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Tag Archives: 1940s
The Man from Tumbleweeds (1940) Joseph H. Lewis, Bill Elliott, Iris Meredith, Dub Taylor, Western

In the third of his four Wild Bill Saunders Westerns, Bill Elliott, “the Peaceable Man,” is assigned by Governor Dawson (Don Beddoe) to put a stop to the reign of terror, including cold-blooded murder, perpetrated by Powder Kilgore (Raphael Bennett). When the state legislature refuses to fund a legitimate rangers organization, Wild Bill instead enlists a group of tough convicts, whom he promises freedom if they help capture Kilgore and his chief lieutenant, Lightning Barlow (Francis Walker). Unfortunately, one of the convicts, Shifty (Ernie Adams), lives up to his name by betraying his comrades in arms to Kilgore but after a furious gun battle at the gang’s shootout, Wild Bill manages to bring peace to the area. Nevertheless, when asked to captain the newly founded rangers organization, the hero instead promotes his new friend, former convict Honest John (Al Hill), and heads off to new adventures.
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Honeymoon (1947) William Keighley, Shirley Temple, Franchot Tone, Guy Madison, Comedy

Pretty but scatterbrained Barbara Olmstead arrives in Mexico City to marry her soldier fiance, learns he’s been delayed, and runs off to find a place to stay. Meanwhile, fiance Phil arrives after all, just misses Barbara, and goes off in quest of her. As further complications ensue, American consul David Flanner (who has an impatient fiancee of his own) is caught in the middle and driven nearly frantic…
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Two-Faced Woman (1941) George Cukor, Greta Garbo, Melvyn Douglas, Constance Bennett, Comedy, Romance

While at a ski lodge, Larry Blake sees instructor Karin Borg and decides to sign up for private lessons. The next thing he knows, she is Mrs. Blake. When he announces that he is going back to work on his magazine in New York the next day, Karin refuses to go with him. She later comes to New York, buys expensive clothes, and goes to meet him when she sees he is with old flame Griselda. Caught by Blake’s business partner, O.O. Miller, before she can leave, she explains that she is really Karin’s twin sister Katherine. Hard to believe, but that is what she tries to make everyone, including Larry, believe. Larry, however, has serious doubts, but plays the game to the hilt as the worldly Katherine tries to take him away from both Griselda and Karin.
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Undercurrent (1946) Vincente Minnelli, Katharine Hepburn, Robert Taylor, Robert Mitchum, Drama, Film-Noir, Thriller

Middle-aged bride Ann Hamilton soon begins to suspect that her charming husband is really a psychotic who plans to murder her.
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The North Star (1943) Lewis Milestone, Anne Baxter, Dana Andrews, Walter Huston, Drama, Romance, War

In a peaceful Ukrainian village, the school year is just ending in June 1941. Five young friends set out for a walking trip to Kiev, but their travels are brutally interrupted when they are suddenly attacked by German planes, in the first wave of the Nazi assault on the Soviet Union. When the village itself is attacked and occupied, most of the men flee to the hills to form a guerrilla unit. The others resist the Nazis as well as possible, but soon the village is placed under the command of a Nazi doctor who begins using the town’s children as a source of constant blood transfusions for wounded German soldiers. Meanwhile, the small group of young persons tries desperately to take a supply of firearms to the guerrillas.
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Gypsy Wildcat (1944) Roy William Neill, Maria Montez, Jon Hall, Peter Coe, Adventure

In an unspecified Renaissance kingdom, no sooner has Anube’s gypsy tribe encamped near Baron Tovar’s village when Count Orso is found murdered. The wicked baron blames the gypsies and imprisons them all in his castle. Meanwhile, a mysterious stranger on a white horse has hidden the murder arrow and won the heart of gypsy belle Carla, to the discomfiture of her erstwhile fiancée Tonio. Baron Tovar is also fascinated by Carla…especially when he notices her heraldic pendant.
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The Captive Heart (1946) Basil Dearden, Michael Redgrave, Rachel Kempson, Frederick Leister, War, Drama

After the evacuation at Dunkirk, June 1940, some thousands of British prisoners are sent to German P.O.W. camps. One such group includes “Capt. Geoffrey Mitchell,” a concentration-camp escapee who assumed the identity of a dead British officer. To avoid exposure, “Mitchell” must correspond with the dead man’s estranged wife Celia. But eventual exposure seems certain, and the men must find a way to get him out. If he reaches England, though, what will his reception be?
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Le silence de la mer (1949) Jean-Pierre Melville, Howard Vernon, Nicole Stéphane, Jean-Marie Robain, Drama, Romance, War

1941 in a small town in Nazi occupied France. Against the will of its elderly male and his adult niece residents, the Nazis commandeer a house for one of their officers, Lt. Werner von Ebrennac, to live in for as long as he is in the area on Nazi business. As a figurative and literal silent protest against the Nazis and the officer, the uncle and niece do whatever is required of them while the officer is in their house, however they do not acknowledge his presence, living largely in silence whenever he is around. The officer treats the housing situation with care, like he is a guest. Although not a nightly occurrence, the officer begins an evening routine with his reluctant hosts: in his civilian clothes, he knocks on the door of the room in which they have convened for the evening, walking in shortly thereafter knowing that no acknowledgment will be made for him to enter, he visits with them for no more than five minutes before he bids them a good evening as he exits.
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Inner Sanctum (1948) Lew Landers, Charles Russell, Mary Beth Hughes, Dale Belding, Film-Noir, Mystery, Thriller

A man accidentally kills his fiancée as he exits a train. Just as the train pulls out, he drops her body on the rear platform. No one saw him do it, but someone does see him at the otherwise deserted station: a mischievous, freckle-faced boy. Later, he’s walking along a road when the town’s newspaper editor stops and gives him a lift. The editor tells his passenger that a flood has washed out the bridge. For now, there’s no way out of town, so he takes the stranger to a boarding house. Fate decrees that of all houses, this is the one where the boy lives. The boy thinks he recognizes the new boarder. The new boarder thinks it’s time to get rid of the boy. And a sexy blonde living at the house thinks it’s time to run off with a man she knows is a murderer.
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