The City of Lost Children (1995) Marc Caro, Jean-Pierre Jeunet, Ron Perlman, Daniel Emilfork, Judith Vittet, Art-house, Fantasy, Sci-fi

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With a mad scientist kidnapping children to steal their dreams, only brave young Miette (Judith Vittet) and a kindhearted circus strongman (Ron Perlman) can save them. Part fantasy, part nightmare, this production used more special effects than any other French film to date. Featuring stunning visuals from directors Jean-Pierre Jeunet and Marc Caro, the sci-fi fairy tale was nominated for a Golden Palm at the Cannes Film Festival.
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Otto; or Up with Dead People (2008) Bruce La Bruce, Jey Crisfar, Marcel Schlutt, Nicholas Fox Ricciardi, Comedy, Drama, Fantasy

Otto; or Up with Dead People (Bruce La Bruce, 2008)
A modern fable about loneliness, emptiness, alienation, and the demonization of minorities. A young zombie, Otto, crawls out of his grave and unlives on the Berlin streets. There he meets an avante-garde film-maker who gives him a part in her political-porno-zombie movie. Otto discovers information about his past life that allows him to move on. Is it the living or the dead who are the zombies?
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Grimm’s Fairy Tales for Adults / Grimms Märchen von lüsternen Pärchen (1969) Rolf Thiele, Marie Liljedahl, Eva Reuber-Staier, Ingrid van Bergen, Comedy, Fantasy, Horror

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The characters from the classic Grimm’s Fairy Tales engaged in activities the Grimm Brothers probably wouldn’t approve of. Imagine the classic fairy tales Cindarella, Snow White, and Sleeping Beauty. Now imagine these stories set to a bad knock-off of the soundtrack to Hair. Now imagine that they’re set in a magical kingdom where the women are typically unencumbered by clothing. Now imagine that this magical kingdom is populated by mushrooms that turn into dwarves, men in bear suits with tiny golden crowns, and witches with neon-blue hair.
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Spider Lilies / Ci qing (2007) Zero Chou, Rainie Yang, Isabella Leong, Kris Shen, Drama, Romance

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Jade (Taiwanese singer Rainie Yang) is a cute, young webcam performer who thinks that getting a tattoo will enhance her sexy performance skills. Upon venturing out to the tattoo parlor owned by half-Japanese ink-slinger Takeko (Isabella Leong), Jade recalls a crush she harbored ten years ago. Subsequently entering into a surreal cyberspace seduction that emerges through computer images, flashbacks, and lavish costumes highlighted by lime-green wigs, Takeko finds the lines between reality and fantasy blurring as Jade’s teasing slowly chips away at her fragile facade.
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