Tag Archives: 1970s

Gruppo di famiglia in un interno / Conversation Piece (1974) Luchino Visconti, Burt Lancaster, Helmut Berger, Silvana Mangano, Drama, Romance

Gruppo di famiglia in un interno (1974)
Retired professor of American origin lives solitary life in luxurious palazzo in Rome He is confronted by vulgar Italian marchesa and her companions: her lover, her daughter and daughter’s boyfriend and forced to rent to them an apartment on upper floor of his palazzo. From this point his quiet routine is turned into chaos by his tenants’ machinations, and everybody’s life is taking unexpected but inevitable turn.
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Manhattan (1979) Woody Allen, Diane Keaton, Mariel Hemingway, Comedy, Drama, Romance

manhattan-1979
On the heels of Annie Hall, the Oscar-winning romantic comedy that rocketed Woody Allen to the front ranks of American filmmakers, Manhattan continued Allen’s romantic obsessions in a slightly darker, more pessimistic vein. Allen stars as Isaac Davis, a TV comedy writer sick of the pap he is forced to churn out and harboring dreams of being the great American novelist.
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The Adventure of Sherlock Holmes’ Smarter Brother (1975) Gene Wilder, Madeline Kahn, Marty Feldman, Comedy, Crime, Musical, Mystery, Romance

the-adventure-of-sherlock-holmes-smarter-brother-1975
Comic actor Gene Wilder made his debut as a writer and director in this period comedy in which he plays Sigerson Holmes, the older bother of famous detective Sherlock Holmes. For years, Sigerson has been living in his little brother’s shadow, and he is convinced that he must constantly prove his superiority to his brother in all things at all times. Of course, he often fails, but one can’t argue with his determination.
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Matatabi / The Wanderers (1973) Kon Ichikawa, Isao Bitô, Tadao Futami, Ken’ichi Hagiwara, Drama

matatabi-aka-the-wanderers-1973
Follows the fluctuating fortunes of three friends in feudal Japan who are ronin: masterless warriors, who wander from castle to castle, selling their services to whichever lord will fill their rice bowls. These are not the YOJIMBO Super Samurai but rather the rank and file, the spear-carriers. The irony is that even though they use the servants’ entrance, they still feel themselves bound by the samurai code of Bushido; and this tension leads to tragedy.
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