Tag Archives: 1970s

A group of three criminals on the run from the law, go about terrorizing the local townsfolk of a small community, before descending on an isolated farm which is home to a young girl named Lisa and her paralyzed grandfather. After being sexually assaulted by two of the gangsters, she retaliates using an axe and a razor blade.
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Four intercontinental airplane stewardesses based in New York fly to various sexual experiences all over Europe, including Zurich, Copenhagen, Rome and Munich. Each flight seems to have only one or two stewardesses.
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The story takes place in feudal Japan, when any commerce with the rest of the world was strictly prohibited. An idealist suddenly appears in an isolated inn (the one that the title refers to), the head-quarters of a group of smugglers, with stolen money intended to ransom his loved one who is forced to work in a brothel.
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After a brief description of the legends of Bigfoot by the narrator, this film goes on to show what the hairy monster might really be doing with his time in the woods: watching women get naked and have sex. After spying on a couple of college girls sleeping together in a remote forest cabin, Bigfoot then stumbles across a couple having sex in the woods. After he chases off the man to have a little fun of his own with the woman, the film then leaves Bigfoot to follow the exploits of the two college girls as they encounter a troupe of skinny-dipping hippies.
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This Thriller/horror movie tells the tale of a young girl who is terrified that her insane mother will take her away from her beloved foster mother. One day, the crazed real mother attempts to contact the girl at school, but her foster mother has a premonition and gets there in time to protect the girl. Eventually though, the real mother and her boy friend, a carnival clown, succeed and takes her away, leaving the bereaved foster parents to enlist the assistance of a parapsychologist to help them interpret the foster mother’s terrifying dreams and psychic connection to the girl and find her before it is too late.
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One of Woody Allen’s earlier, more slapstick-oriented efforts, Bananas tells the story of Fielding Mellish (Allen), a neurotic New Yorker who follows the object of his affections, Nancy (Louise Lasser), to the fictional Central American country of San Marcos, where she is involved in a revolution. Nancy wants nothing to do with Fielding, but he soon becomes a guest of the country’s dictator (Carlos Montalban), before accidentally becoming the leader of San Marcos himself. Fielding is eventually shipped back to the US and tried as a subversive, but being that this is a comedy, and an especially light one at that, everything works out in the end. A far cry from Allen’s later, more somber films, Bananas still works as an often hilarious amalgam of sight gags, one-liners, and bizarre asides.
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A honeymooning couple (Jutta Speidel and Wolf Roth) are hunted down by mysterious kidnappers in cahoots with the evil landlady who runs a hotel. The woman manages to escape, but the man is whisked away by two medics in an ambulance. The bride enlists the help of a truck driver with a CB radio and uncovers a fiendish international plot to provide black-market organs. The ghouls take parts from the bodies of healthy young and extremely unwilling human victims.
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The story of an orphan girl, brought up in naive, rustic innocence by an elderly relative, who is suddenly exposed to the brutality, greed and deceptiveness of the outside world, when her grandmother dies. Notwithstanding her healthy distrust of all strangers, which her upbringing instilled in her, it is not long before a cunning racketeer finds her weak point, that temptation which she cannot resist, that weakness, different as it may be, that each of us has, and brings her into his power.
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Margot, who lives in a comfortable middle class apartment, fears that she is losing her mind after having had her second child. Her husband Kurt, who is busy studying for an exam, does not understand her situation. Her mother-in-law and sister-in-law Lore are openly hostile to her. She resorts to valium and drink, and looks for sympathy, but to no avail.
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A Savage beast, grown to monstrous size and driven mad by toxic wastes that are poisoning the waters, spreads terror and death on a Maine countryside.
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