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At it’s core, the story focuses around Steve, who upon reaching adulthood, is released from the mental health facility his un-milf of a mom sent him to. He returns back home, and brings the pain to ole Ma Dukes for the unjustice he feels he is subjected to. The entire movie we basically just watch this mustached asshole be shitty to women, steal from his mom, terrorize his mom, and boozing up his brothers, one of whom is a coked-up art student.
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From the director of Babysitter Massacre and Haunted House on Sorority Row comes a shocking new film critics are calling “fresh and original” and “what horror audiences want” In his final night as a radio host, shock jock Amos Satan spins four spine-tingling tales of terror in this anthology of urban legends inspired by Creepshow and Tales from the Crypt. Scarewaves. Listen if you dare.
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Four models go on a photo shoot at an abandoned house previously belonging to the infamous Kandie family. Little do they know that Jonah Kandie still lurks there, seeking revenge on anyone that comes near after being scarred beyond recognition by his father as a young boy. One by one, the models soon become the victims of the vicious killer’s merciless hatred for all things beautiful.
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Henpecked misogynist Richard Davis murders his shrewish wife and goes out to dispose of her corpse. However, things go awry for Richard after he’s abducted by a pair of insane lesbians who take him to their house where they keep a grown woman called Baby in a crib.
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After trying to live the American dream, Alice returns to a Wonderland of crystal-meth. Her new family consists of characters straight from the March Hare’s tea party; a dysfunctional crew consisting of an insane pimp, a worn out prostitute, and a lethargic burnout. As their lives spiral further into darkness and the past seeks retribution, all will pay the ultimate price for what was lost down the rabbit hole.
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From July, 1913 to the outbreak of World War I, a series of incidents take place in a German village. A horse trips on a wire and throws the rider; a woman falls to her death through rotted planks; the local baron’s son is hung upside down in a mill; parents slap and bully their children; a man is cruel to his long-suffering lover; another sexually abuses his daughter. People disappear. A callow teacher, who courts a nanny in the baron’s household, narrates the story and tries to investigate the connections among these accidents and crimes. What is foreshadowed? Are the children holy innocents? God may be in His heaven, but all is not right with the world; the center cannot hold.
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As the staff of Good Friends Church Camp prepares for a spring break filled with “Fun Under the Son”, a demon logger rises from his sap boiler to wreak his vengeance and feast on flapjacks soaked in the blood of his victims.
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Maybe your folks never did, but we bet that Grandpa or Uncle Louie whispered a few of these. Anyway, you’ve heard most of these racy knee-slappers before. The film is little more than a series of blackouts, concentrating on anatomical humor. And oh, yes: there’s lots of buxom females.
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Fear chokes the free-wheeling underbelly of San Francisco’s punk scene as a killer stalks the night to feed an unspeakable appetite. Community suspicion focuses on Disease, a band that is tainted by groupie deaths allegedly induced by the drug DZS, and on “The Creeper” a misshapen outcast from the bowels of the city. A writer probes the gruesome murders and the story hits close to home, as the web of death devours neighbors, friends, and lovers.
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Five men ride into the eerie town of Yellow Rock, hoping to rescue a family member and his lost boy.
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