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Edgy, absorbing and carnal, BEAUTIFUL SOMETHING takes a fresh and unsentimental look at the links between young and old, black and white, sex and love, desire and art. Cute, twenty-two-year-old writer Brian continually crashes and burns with each guy he meets, but does not understand why. The stunningly gorgeous Jim is not afraid to break hearts except when it comes to his forty-something lover and world-renown metal sculptor Drew, who can’t seem to look past his latest masterpiece. Lastly there’s Bob, a successful talent agent from LA in his mid-sixties who leads a double life being a sugar daddy to the young men he picks up. While all four comb the streets looking for connection, they oftentimes settle for something quick and dirty except that tonight is much different. Each guy he meets, but does not understand why. The stunningly gorgeous Jim is not afraid to break hearts except when it comes to his forty-something lover and world-renown metal sculptor Drew, who can’t seem to look…
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En vísperas de un día especial, los lazos familiares se muestran frágiles ante el sentimiento compartido de una gran ausencia. El tío Manuel, un hombre muy especial, está dedicado a sacar adelante a sus sobrinos adolescentes y ayudar a su cuñado, sindicalista y desempleado. La casa de mamá será el corazón de esta noche en la que la familia podría desvanecerse en un mundo de sueños perdidos. Ópera prima sobre la desintegración de la institución familiar.
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Prepare yourself to be either infuriated or fascinated by this French film. There’s no in-between reaction available here.When people talk about seeing a really weird film where nothing happened and the end didn’t make any sense, this is the film they’re probably talking about. I’d call it fascinating, but I’m well aware that I’m probably in the minority.
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John Moulder-Brown plays a teen-aged London bathhouse attendant who forms a business alliance with female attendant Jane Asher. The object is to obtain better tips from their clients, but soon the impressionable Moulder-Brown falls in love with the older Asher. Brushed off by the girl in favor of a handsome swimming instructor, Moulder-Brown makes several halfhearted attempts at revenge. When the boy and girl finally do get together sexually, the event is motivated by lust and has tragic results…
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Year 1952. Bill Rowan is 18, dreaming his life away at the family’s riverside home, waiting to be called up for two years conscription in the Army. He swims each morning and yearns for a pretty girl who cycles past at that time on the tow path across the river. This idyll is shattered by the harsh realities of boot camp. He meets Percy, an amoral prankster, and together they plot the downfall of Sergeant Yeomans, their rigid tormentor. Percy and Bill are rivals and antagonists, but gradually forge a deep friendship. After basic training many conscripts are shipped out to fight the Chinese in the Korean War, but Bill and Percy are assigned to the claustrophobia of a closed, prison-like training camp where they act as instructors.
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Peter Pan (Williams) has grown up to be a cut-throat merger and acquisitions lawyer, and is married to Wendy’s granddaughter. Captain Hook (Hoffman) kidnaps his children, and Peter returns to Never Land with Tinkerbell (Roberts). With the help of her and the Lost Boys, he must remember how to be Peter Pan again in order to save his children by battling with Captain Hook once again.
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Two former U.S. Army soldiers, Adam Dyer and Josh Corey, join a band of Turkish mercenaries in 1922 Turkey. They are hired by Osman Bey, a local governor, to escort his three daughters to Smyran and to protect a gold shipment that is to accompany them. Nobody is aware that Elci, a local colonel, plans to steal the gold for himself, while a rebel general pursues all parties involved.
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A disgraced Confederate Colonel who has deserted his command flees to the Everglades where he encounters a disparate group of four other Southern deserters. Togethher they struggle to find their way out of the swamp and resolve their own personal demons under the eyes of hostile Seminoles as they battle to survive the elements and each other.
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Beautiful Mary returns to her small hometown after many years from Chicago wearing a mink coat and carrying an expensive cigarette case. Her arrival causes long standing enmities to surface between two of her old boyfriends, Kenny Veech, a loafing gambler, and debonair Lew Lentz, owner of a local nightclub. Their deep-seated animosity repeatedly results in antagonism and fights as they compete for Mary’s affections. Kenny’s friend Gitlo, a bartender in Lentz’ club, enlists Kenny in an aborted plan to rob Lentz of $15,000 in profits from sponsoring a local carnival. Lentz retaliates by framing both men for murder.
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The protagonist (Rudolf Hrusinsky) is a dull, fat, shy government clerk indulging in voyuerism and ego fantasies. In love with another clerk (Kveta Fiolova), he is urged on in his pursuit by a commiserate executive. The story is told in a flashback sequence as the cuckolded Hrusinsky attempts suicide by gassing himself in his bathtub. The “Murder” of the title is not a murder as such, rather the murder that Hrusinsky remembers planning upon discovering his wife’s unfaithfulness with his supposed friend and advisor. Both plots failing in his mind, he loses himself in fantastic reveries of his funeral and of hypocritical mourners. ‘ Deciding (perhaps) that this is not the way out either, he gives up the attempt and imagines a life of reconciliation and eventual affluence.
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