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Popular Italian rock star Luciano Ligabue made his directorial debut with this Italian drama based on Fuori e dentro il borgo, his collection of autobiographical short stories about growing up in small-town Italy of the ’70s. DJ Bruno reflects on the past, a small circle of friends, and the hopes of their generation. At the group’s core is Freccia, a heroin user until Marzia steps in to help him kick the habit. As expected, Iena marries and settles down, while unhappy Boris is a victim of his own cynicism, and Tito is driven to violence by his dysfunctional family. An older bartender listens to the group’s woes and dreams. Along with a guitar score and a closing-credits song by Ligabue, tunes of the time include ones by Iggy Pop, Roxy Music, and David Bowie. Shown at the 1998 Venice Film Festival.
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This movie centers around a group of people that are both very Italian-Catholic and the same time oversexed and jaded European bourgeosis from the late “dolce vita” era. The main protagonist is a former priest who has become bored to the point of impotence by the easy availability of beautiful women. He misses the shame of the priesthood which made sex somehow more enjoyable, and this somehow leads to his strange fascination with photographing asses . He gets involved with a sexy married woman (Martine Brochard), but he is more interested in her virginal maid (Gloria Guida)–or, to be more specific, in the maid’s ass. The woman’s husband meanwhile, a hilariously pretentious actor, discovers the affair. Strangely, he is not angry at his wife’s infidelity but depressed that she was so indiscreet, and he too takes solace in his maid’s ass.
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Liberated ’70s couple seduce another couple into experimentation with bisexuality and group-sex.
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Paul Lavond was a respected banker in Paris when he was framed for robbery and murder by crooked associates and sent to Devil’s Island. Years later, he escapes with a friend, a scientist who was working on a method to reduce humans to a height of mere inches (all for the good of humanity, of course). Lavond however is consumed with hatred for the men who betrayed him, and takes the scientist’s methods back to Paris to exact painful revenge.
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Franco at his finest – somebody get this film on DVD now! This obscure Golden Films production got to pop the Franco-cherry on my new movie projector. It was just the right choice! Lina Romay, chubby like she just walked out of an Anders Zorn-painting, plays Irena (Female Vampire flashbacks, anybody?) who’s part of a kind of hypnosis nightclub act with the magician Fábian. He’s not a very nice guy and uses his hypnotic powers to use poor Irena as an instrument of vengeance, sleeping with and killing off his enemies. Or is the whole set up just part of her nightmares? An unusually good, hypnotic (in both meanings of the word) sleaze flick that really shows what Franco can achieve with extremely limited resources – some hotel rooms, a handful of actors (the same old faces that’s in all films from this period), a film camera and some re-used Daniel White music. Man, I really love this stripped down Golden Films stuff when it’s done right and this films is much closer in spirit to, say, Macumba Sexual than Mansion of the Living Dead. Parts of the film are almost delirious. There’s a thick, intimate atmosphere and interesting experimental photography. Some scenes are almost bordering on the poetic, for example we have a beautifully shot long kiss filmed through a glass door, bathing in sunlight. Say what you want about Lina’s acting capacity but here she gives all she’s got, somewhat reprising her roles in Female Vampire and Doriana Gray. Even though the story itself is more similar to Nightmares Come at Night. Highly recommended!
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Female writer who as part of a book project has slept with 99 men . Her 100th unsuspecting “victim” is an American architect who she first seduces on a New York ferry and then begins a very hot and semi-kinky affair with despite the fact he’s due to be married in 11 days (and 11 nights). A love lust triangle soon develops between the writer, the architect, and the latter’s bride-to be
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This musical romance is set during the Great Depression and centers upon the rocky marriage between a flapper script girl and her band-leader spouse. Prior to the big stock market crash, they spend much of their time touring. She tires of it and returns to her country home. Unable to find new bookings, he soon joins her and brings with him his acerbic, cynical manager. The bandleader finds the pastoral life a crashing bore and so heads for the big city to find fortune. Fortunately, by the story’s end, he succeeds and happiness is the result. Songs include: “Crazy Rhythm,” “You Were Meant for Me,” “Goodnight Sweetheart” “Sweet Georgia Brown” and “What Can I Say After I Say I’m Sorry.”
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Emotionless has left Six Doors, as has Cold Blood, who has decided to investigate the death of Lord Bu on his own. The departure of two of the four constables has effectively left Six Doors defunct. At this time, trouble begins to brew in the Imperial Palace as Emperor Huizong plans to travel incognito to the outside world. When he is almost assassinated and subsequently disappears, Cold Blood, Emotionless, Iron Hands and Life Snatcher must band together once again under Master Zhuge to save the empire from a massive conspiracy.
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“The Dancing Hawk” refers to the son of a peasant who senses he can climb to the job in troubled times by playing his cards right. His slavery to work match his ambitions, and gradually he reaches the social position he desires. But the costs have included a dehumanized soul and a loss of a moral conscience. People have had to pay for his advancement, including those nearest to him. The downfall is equally painful: either imprisonment or the easy wasy out are offered as the alternatives.
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In this drama at the end of World War II, the inhabitants of a small Japanese fishing village must come to terms with their nation’s defeat and the sudden occupation of General MacArthur and his troops.
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