Kentucky Jubilee (1951) Ron Ormond, Jerry Colonna, Jean Porter, James Ellison, Comedy, Music

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A Hollywood film-director has been sent to Hickory Kentucky to find material and acts for a hill-billy picture.He is kidnapped by henchmen of a big-town city slicker who has taken over the operation of the town’s annual jubilee..mostly using bottom-of-the-barrel acts from the swamps of Florida. A Hollywood trade-paper reporter, sent to cover the event, finally thwarts the gang’s plans to loot the civic coffers and the local bank. Jerry Colonna, between the 15 staging of acts from Florida that killed vaudeville, flits in and out as a hired emcee, who also gets kidnapped.
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Private Property (1960) Leslie Stevens, Kate Manx, Corey Allen, Warren Oates, Crime, Drama

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Duke and Boots, two young thugs, hold up a California gas-station owner. Duke, viral and savage, taunts the slower and psychologically-confused Boots because he has never made a sexual conquest. Duke offers to seduce a woman for Boots and the pair force a passing motorist to pursue a sports car driven by Ann Carlyle, the lustful wife of a insurance-company executive who has some desires of her own not being met by her husband.
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Violent Virgin / Gewalt! Gewalt: shojo geba-geba (1969) Kôji Wakamatsu, Eri Ashikawa, Toshiyuki Tanigawa, Miki Hayashi, Crime, Horror, Erotic

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Filmed entirely in a desolate field, Violent Virgin opens with two cars travelling along a dusty road. Three men and three women, apparently members of a gang, have a couple bound and blindfolded. After they reach their demonstration, they drag the man and woman, whose names we soon learn are Hoshi and Hanako, out of the cars and dump them on the ground. It seems that Hanako was the boss’s girl, but she eloped with Hoshi. Captured, it seems that they are going to be murdered, but not before they are humiliated by the other gang members.
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Eurocrime! The Italian Cop and Gangster Films That Ruled the ’70s (2012) Mike Malloy, Franco Nero, John Saxon, Henry Silva, Documentary, Action, Crime

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A documentary concerning the violent Italian ‘poliziotteschi’ cinematic movement of the 1970s which, at first glance, seem to be rip-offs of American crime films like DIRTY HARRY or THE GODFATHER, but which really address Italian issues like the Sicilian Mafia and red terrorism. Perhaps even more interesting than the films themselves were the rushed methods of production (stars performing their own stunts, stealing shots, no live sound) and the bleed-over between real-life crime and movie crime.
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L’invitation / The Invitation (1973) Claude Goretta, Jean-Luc Bideau, François Simon, Jean Champion, Comedy

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After the death of his mother, middle-aged insurance employee inherits her small cottage surrounded by a garden. Selling the cottage which is situated on unexploited ground near the center of a big city makes him a rich man and he buys a big house in the countryside. He takes some time off and decides to throw a big garden party at the house and invite all his colleagues from the office. Aided by alcohol, the guests gradually lose all their inhibitions and reveal personality traits and frustrations that they normally keep hidden.
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