen of all – may be a little harder to achieve. Will Johnny fulfill his uncle’s wish and secure untold financial and sexual rewards beyond his wildest dreams? Or will his bedcount fall one short?
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Baal explores the cult of the genius, an anti-heroic figure who chooses to be a social outcast and live on the fringe of bourgeois morality.
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The inhabitants of an institution in a remote country rebel against their keepers. Their acts of rebellion are by turns humorous, boring and alarming. An allegory on the problematic nature of fully liberating the human spirit, as both commendable and disturbing elements of our nature come forward. The film shows how justifiable revolt may be empowering, but may also turn to chaos and depravity. The allegory is developed in part by the fact that the film is cast entirely with dwarfs.
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Carroll Baker plays a dual role as translator Julie Harrison and her twin sister Mary. The serpentine plot begins as Julie tells her lawyer Dave Barton (Stephen Boyd) that Mary’s life is being threatened in London while Julie herself is being stalked by a mysterious stranger in Amsterdam.
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Some time after “Baisers Volés”, Antoine Doinel (Jean-Pierre Léaud) and Christine Darbon (Claude Jade) are married and Antoine works dying flowers, and Christine is pregnant and gives private classes of violin. When Christine is near to have a baby, Antoine decides to find a new job, and he succeeds due to a misunderstanding of his employer. In a business meeting, he meets the Japanese Kyoko (Mademoiselle Hiroko) and they have an affair. When Christine accidentally discovers that Antoine has a lover, they separate. But later they miss each other and realize that they do love each other.
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