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Ross Bodine and Frank Post are cowhands on Walt Buckman’s R-Bar-R ranch. Bodine is older and broods a bit about how he will get along when he’s too old to cowboy. Post is young and rambunctious and ambitious for a better life than wrangling cows. When one of their fellow cowboys is killed in a corral accident, Post suggests a way into a better life for himself and his friend: robbing a bank. Bodine reluctantly joins in the plan and the two contrive to rob the local bank. They make good their escape initially, but Walt Buckman and his two sons, John and Paul, are incensed at this betrayal by their own trusted employees. John and Paul set out to bring Bodine and Post to justice.
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When British Intelligence discovers that an Iron Curtian country is developing insects as weapons they persuade eminent entomologist Frances Gray to get into the country to collect some specimens. On arrival her cover is almost immediately blown and her contact murdered. The future looks grim for her and also perhaps for the world.
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Since their parents’ death in a car accident, Jang-Woo (Joo Won) has taken care of his younger teen sister, Eun-Ji (Ryoo Hye-Young). He watches over her almost too protectively. One night, Jang-Woo goes out and when he returns he finds Eun-Ji missing. Later, Jang-Woo notices a suspicious fellow lurking in the background. He gives chase.
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Sarah is a blind girl who has returned to her home, a country manor in which all of the occupants are dead. She unknowingly sleeps overnight, among a houseful of corpses, arising the next morning to quietly creep out of bed, in order not to awaken the other members of the household.
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A dramatic love story of a man, two women and three children. When love suddenly explodes in these people’s lives it creates a pressure wave that changes the lives of everyone. Johan is married with Lotta and has two children, when Johan and his colleague Anna falls in love with one another. A love that causes anger, hate, joy and eventually new possibilities.
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Daro un Milione was another felicitous collaboration between director Mario Camerini and his favorite star Vittorio de Sica. Read More »

The story of men devoted to the yakuza lifestyle and their struggles during a time of fading yakuza power.
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Following Shark!, Sam Fuller’s luck getting films funded didn’t change much; Dead Pigeon on Beethoven Street is Fuller’s only film of the ’70s. Technically, it’s not even a proper film, but if you didn’t know it was made as an episode of the German cop series Tatort (which is amazingly still running), you’d never have guessed it. Where American television stifled Fuller’s creative spirit and made him conform to the norms of whatever show he was working on, the producers of Tatort allowed Fuller the freedom to make whatever he wanted. He took this freedom and ran with it, crafting a unique, exciting picture unlike anything else in the Fuller catalog. Part crime thriller, part farcical comedy, Dead Pigeon on Beethoven Street is a hidden gem in Fuller’s filmography.
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Sam, cinéaste débutant, veut réaliser un film sur Sylvain Marceau, réalisateur disparu mystérieusement sous l’Occupation. Il retrouve par miracle Lisa Maurin, le grand amour de Sylvain, qui vit toujours et attend son retour. Lisa va partager avec Sam l’histoire initiatique de son incroyable aventure de jeunesse et de cet amour fou…
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In revenge for her husband’s infidelity, a young beautiful housewife, Mi-heun, starts an affair with an attractive young doctor, In-gyu. Despite her husband’s efforts to regain her love and the disapproval by the conservative little town, Mi-huen gradually finds happiness and satisfaction in the affair and decides to turn her back on her quiet life.
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