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During the 1950s, in a small isolated Mexican village, the local Roman Catholic priest, Father Gomez, is an older man with a broken spirit. During his tenure in the village of Quantano, he fought hard to keep his flock of parishioners, in spite of threats and intimidation from the part of local bandit Anacleto Comachi and his men. The atheistic bandit has imposed his tyrannical rule over the region for many years. The local Police cannot find any witnesses to come forward and testify to any wrongdoing from the part of Anacleto. Therefore, they cannot charge him or arrest him. The Catholic Church replaces Father Gomez with a younger, more energetic priest, Father Keogh from Ireland. Before departing the village, Father Gomez warns Father Keogh of the dangers of defying Anacleto Comachi’s authority. But Father Keogh openly defies the bandit and administers his daily priestly duties at the village church. He even manages to persuade some of the villagers to start attending church again.
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Hélène Régnier walks out on her drug-addicted husband Charles after he brutally attacks their infant son. She stays in a run-down hotel whilst her son convalesces in hospital and she files for divorce. Charles’s wealthy bourgeois father is adamant that Hélène will lose custody of her child and, to that end, he engages a former business associate of Charles, Paul Thomas, to discredit her. When Paul fails to uncover any incriminating evidence against Hélène he concocts a scheme that will destroy her reputation. Things do not go quite as planned…
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A win on the football pools in postwar Britain changes lives. A happy family is turned into an unhappy argumentative lot until it is discovered the coupon apparently didn’t get posted. A mild-mannered clerk worries about how to tell his overbearing boss he is quitting. A double-bass player finds life without the orchestra lacks something. The lure of the big money even turns some people into criminals, as when a coupon checker is tempted by his night-club singer girlfriend to cheat the company.
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A British couple on a break on a small Greek Island are spreading terror beyond anything the islanders could have ever imagined. Only stopping every once in a while to shag anything that moves, be it man, woman or animal. But will they go unpunished, or will the inspector from London be able to put an end to their killing spree?
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A dead and frozen Baron Frankenstein is re-animated by his colleague Dr. Hertz proving to him that the soul does not leave the body on the instant of death. His lab assistant, young Hans, is found guilty of murdering the local pub owner with whom he had an argument where he foolishly swore to kill the man and Frankenstein acquires his body immediately after the execution. Hans had been quite friendly with the dead man’s daughter Christina who returns just in time to see him guillotined. Distraught, she commits suicide and is brought back to life by the good Doctor but with Hans’ brain replacing her own. As memories return to her – Hans’ memories in fact – she sets out to pursue and kill those responsible for having sent him to his death.
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Middle-aged businessman Simon Léotard finds his future in jeopardy when his partner Julien commits suicide after having accumulated a mass of debts. Simon’s unscrupulous business rival Lépidon offers to save him from bankruptcy by buying his company, at a discount rate. Reluctant to fall into Lépidon’s trap, Simon decides to resolve the crisis himself. A prostitute, Mado, provides him with the solution to his problems…
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Dr Paul Simay is a lady’s man who claims to prefer ugly women. He makes his point by winning a bet that he can sleep with the most ugly women in a year. He therefore has no qualms about marrying Christine, a paraplegic with buck-teeth, especially when her father is a wealthy doctor who can advance his career. His views change when he meets Christine’s beautiful sister, Martine. When she realises that Paul has been cheating on her and has given her sister a child, Christine decides to extract a cruel revenge…
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“Who are you?” the dwarf Mordecai (Billy Curtis) asks Clint Eastwood’s Stranger at the end of Eastwood’s 1973 western High Plains Drifter. “You know,” he replies, before vanishing into the desert heat waves near California’s Mono Lake. Adapting the amorally enigmatic and violent Man With No Name persona from his films with Sergio Leone, Eastwood’s second film as director begins as his drifter emerges from that heat haze and rides into the odd lakefront settlement of Lago. Lago’s residents are not particularly friendly, but once the Stranger shows his skills as a gunfighter, they beg him to defend them against a group of outlaws (led by Eastwood regular Geoffrey Lewis) who have a score to settle with the town. He agrees to train them in self-defense, but Mordecai and innkeeper’s wife Sarah Belding (Verna Bloom) soon suspect that the Stranger has another, more personal agenda. By the time the Stranger makes the corrupt community paint their town red and re-name it “Hell,” it is clear that he is not just another gunslinger. With its fragmented flashbacks and bizarre, austere locations, High Plains Drifter’s stylistic eccentricity lends an air of unsettling eeriness to its revenge story, adding an uncanny slant to Eastwood’s antiheroic westerner. Seminal western hero John Wayne was so offended by Eastwood’s harshly revisionist view of a frontier town that he wrote to Eastwood, objecting that this was not what the spirit of the West was all about. Eastwood’s audience, however, was not so put off, and an exhibitors’ poll named Eastwood a top box-office draw for 1973.
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Kitty Vane, Alan Trent, and Gerald Shannon have been inseparable friends since childhood. Kitty has always known she would marry one of them, but has waited until the beginning of World War I before finally choosing Alan. Gerald graciously gives them his blessing. Then, Gerald and Alan go to war. Angered over a misunderstanding involving Alan and Kitty, Gerald sends Alan on a dangerous mission that will change all their lives forever.
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In Falls City, Nebraska, Brandon Teena arrives to start a new future for himself. The local community falls for his charms and everyone becomes drawn to his innocence and wit. However, behind the charming persona is a totally different person – Brandon is actually a woman. After falling for a local karaoke singer, Brandon moves in with her family and wins them over. But when Brandon’s secret is finally out, the rest of the family all turn against him, branding him sick and evil.
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