Tag Archives: 1970s

A young couple on a European vacation get mixed up with a countess and a hunchbacked servant at a castle where black masses are held.
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A lonely aristocrat Miss Gray has a twin sister who’s in an asylum. They share a strange bond. Miss Gray is rational but frigid while her sister is insane yet feels sexual pleasure for both of them. A female reporter arrives at the mansion.
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This lovely teenager has a series of lewd ideas – being gang-banged, having sex with several guys at the same time, lesbian sex, oral sex, and so on. Her shrink advises her to get rid of these daydreams as he masturbates to them. Then he tells her to experience on of her fantasies in order to free herself. Barbie seduces her little brother and is magically cured.
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The intercut story of two women: a nearly-mute beauty queen who descends into withdrawal and madness, and another who captains a ship laden with candy and sugar, luring men and boys aboard for sex, death, and revolutionary talk. The beauty queen passes from a wealthy husband whose honeymoon delight is to urinate on her, to a muscular keeper who punches her, stows her in a suitcase, and ships her to Paris, to a lip-synching rock idol with whom she has a love spasm, to an Austrian commune complete with a banquet of vomit, urine, feces, chopped dildos, and wet nurses. By then she’s in a fetal position, until everyone’s rescued by reminders that “it’s just a movie.”
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Due to an experimental vaccine, Dr. Robert Neville is the only survivor of an apocalyptic war waged with biological weapons. The plague caused by the war has killed everyone else except for a few hundred deformed, nocturnal people calling themselves “The Family”. The plague has caused them to become sensitive to light, as well as homicidally psychotic. They believe science and technology to be the cause of the war and their punishment, and Neville, as the last symbol of science, the old world, and a “user of the wheel”, must die. Neville, using electricity, machinery, and science attempts to hold them at bay.
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When a US intelligence agent is unable to bring a ruthless drug baron to justice, he resorts to hiring a contract killer. But the man he is put in contact with turns out to be an old friend.
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After a wave of reports of mysterious attacks involving people and pets being eaten by the traditionally docile fruit, a special government task force is set up to investigate the violent veggies and put a stop to their murderous spree. Included in this crack team are a lieutenant who never goes anywhere without his parachute, an underwater expert who’s never out of his scuba gear, and a master of disguise who conceals his appearance by dressing as a black Adolf Hitler.
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The vacationers at a winter wonderland struggle to survive after an avalanche of snow crashes into their ski resort. Their holiday then turns into a game of survival.
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Noëlle Alban est une femme à qui tout, depuis sa naissance, sourit. C’est une “chanceuse”, c’est une veinarde ; mais c’est une veinarde qui s’inquiète. Elle s’inquiète parce que, selon la “Théorie des Compensations” d’Azaïs, elle devra ensuite payer et supporter une égale période de malchance. Impressionnée par cette idée, Noëlle, pour se débarrasser de cette dette morale envers le destin, décide de se provoquer, à elle même, des ennuis. Mais elle échouera dans toutes ses tentatives et elle finira par se résigner au bonheur en pensant qu’elle le paiera, désormais, à chaque minute par peur de le perdre.
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The career of horror icon Paul Toombes (Vincent Price) ends in scandal when his fiancée dies under mysterious circumstances. Freed from the mental hospital where he had been committed, the recovered Toombes and screenwriter Herbert Flay (Peter Cushing) intend to revive his most popular character, Dr. Death, for a television series. But the dead bodies start piling up – all of them killed in ways that mimic the victims in Toombes’ films – and to clear his name he must find the real killer.
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