Tag Archives: 1970s

The early 1900’s with its Mann-Act (disallowing women to be transported across State lines for immoral reasons) brings a married man to devise a scheme for taking his upper-class girlfriend away with him… he simply has her marry his unmarried buddy. However, it doesn’t take very long before both men start laying claim to her affection… until, that is, she’s about to be cut out of her parent’s fortune. So, a new scheme is devised, which only adds to their problems, as well as to the sly whimsy of this film.
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A beautiful Italian woman is told by her black friend about the Carribean love god Jambaya who appears in the form of the snake. By the end of the movie, Cassini has decided to give herself to Jambaya while Cunningham departs with her white friend’s ex-lover, establishing a neat symmetry between their respective fantasies of exoticism.
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Jin-seok returns from the Vietnam war, injured and marries Sun-ok. But financial difficulties cause them to argue. One day, Sun-ok brings bamboo trees from her parents’ home and succeeds in running a bamboo ware manufacturing company. Sun-ok has a stuttering problem and their son inherits the habit and he is sent to a special school. Meanwhile Jin-seok falls for Chu-wol and begins abusing Sun-ok. Chu-wol schemes to ruin his family, but Jin-seok escapes from her clutches and Sun-ok creates a special bamboo instrument. Their son’s stuttering problem is cured.
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Miss Heaven wishes very much to get into films, but first she must meet Sin through Salacity, that is, have all sorts of sex on a producer’s couch.
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A health-resort where both the clients and the employees easily take their clothes off and have a little fun is the setting of this sex-comedy.
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The only thing worse than being a homicidal maniac is being treated by a doctor who’s just as crazy! Marco, a Psycho Lover who strangles women that “threaten his maleness,” becomes a patient of lizard-like Dr. Kenneth Alden, who uses wacky nightmares to brainwash Marco into killing the doc’s nasty wife who won’t give him a divorce. A gaudy mix of sex, violence, pop-psych, and even some quick necrophilia, this drive-in shocker is a fun descent into B-movie psychosis.
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A 14 year old girl and a 41 year old friend of her father’s fall in love, and soon their relationship grows into a sexual one as well. For some time all is happy, but then the tension grows too much, because of the secrecy and frustration of being the lover of a married man, and because she feels he starts to treat her too much like a child instead of a lover.
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French New Wave director Claude Chabrol steps away from his usual style of mysteries and psychological dramas for the sex comedy Folies Bourgeoises, based on the novel Le Malheur Fou by Lucie Faure. Bruce Dern is the American writer William Brandels and Stephane Audran is his French socialite wife, Claire Brandels. The story follows the confusion of the infidelities of the wealthy upper class.
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Three showgirls on their way to Las Vegas have car trouble and are stuck all night out in the desert. The next morning cheerful Andre offers them help in fixing their car. However, Andre is really a maniac with a lot of family problems; his mother ran out on him when he was a child so now he keeps kidnapped women chained up in his barn and trains them to perform circus tricks. Andre’s father is still around of course, but because the old homestead is next to a nuclear test site he has been transformed into a raving homicidal mutant that Andre keeps locked up in a shed.
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Three eager sisters don’t want to listen to their mother and cousin’s advice about having sex.
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