Tag Archives: 1950s

Cien / Shadow (1956) Jerzy Kawalerowicz, Zygmunt Kestowicz, Adolf Chronicki, Emil Karewicz, Action, Drama

Cien (Jerzy Kawalerowicz, 1956)
The plot consists of a Rashomon-like investigation into the life of a man found dead after having been hurled from a train. As security agents, policemen and a medical examiner begin to piece together his identity, three accounts emerge: one set during World War II, one in the immediate aftermath of the war and one in contemporary Poland. In each, the victim seems to have been a mysterious, ambiguous presence, of shifting loyalties and suspicious connections, who invariably set himself against the ruling powers of the time. Critics of the day attacked the film for its depiction of a world rife with secret agents and hidden enemies – a favorite Stalinist theme – yet the film seems rather to insist on how heroism or villainy are so often matters of point of view and timing.
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Miss Sadie Thompson (1953) Curtis Bernhardt, Rita Hayworth, José Ferrer, Aldo Ray, Drama, Musical, Romance

Miss Sadie Thompson (Curtis Bernhardt, 1953)
At a lonely military outpost on American Samoa, sticky heat alternates with torrential rain. A ship quarantine strands here Sadie Thompson, a “breezy dame” who sets the Marines afire… and self-righteous Mr. Davidson, powerful head of the Mission Board, who suspects Sadie is a fugitive from the notorious Emerald Club of Honolulu. Meanwhile, Sadie is courted by crude but good-hearted Marine Sgt. Phil O’Hara.
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The Big Knife (1955) Robert Aldrich, Jack Palance, Ida Lupino, Wendell Corey, Drama, Film-Noir

The Big Knife (Robert Aldrich, 1955)
Charles Castle is a successful Hollywood actor who has opted for screen success over art. He must make critical decisions regarding his career, his marriage, his art & morality. In this screen adaptation of a Clifford Odets play, Castle is pressured by his studio boss and manipulated into a potentially murderous cover-up to protect his career. An indictment of the amoral world of 50’s Hollywood and its corrosive effect upon the artist.
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The Horse Soldiers (1959) John Ford, John Wayne, William Holden, Constance Towers, Adventure, War, Western

The Horse Soldiers (John Ford, 1959)
A Union Cavalry outfit is sent behind confederate lines in strength to destroy a rail/supply center. Along with them is sent a doctor who causes instant antipathy between him and the commander. The secret plan for the mission is overheard by a southern belle who must be taken along to assure her silence. The Union officers each have different reasons for wanting to be on the mission.
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Return to Paradise (1953) Mark Robson, Gary Cooper, Barry Jones, Roberta Haynes, Adventure, Drama, Romance

Return to Paradise (Mark Robson, 1953)
Based on the short story “Mr. Morgan” from “Return To Paradise” (James Michener’s sequel to “Tales of the South Pacific”). Morgan (Gary Cooper), a drifter and soldier-of-fortune washes up on a Pacific island that is a small dictatorial state under the puritanic rule of Pastor Corbett (Barry Jones), a missionary. They conflict but Morgan stays on and carves out a cozy life. He has a child out of wedlock with island native Maeva (Roberta Haynes), but departs the island after her death, leaving the young daughter behind. He returns years later in search of his daughter. It is circa the early years of WW II, and he finds that his daughter has fallen in love with an American pilot who has crash-landed on the island. It appears that the pilot will do for the girl what Morgan did for her mother, and then depart.
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Attack! (1956) Robert Aldrich, Jack Palance, Lee Marvin, Eddie Albert, Drama, War, Action

Attack! (Robert Aldrich, 1956)
During the closing days of WWII, a National Guard Infantry Company is assigned the task of setting up artillery observation posts in a strategic area. Lieutenant Costa knows that Cooney is in command only because of ‘connections’ he had made state-side. Costa has serious doubts concerning Cooneys’ ability to lead the group. When Cooney sends Costa and his men out, and refuses to re-enforce them, Costa swears revenge.
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Sign of the Pagan (1954) Douglas Sirk, Jeff Chandler, Jack Palance, Ludmilla Tchérina, Biography, Drama, History

Sign of the Pagan (1954)
Roman centurion Marcian is captured by Attila the Hun en route to Constantinople, but escapes. On arrival, he finds the eastern Roman emperor Theodosius plotting with Attila to look the other way while the latter marches against Rome. But Marcian gains the favor of Pulcheria, lovely sister of Theodosius, who favors a united Empire. As Attila marches, things look bleak for the weakened imperial forces. But the conqueror has an awe of the power of the Christians’ God…
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