
Comedian Alvy Singer (Woody Allen) examines the rise and fall of his relationship with struggling nightclub singer Annie Hall (Diane Keaton). Speaking directly to the audience in front of a bare background, Singer reflects briefly on his childhood and his early adult years before settling in to tell the story of how he and Annie met, fell in love, and struggled with the obstacles of modern romance, mixing surreal fantasy sequences with small moments of emotional drama.
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Eraserhead (1977) David Lynch, Jack Nance, Charlotte Stewart, Allen Joseph, Fantasy, Horror, Sci-Fi

This surreal nightmare examines male paranoia. Our hero and title character, Henry, faces a number of horrifying obstacles in meeting someone of the opposite sex, meeting her parents, and procreating. Produced during a one-and-a-half-year period while director David Lynch was a student at the American Film Institute, the film launched him as a major new talent admired by cinephiles and filmmakers all over the world. It stands today as a milestone in personal, independent filmmaking.
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The Woman in Red (1984) Gene Wilder, Kelly LeBrock, Charles Grodin, Comedy, Romance

Teddy is a middle-aged man who has a good wife, kids, friends, a fine job and a girlfriend. You could say that he has everything he wants; but he doesn’t. One day he sees a gorgeous woman in a red dress, and gets crazy!!! He must have her…
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Terror by Night (1946) Roy William Neill, Basil Rathbone, Nigel Bruce, Alan Mowbray, Mystery, Thriller

The penultimate entry in Universal’s Sherlock Holmes series, Terror by Night takes place almost exclusively on a speeding train, en route from London to Edinburgh. Holmes (Basil Rathbone) is on board to protect a valuable diamond from the clutches of master criminal Colonel Sebastian Moran. The trouble is, Moran is a master of disguise, and could be just about any one of the other passengers. Murder and mayhem plague the train excursion before Holmes can successfully complete his mention. Poor old Dr. Watson (Nigel Bruce) is a bit denser than usual here, though his ingenuousness is cleverly woven into the script. Alan Mowbray, who played Inspector Lestrade in the 1932 Clive Brook adaptation of Sherlock Holmes, is seen in a pivotal supporting role.
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Un singe en hiver (1962) Henri Verneuil, Jean Gabin, Jean-Paul Belmondo, Suzanne Flon, Comedy, Drama

A young man, Gabriel Fouquet, arrives in a coastal town in Normandy to visit his daughter, who is staying in a boarding school. He ends up lodging in a guesthouse run by the aged Albert Quentin and his wife Suzanne. To forget his troubles, Gabriel hits the bottle, not realising that the teetotal Albert was once a heavy drinker. Twenty years ago, the latter pledged never to touch alcohol again if he and his wife survived the war. Through his friendship with Gabriel, Albert becomes nostalgic about his past, recalling his time as a sailor on an expedition to China. To drown their sorrows, the two men embark on a drinking binge which quickly gets out of hand…
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Brimstone (1949) Joseph Kane, Rod Cameron, Lorna Gray, Walter Brennan, Western

The age-old enmity between cattle ranchers and settlers once again takes center stage in this slightly above-average Western filmed in Republic Pictures’ Trucolor system. Walter Brennan plays Pop “Brimstone” Courteen, an ornery rancher who avenges the loss of the free range by robbing stagecoaches and banks. The Courteen gang, which also includes Pop’s three sons, Nick (Jim Davis), Luke (Jack Lambert), and the reluctant Bud (James Brown), gets a bit of competition from The Ghost, a mystery outlaw who really is Marshal Johnny Tremaine (Rod Cameron). Tremaine’s undercover investigation leads to McIntyre (Forrest Tucker), the sheriff of Gunsight, who is in the employ of the Courteens. In love with Molly Bannister (Adrian Booth), a settler, Bud turns against his ruthless family, but will Tremaine be able to save the boy from his father’s wrath?
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Puppet on a Chain (1971) Geoffrey Reeve, Sven-Bertil Taube, Barbara Parkins, Alexander Knox, Action, Thriller

This detective thriller features one of the most exciting boat chases ever filmed, a scene that has been compared to the car chase in Bullitt. It is also notable for having much scenic footage of the Netherlands and of Amsterdam. In this film, the headquarters of a drug-smuggling cartel is the quarry of American narcotics agent Paul Sherman (Sven-Bartil Taube). Though the cartel’s activities are centered in Amsterdam, Sherman’s search for the headquarters leads to an island castle owned by an offbeat religious group. Sherman and his partner Maggie (Barbara Parkins) run into serious trouble when they try to gain access to the forbidding site. Paul escapes captivity and chases the culprits by boat.
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Loving You (1957) Hal Kanter, Elvis Presley, Lizabeth Scott, Wendell Corey

Deke Rivers is a delivery man who is discovered by publicist Glenda Markle and country-western musician Tex Warner Read More »
Requiescant (1967) Carlo Lizzani, Lou Castel, Mark Damon, Pier Paolo Pasolini, Western

In the post-Civil War West, a young boy is rescued from a massacre by Protestants who instill the value of pacifism in the young boy. But it’s only when he chases after his missing step-sister that he discovers a skill for gunslinging, takes on the name Requiscant, and re-enters the world of violence denied to him as a child. This spaghetti Western also includes a cameo from director Pier Paolo Pasolini as a renegade priest.
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The Front Page (1931) Lewis Milestone, dolphe Menjou, Pat O’Brien, Mary Brian, Comedy

Hildy Johnson, newspaper reporter, is engaged to Peggy Grant and planning to move to New York for a higher paying advertising job. The court press room is full of lame reporters who invent stories as much as write them. All are waiting to cover the hanging of Earl Williams. When Williams escapes from the inept Sheriff, Hildy seizes the opportunity by using his $260 honeymoon money to payoff an insider and get the scoop on the escape. However, Walter Burns, the Post’s editor, is slow to repay Hildy back, hoping that he will stay on the story. Getting a major scoop looks possible when Hildy stumbles onto the bewildered escapee and hides him in a roll-top desk in the press room. Burns shows up to help. Can they keep Williams’ whereabouts secret long enough to get the scoop, especially with the Sheriff and other reporters hovering around?
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