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A good kid with no record commits a robbery, kills an old man and winds up on death row. The authorities try to figure out why he went bad.
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Enron dives from the seventh largest US company to bankruptcy in less than a year in this tale told chronologically. The emphasis is on human drama, from suicide to 20,000 people sacked: the personalities of Ken Lay (with Falwellesque rectitude), Jeff Skilling (he of big ideas), Lou Pai (gone with $250 M), and Andy Fastow (the dark prince) dominate. Along the way, we watch Enron game California’s deregulated electricity market, get a free pass from Arthur Andersen (which okays the dubious mark-to-market accounting), use greed to manipulate banks and brokerages (Merrill Lynch fires the analyst who questions Enron’s rise), and hear from both Presidents Bush what great guys these are.
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Southern negro Sylvia Landry visits her cousin Alma in the north, where there is less racial prejudice than in her home town of Piney Woods in the deep south, and is anxiously awaiting her fiancé, Conrad. But Alma has designs on Conrad and tricks Sylvia into a compromising situation when he arrives, and he abandons her. Disheartened, she returns to Piney Woods to help a reverend running a school for young negroes. Sylvia learns that the reverend hasn’t the heart to turn away poor students, and unless he can raise $5,000 to supplement the $1.49 per child per year that the state supplies, the school will be closed. She goes up north again to try to raise the money and has little success, but meets kindly negro, Dr. V. Vivian, who helps her regain her stolen purse. When she saves a child from being hit by an auto, she herself is slightly injured. But the owner of the car is philanthropist Mrs. Elena Warwick, who is sympathetic to her quest and promises to donate the $5,000 to the school…
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My films are like that: in a room, but looking out onto an open sky. I can’t really say it except to repeat that Bresson note, ‘that without a thing changing, everything is different.’ The film exists. The fiction is set up, and we believe in it. The justness of the agreement leads us to believe it, because everything plays equally at being a sign.
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A self-portrait documentary of Dusan Makavejev who travels to former Yugoslavia, and charts the changes of the society which parallels to his own life.
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Getting lost, wandering home whilst on leave from his seminary, novice monk Khoma stays in the barn of an old woman. A scuffle breaks out. Later, he is summoned to stand and pray over a young dead woman, in the local church, for three nights. It is here that, while in the long, dark nights of the locked doors, the dead regain life, the souls of Hell taunt the young monk to near terrifying insanity, and the test of Faith will be as powerful as the witches, monsters and the mighty demon Viy who haunt his every step and bay for his very soul.
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Lily and Max have been married for more than 50 years. Now they live together in a nursing home, where Max has been reliant on professional care since his stroke. Lily has been putting her own needs aside and is desperately longing for excitement and intimacy in her life. When a man known as “the Pilot” moves in next door, Lily is immediately charmed by him and his passion for life. But neither her family nor the other residents at the nursing home are fond of her new acquaintance. Misunderstood by her family and trapped in her life with Max, Lily decides to fight to escape the bars of her invisible prison and claim her freedom.
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A marshal investigating the death of a woman who owned a gambling house finds that he’s developing an attraction to the image of the dead woman, and then she shows up very much alive.
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On a hot summer night in Brooklyn, singles and couples converge in a brownstone apartment to flirt, fight, hook uo and break up. A dreamy comedy-drama about sex, love and freedom, “Home” packs a lot of stories into just two floors.
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The story of the Swiss soldier, Henri Dunant (Jean-Louis Barrault), who was responsible for the founding of the Red Cross, and who was offered the first Nobel Peace Prize.
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Maurice is a French teenager who escaped France and begins working at a hype club in Brooklyn called BIZARRE. He quickly becomes a sort of ‘mascot’ of this incredible club.The owner and the artists that perform there love him, but Maurice can’t love…because of the past…and his secrets.
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This adventure is set in the Philippines and chronicles the exploits of two men who survive a plane crash in the jungle. One of the men is an avaricious killer who has come to the islands to search for a fortune in diamonds. The other is an international adventurer. Now they must somehow overcome their vast personal differences and desires to survive in the steamy wilderness.
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A rich and famous singer disguises himself as a waiter in order to be near the woman he loves, a European princess.
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Adam Verver, a US billionaire in London, dotes on daughter Maggie, an innocent abroad. An impecunious Italian, Prince Amerigo, marries her even though her best friend, Charlotte Stant, an alabaster beauty with brains, no money, and a practical and romantic nature, is his lover. She and Amerigo keep it secret from Maggie that they know each other, so Maggie interests her widowed father in Charlotte, who is happy with the match because she wants to be close to Amerigo. Charlotte desires him, the lovers risk discovery, Amerigo longs for Italy, Maggie wants to spare her father pain, and Adam wants to return to America to build a museum. Amidst lies and artifice, what fate awaits adulterers?
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On the verge of coming of age. Aimie is perhaps 18, a Korean immigrant in Canada. It’s winter, snow crunches beneath her feet. She lives with her mother. She studies English and doesn’t seem to be a particularly good student. Tran is her best friend, and he wouldn’t mind if their relationship becomes sexual. She declines, then worries that he might find a more willing girlfriend. Her mother broaches the subject of remarriage. Aimie misses her father, sending him messages to come and visit. What does she have she can count on?
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