Tag Archives: 1970s

A plane crashes in the jungle. One of the survivors gets lost and while trying to find a way out of the jungle he gets captured by cannibals. He is humiliated, stripped naked, and thrown in a hole with a bird for a while. Eventually, he escapes with the help of a cannibal girl and tries to find his plane so he can go home.
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A female vampire rises from her crypt every night in search of children as her victims.
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A beautiful Italian woman is told by her black friend about the Carribean love god Jambaya who appears in the form of the snake. By the end of the movie, Cassini has decided to give herself to Jambaya while Cunningham departs with her white friend’s ex-lover, establishing a neat symmetry between their respective fantasies of exoticism.
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Jin-seok returns from the Vietnam war, injured and marries Sun-ok. But financial difficulties cause them to argue. One day, Sun-ok brings bamboo trees from her parents’ home and succeeds in running a bamboo ware manufacturing company. Sun-ok has a stuttering problem and their son inherits the habit and he is sent to a special school. Meanwhile Jin-seok falls for Chu-wol and begins abusing Sun-ok. Chu-wol schemes to ruin his family, but Jin-seok escapes from her clutches and Sun-ok creates a special bamboo instrument. Their son’s stuttering problem is cured.
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Miss Heaven wishes very much to get into films, but first she must meet Sin through Salacity, that is, have all sorts of sex on a producer’s couch.
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The only thing worse than being a homicidal maniac is being treated by a doctor who’s just as crazy! Marco, a Psycho Lover who strangles women that “threaten his maleness,” becomes a patient of lizard-like Dr. Kenneth Alden, who uses wacky nightmares to brainwash Marco into killing the doc’s nasty wife who won’t give him a divorce. A gaudy mix of sex, violence, pop-psych, and even some quick necrophilia, this drive-in shocker is a fun descent into B-movie psychosis.
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A 14 year old girl and a 41 year old friend of her father’s fall in love, and soon their relationship grows into a sexual one as well. For some time all is happy, but then the tension grows too much, because of the secrecy and frustration of being the lover of a married man, and because she feels he starts to treat her too much like a child instead of a lover.
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French New Wave director Claude Chabrol steps away from his usual style of mysteries and psychological dramas for the sex comedy Folies Bourgeoises, based on the novel Le Malheur Fou by Lucie Faure. Bruce Dern is the American writer William Brandels and Stephane Audran is his French socialite wife, Claire Brandels. The story follows the confusion of the infidelities of the wealthy upper class.
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Three showgirls on their way to Las Vegas have car trouble and are stuck all night out in the desert. The next morning cheerful Andre offers them help in fixing their car. However, Andre is really a maniac with a lot of family problems; his mother ran out on him when he was a child so now he keeps kidnapped women chained up in his barn and trains them to perform circus tricks. Andre’s father is still around of course, but because the old homestead is next to a nuclear test site he has been transformed into a raving homicidal mutant that Andre keeps locked up in a shed.
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Three eager sisters don’t want to listen to their mother and cousin’s advice about having sex.
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