Tag Archives: 1970s

Motorcycle mechanic C.C. Ryder joins “The Heads,” an outlaw biker gang. Fellow gang members menace fashion journalist Ann when her limo breaks down in the desert, but C.C. comes to her rescue. The bikers disrupt a motorcross event tied in with a fashion shoot, but C.C. enters the competition under Ann’s admiring eye. His win puts him at odds with Moon, leader of “The Heads.” When C.C. leaves with his cut of the purse, the bikers kidnap Ann, and C.C. races Moon to win her freedom.
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An action-packed film about a rickshaw boy who works to support his mother using his kung fu power to change the course of his life. This is over the top violent and a clear high point in the grimier vein of mid-70s martial arts flicks.
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A fifteen-foot grizzly bear figures out that humans make for a tasty treat. As a park ranger tries rallying his men to bring about the bear’s capture or destruction, his efforts are thwarted by the introduction of dozens of drunken hunters into the area.
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Erwin Dietrich scores again with this sexy and fantasy-filled take on Girls School antics. Brigitte Lahaie shines, as usual, and the other cast members play their parts with gusto! The libidinous female teacher gives some memorable “health” classes (on exploring their own bodies, etc.), pillow-fights in the dorm, voyeurism, even nude butterfly-catching!
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Maybe your folks never did, but we bet that Grandpa or Uncle Louie whispered a few of these. Anyway, you’ve heard most of these racy knee-slappers before. The film is little more than a series of blackouts, concentrating on anatomical humor. And oh, yes: there’s lots of buxom females.
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Danzig in the 1920s/1930s. Oskar Matzerath, son of a local dealer, is a most unusual boy. Equipped with full intellect right from his birth he decides at his third birthday not to grow up as he sees the crazy world around him at the eve of World War II. So he refuses the society and his tin drum symbolizes his protest against the middle-class mentality of his family and neighborhood, which stand for all passive people in Nazi Germany at that time. However, (almost) nobody listens to him, so the catastrophe goes on…
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Several bourgeois friends planning to get together for dinner experience a succession of highly unusual occurrences that interfere with their expected dining enjoyment.
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An old mafia leader tries to quit his old bloody past after getting out of jail but his rivals don’t let him to realize his plan. Asim Mavzer, acted by Yilmaz Guney has to take the revenge of his daughter. A crime movie in old Yesilcam style which looks like a Western.
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It’s 1930 and two record producers are competing to sign a big contract with the leading singer of the day. One kidnaps the other, thinking it’s in the bag – unaware that his competitor has a twin who will step in to save the day.
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Born of talks with four hundred disaffected teenagers in the suburban belt around Toronto, the film reflects their recurring theme: “Wouldn’t it be great if we weren’t hassled by parents and police, didn’t go to prison-like schools and could just get out of this polluted city and into the coun¬try and hang out with a bunch of kids like ourselves.” Would it? The filmmakers invited five boys and five girls ages 13 to 19 to live on a farm for ten weeks, to be filmed, and to see what might emerge for each of them personally.
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