Tag Archives: 1950s

A demon bestows on a self-righteous working photographer’s camera the power to smite from the Earth “evil-doers”. Naturally, the indignant photographer turns his new weapon on, one by one, his entire village, beginning with the wealthy or illustrious. Soon, the poor he is so supposedly so enamored of become his victims too, so rife with impatience and contempt is he, that the slightest flaw is cause for smiting. Inevitably, he embarks on a task to destroy everyone.
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When a gifted but washed-up screenwriter with a hair-trigger temper – Humphrey Bogart, in a revelatory, vulnerable performance – becomes the prime suspect in a brutal Tinseltown murder, the only person who can supply an alibi for him is a seductive neighbor (Gloria Grahame) with her own troubled past. The emotionally charged In a Lonely Place, freely adapted from a Dorothy B. Hughes thriller, is a brilliant, turbulent mix of suspenseful noir and devastating melodrama, fueled by powerhouse performances. An uncompromising tale of two people desperate to love yet struggling with their demons and each other, this is one of the greatest films of the 1950s, and a benchmark in the career of the classic Hollywood auteur Nicholas Ray.
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A man seeks revenge but will he destroy himself in the process? After a long jail term for a crime he did not commit, a man is torn between revenge (which will probably destroy him) or making a new life for himself.
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Valiant scientist Dr. Cory (Lew Ayres) knows he must resort to unorthodox methods in order to save ailing tycoon Tom Donovan, so the surgeon removes the wealthy man’s brain and manages to keep it functioning with electrical stimulation. Unfortunately, it isn’t long before Donovan’s brain somehow possesses the kindhearted Dr. Cory, who then begins to behave like the heartless Donovan. Cory’s wife, Janice (Nancy Davis), and friend Dr. Schratt (Gene Evans) try to intervene, with horrific results.
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Pamela Muir is a lovely veterinarian, who thinks the animals should run free. Steve Stratton is a hunter, who hires natives to assist with the capture and care of the animals. One day Stratton fires one of the locals. To get revenge, the former employee frees the animals just before a wealthy buyer is to arrive. Unfortunately, Stratton blames Odongo, an innocent young boy, for the crime. Heretofore, Odongo believed Stratton cared for him. The distraught Odongo runs off into the dangerous wilds. Muir and Stratton are forced to put aside their differences and search for him.
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The amazing career of master magician Harry Houdini is presented from his beginnings with a carnival “wild man” act to his emergence as an internationally-acclaimed illusionist, From his dramatic escape from a locked safe under the frozen Detroit River to an even more improbable one from a locked cell in Scotland Yard, he never failed to please and astound his audiences. Although Houdini’s tricks are achieved through his marvelous physical dexterity and innate sleight-of-hand, he courted death with the hazardous illusions he performed and his compulsive quest to make contact with the spirit world.
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On a crowded subway, Skip McCoy picks the purse of Candy. Among his take, although he does not know it at the time, is a piece of top-secret microfilm that was being passed by Candy’s consort, a Communist agent. Candy discovers the whereabouts of the film through Moe Williams, a police informer. She attempts to seduce McCoy to recover the film. She fails to get back the film and falls in love with him. The desperate agent exterminates Moe and savagely beats Candy. McCoy, now goaded into action, confronts the agent in a particularly brutal fight in a subway.
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Hitchcock’s romantic story of obsession, manipulation and fear. A detective is forced to retire after his fear of heights causes the death of a fellow officer and the girl he was hired to follow. He sees a double of the girl, causing him to transform her image onto the dead girl’s body. This leads into a cycle of madness and lies.
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While vacationing in Italy, Nick Morell, son of John Morell, a famous English philosopher and amateur musician and his wife Catherine, becomes friendly with young Guido, and Morell discovers the boy has an extraordinary instinct for orchestration and a phenomenal music memory. A neighboring couple, Signor and Signora Boudini become aware of the boy’s talents, and she appeals to his parents to let her educate him musically. Torn by their love for their son and, they feel,the duty to let the world hear his talent, they consent. The boy is tutored by Dr. Lorenzo. Signora Bondini denies the boy all contact with his parents and everyone else except her. She also has neither sent his letters to his family, nor let him see the ones they’ve sent to him. He becomes phenomenally successful and makes the grand tour of Europe as Signora Bondini is enraptured by the acclaim given her through her “discovery” of the boy. She prepares to take him to America and also prepares adoption papers.
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Anna Neagle, Sylvia Syms. Poor Anna just can’t seem to ‘straighten out’ her delinquent daughter. Her path eventually leads to crime, rebellion, death, and redemption. Her sleazy boryfriend leads her down a path of moral ineptitude. Good performance by Syms.
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