Tag Archives: 1950s

Hateshinaki yokubô / Endless Desire (1958) Shôhei Imamura, Reiji Akitsu, Shinsuke Ashida, Takeshi Katô, Comedy

Hateshinaki yokubo (1958)
On August 15, ten years after the Pacific War, five people meet at a station. Their purpose is to dig out a cache of morphine — now worth sixty million yen — that HASHIMOTO, an army medical officer, buried in an air-raid shelter in this city on the day the war ended. The five are: SHIMA, a beautiful woman who claims that she is HASHIMOTO’s younger sister and that her brother is dead; NAKADA, a pharmacist; ONUMA, who owns a Chinese restaurant; YAMAMOTO, a thug; and SAWAI, who says he is a junior high school teacher. But HASHIMOTO originally had only three accomplices — and hid the morphine late at night, so they did not know each other’s identities. There is one person too many in the group, but they do not know whom. A butcher shop now stands over the old air-raid shelter. The five decide to rent a vacant house across the street, and dig a tunnel to the butcher shop.
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A Man Alone (1955) Ray Milland, Mary Murphy, Ward Bond, Western

A Man Alone (1955)
A gunfighter, stranded in the desert, comes across the aftermath of a stage robbery, in which all the passengers were killed. He takes one of the horses to ride to town to report the massacre, but finds himself accused of it. He also finds himself accused of the murder of the local banker, and winds up hiding in the basement of a house where the local sheriff, who is very sick, lives with his daughter.
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Musashino fujin / The Lady of Musashino (1951) Kenji Mizoguchi, Kinuyo Tanaka, Yukiko Todoroki, Masayuki Mori, Drama

Musashino fujin (1951)
Set in post-war Japan, The Lady of Musashino tells the story of Michiko, a disillusioned young woman trapped in a loveless marriage. She confides in her younger cousin, Tsutomo, and the two become close, but decide not to consummate their affair. He instead becomes involved with the flirtatious Tomiko, who is also conducting an affair with Michiko’s husband. When Michiko finds that her husband has abandoned her, she decides to take her fate into her own hands.
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Has Anybody Seen My Gal (1952) Douglas Sirk, Piper Laurie, Rock Hudson, Charles Coburn, Comedy

Has Anybody Seen My Gal (1952)
Wealthy Samuel Fulton is getting older and has no family of his own. He decides to leave his estate to the family of his first love, who turned down his marriage proposal years ago because he was poor. But he wants to test the family before leaving his money to them. He takes a room in their home and a job in the father’s shop. He anonymously grants them $100,000. Harriet Blaisdell moves the family into a mansion and makes plans to marry her daughter Millicent off to a socialite rather than her soda jerk boyfriend Dan. The money goes to their heads, and they soon find themselves broke, back in their old house, and back to their old lives. Father back in his shop, Millicent engaged to Dan, and everyone seemingly much happier. Hoping they learned their lesson, Fulton takes his leave of the family.
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The Detective / Father Brown (1954) Robert Hamer, Alec Guinness, Joan Greenwood, Peter Finch, Comedy, Crime, Drama

The Detective (1954)
Amateur detective Father Ignatius Brown defies his Bishop and decides to transport to Rome a holy relic from his church – a cross that once belonged to St. Augustin – rather than allow the more elaborate plans to proceed. On the channel crossing he becomes suspicious of a fellow traveler, a Mr Dobson, whom Brown quickly determines is not the automobile salesman he claims to be. He does befriend another priest whom he takes into his confidence but soon realizes that his suspicions should have been reversed. The fake priest is in fact Gustave Flambeau a professional art thief and an expert at disguise. After he gets away with the cross, Brown refuses to work with the police, insisting that he wants to save the man’s soul, not put him in prison. With the assistance of his friend Lady Warren, Father Brown sets a trap for Flambeau but Brown realizes that his work is only just beginning.
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A Stranger in My Arms (1959) Helmut Käutner, June Allyson, Jeff Chandler, Sandra Dee, Drama

A Stranger in My Arms (1959)
Air Force test pilot Pike Yarnell reluctantly attends the memorial service for long-dead Donald Beasley, his navigator during the Korean War; recalling, in flashbacks, their painful days together on a life raft. In Beasley’s home town, Pike is repelled at Donald’s wealthy mother’s enshrinement of her dead son; bemused at his frankly amorous pursuit by Donald’s younger sister Pat; and increasingly charmed by his attractive widow Christina. What will the final flashback reveal?
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Crime of Passion (1957) Gerd Oswald, Barbara Stanwyck, Sterling Hayden, Raymond Burr, Crime, Drama, Film-Noir

Crime of Passion (1957)
Kathy is a smart and tough 1950’s advice columnist at a San Francisco newspaper, with her name plastered on billboards all over the city. One day, Bill Doyle, a Los Angeles detective, walks into her office – it is instant attraction. After marrying Bill, Kathy gives up her career and becomes a homemaker. However, she is not your typical 1950’s homemaker. After hosting several cocktail parties in their San Fernando Valley home, she realizes that Bill is content with his position, and shows no ambition in furthering himself. Kathy will not sit idly by while everyone around her is “moving up in the world”. She personally takes upon herself the task of pushing Bill’s career along, even if it comes down to murder.
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The Big Heat (1953) Fritz Lang, Glenn Ford, Gloria Grahame, Jocelyn Brando, Crime, Film-Noir, Thriller

The Big Heat (1953)
Dave Bannion is an upright cop on the trail of a vicious gang he suspects holds power over the police force. Bannion is tipped off after a colleague’s suicide and his fellow officers’ suspicious silence lead him to believe that they are on the gangsters’ payroll. When a bomb meant for him kills his wife instead, Bannion becomes a furious force of vengeance and justice, aided along the way by the gangster’s spurned girlfriend Debbie. As Bannion and Debbie fall further and further into the Gangland’s insidious and brutal trap, they must use any means necessary (including murder) to get to the truth.
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