Tag Archives: 1940s

The Soul of a Monster (1944) Will Jason, Rose Hobart, George Macready, Jim Bannon, Horror

The Soul of a Monster (1944)
As famous surgeon, George Winson, lies on his deathbed, his wife Ann calls on unknown powers to save him. A strange woman (Lilyan) appears from nowhere and takes control. George recovers, but he’s mysteriously dominated by Lilyan, and leaves his wife. When the evil woman tempts him into letting his best friend (Roger) die Wilson realizes that Lilyan wants his soul in exchange for the chance to continue living.
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The Walls Came Tumbling Down (1946) Lothar Mendes, Lee Bowman, Marguerite Chapman, Edgar Buchanan, Action, Adventure, Crime, Mystery, Romance

The Walls Came Tumbling Down (1946)
The Columbia mystery melodrama The Walls Came Tumbling Down is regarded in many circles as star Lee Bowman’s finest hour-and-a-half. Bowman is cast as Winchellesque Broadway columnist Gilbert Archer, who insists upon investigating the death of an old friend, a priest. The police insist that the priest hanged himself, but Archer believes otherwise, and together with Boston socialite Patricia Foster (Marguerite Chapman) he begins to play detective – though “play” is hardly the word. Key ingredients to the mystery are two rare Bibles and a painting of the fall of Jericho. The principal villainy comes at the grubby hands of Columbia contractees George Macready and Edgar Buchanan, while J. Edward Bromberg has a few amusing moments as a kooky art dealer.
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Man Hunt / Chasse à l’Homme (1941) Fritz Lang, Walter Pidgeon, Joan Bennett, George Sanders, Drama, Thriller, War

Man Hunt
On July 29, 1939, renowned British big game hunter Captain Alan Thorndike (Walter Pidgeon) slips through the forest undetected near the Berghof, Adolf Hitler’s residence near Berchtesgaden. Getting the dictator in his telescopic sight, he pulls the trigger on his unloaded rifle and gives a wave. He ponders a moment, then loads a live round, but is discovered at the last second by a guard, and the shot goes wild…
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Adam Had Four Sons (1941) Gregory Ratoff, Ingrid Bergman, Warner Baxter, Susan Hayward, Drama, Romance

Adam Had Four Sons (1941)
Emilie has been hired to care for the four sons of wealthy Adam Stoddard and his wife, Molly. After Molly dies, Adam and the boys grow to depend on Emilie even more. At the same time, Emilie falls in love with Adam. The boys grow up, but Adam insists that Emilie stay on as part of the family. Her relationships with both the boys and Adam become strained after one son marries a gold-digging viper named Hester.
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The Whistler (1944) William Castle, Richard Dix, Gloria Stuart, J. Carrol Naish, Film-Noir, Mystery, Thriller

The Whistler (1944)
A man, despondent over the death of his wife, wants to commit suicide but can’t bring himself to do it. He hires a man to hire a professional killer to do the job. However, he soon finds out that his wife isn’t really dead – but the man he paid to hire the hitman is, and he has no idea who the man hired or how to get him to call off the hit.
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The Devil Thumbs a Ride (1947) Felix E. Feist, Lawrence Tierney, Ted North, Nan Leslie, Crime, Drama, Film-Noir, Thriller

The Devil Thumbs a Ride (1947)
Not by any means a great film, The Devil Thumbs a Ride nonetheless has an indefinable audience allure that sucks the viewer into its labyrinthine storyline and doesn’t let go until the fade-out. Lawrence Tierney plays Steve Morgan, a charming but utterly sociopathic criminal who has just robbed and killed a movie theater cashier. Morgan hitches a ride with inebriated conventioneer Jimmy Furguson (Ted North). Later on, Furguson picks up two more hitchhikers: virginal Beulah Zorn (Nan Leslie) and good-time girl Agnes Smith (Betty Lawford). When circumstances lead Jimmy to believe that Steve is the fugitive whom the cops are looking for, Morgan sweet-talks his way into everyone’s confidence. Before he knows what’s happening, Jimmy is holed up in a beach house while Steve parties with Beulah and Agnes. Not even the most fervent of film noir fans will be able to predict the outcome of this one. Long ignored by movie buffs, The Devil Thumbs a Ride gained a large following through repeated TV showings in the 1960s and ’70s. It is now considered so representative of its genre that one film historian used the film’s title for a collection of his essays on B-melodramas.
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Cross-Country Romance (1940) Frank Woodruff, Gene Raymond, Wendy Barrie, Hedda Hopper, Comedy, Romance

Cross-Country Romance (1940)
Clad only in a slip, Diane hops into a travel trailer parked outside her mother’s New York apartment, which is then driven off by Dr. Larry Smith (Raymond). Larry is heading cross-country to San Francisco, as he plans to board a ship for China where he will work with a famous doctor on a cure for leukemia.
Needless to say, Larry’s a bit surprised to find a stowaway in his trailer, and when he refuses to believe his unexpected guest is the famous Diane North, Diane gives up and tells Larry her name is Maggie Jones. No one will be surprised that as Larry and Diane/Maggie travel across the United States, they fall in love.
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Road Show (1941) Hal Roach, Adolphe Menjou, Carole Landis, John Hubbard, Comedy, Music

Road Show (1941)
Rich playboy Drogo Gaines is in imminent danger of marrying a gold digger, and escapes by feigning insanity. The joke’s on him when he wakes up in an asylum full of comical lunatics. There he befriends Colonel Carraway, and together they escape, catching a ride with a beautiful blonde who proves to be Penguin Moore, carnival owner. The adventures of Drogo and the Colonel with Moore’s Carnival are replete with Hal Roach slapstick.
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