Tag Archives: 1960s

Sergio Corbucci crafted one of the most popular and widely imitated of the Italian “spaghetti westerns” of the 1960s with this violent but stylish action saga. A mysterious man named Django (Franco Nero) arrives in a Mexican border town dragging a small coffin behind him. When he attempts to save a woman who is being attacked by a group of bandits, he finds himself in the middle of a conflict between Mexican gangsters and racist Yankee thugs, with the innocent townspeople and a fortune in Mexican gold stuck somewhere in between. Django becomes a force to be reckoned with when it’s discovered his coffin actually contains a Gatling gun. Django proved so popular in Europe that over 30 sequels and follow-ups were produced, though Franco Nero would not return to the role until 1987’s Django 2: Il Grande Ritorno (the only sequel endorsed by Corbucci), which proved to be the last film in the series.
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A young man fantasizes about fornicating with several women.
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Lorna has been married to Jim for a year, but still hasn’t been satisfied sexually. While Jim is working at the salt mine, she is raped by an escaped convict, but falls in lust with him. Meanwhile Jim’s buddies are giving him a hard time about Lorna’s supposed infidelity, not realizing how close to the mark they really are. Trouble starts when Jim gets home early from work because it’s their anniversary.
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Seemingly happy gun enthusiast Bobby Thompson (Tim O’Kelly) tells his wife Ilene (Tanya Morgan) that he’s feeling disturbed, but she hasn’t time to hear him out. Aging horror film star Byron Orlock (Boris Karloff) reluctantly agrees to a public appearance at a drive-in, even though he’s bitter and has announced his retirement. Their paths will eventually cross, as Tommy embarks on a wave of modern horror that outpaces anything in Orlock’s old movies.
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In England, the times are a changing: it’s mods and rockers. On the day Nancy gets off the London train, cases in hand, looking for the YWCA, Colin has had enough of missing out on the sexual revolution. He begs his smooth (and misogynistic) pal Tolen to teach him ‘the knack’ – how to score with women. Serendipitously, Colin and his new lodger Tom meet up with Nancy while Colin’s buying a bed larger than Tolen’s. The three hit it off, but their simple fun ends when Tolen meets Nancy. Colin is jealous but impotent, and Tolen both attracts and repels her. She swoons, wonders what happened, and cries ‘rape.’ Impish serendipity rubs against unsettling ambiguity; Tolen bolts.
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A series of unexplainable accidents befall the people and companies responsible for developing the world’s first supersonic airliner (SST1). A British agent is sent to investigate and with the help of another agent uncovers a plot masterminded by Carl Petersen who stands to gain eight million pounds if the aircraft is not ready by a certain date. The evil Petersen has developed a number of “robots” (actually rather beautiful girls with “electronic brains”) to help him sabotage the SST1 project by means of “infrasound” (extreme low frequency sound waves) which can be directed at people or objects with devastating results.
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In an atmosphere of political tension when the French still control Algiers, an Algerian is killed on the beach and a French man who has lived in Algiers all his life is arrested for the murder. A trial takes place. One of the witnesses was at the funeral of Arthur Meursault’s mother. It bothers other mourners and Mersault himself that he showed no emotion when his mother died. His eventful day at the beach takes place a short time after the funeral when he is examining what his life has been and what path should he take in the future.
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Five short stories loosely dealing with the roles of women in society. A superstar actress travels to a mountain resort, only to evoke jealousy from women and lust from men. A woman offers to take an injured man to the hospital. A widowed father and his son seek for a new wife/mother. A man seeks revenge for a woman’s honor. A bored housewife tries to explain to her husband that he’s not as romantic as he used to be.
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Amiable, unassertive Scott Mary picks up the trash, cleans the toilets, sweeps the floors in the town of Clifton. Then a gunfighter comes to town. He offers advice and guidance to Scott who quickly begins to toughen and mature, thus upsetting the balance of power in the town.
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During the 1950s, in a small isolated Mexican village, the local Roman Catholic priest, Father Gomez, is an older man with a broken spirit. During his tenure in the village of Quantano, he fought hard to keep his flock of parishioners, in spite of threats and intimidation from the part of local bandit Anacleto Comachi and his men. The atheistic bandit has imposed his tyrannical rule over the region for many years. The local Police cannot find any witnesses to come forward and testify to any wrongdoing from the part of Anacleto. Therefore, they cannot charge him or arrest him. The Catholic Church replaces Father Gomez with a younger, more energetic priest, Father Keogh from Ireland. Before departing the village, Father Gomez warns Father Keogh of the dangers of defying Anacleto Comachi’s authority. But Father Keogh openly defies the bandit and administers his daily priestly duties at the village church. He even manages to persuade some of the villagers to start attending church again.
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