The Apple (1980) Menahem Golan, Catherine Mary Stewart, George Gilmour, Grace Kennedy

The Apple (1980)
Alphie and Bibi, two sweet, naive youths from Moose Jaw, Canada, have come to America to compete in the 1994 Worldvision Song Festival. Although the pair have talent, they are beaten out by the underhanded tactics of the festival favorites, another duo with the backing of BIM: Boogalow International Music, and its leader, Mr. Boogalow. Though crestfallen by their loss, Bibi and Alphie are soon delighted to hear that Mr. Boogalow has taken an interest in their music and wants to sign them to his label. All is looking up for the two until they begin to discover the dark underside of the rock and roll world.
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A Walk in the Spring Rain (1970) Guy Green, Ingrid Bergman, Anthony Quinn, Fritz Weaver

A Walk in the Spring Rain (1970)
Libby Meredith and her husband Roger, a college professor, have a quiet, comfortable marriage. They journey to the Great Smoky Mountain region of Tennessee, where Roger will spend his sabbatical year writing a book. Their neighbor, an unhappily married mountain man falls in love with Libby at first sight. Although plagued by guilt, Libby cannot deny the sudden, overwhelming passion and exuberance she feels as a result of the mountain man’s confession of love. Their brief, idyllic infatuation is interrupted by sudden violence.
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Yihe yuan / Summer Palace (2006) Ye Lou, Lei Hao, Xiaodong Guo, Xueyun Bai

Yihe yuan (2006)
Country girl Yu Hong leaves her village, her family and her lover to study in Beijing. At university, she discovers an intense world of sexual freedom and forbidden pleasure. Enraptured, compulsive, she falls madly in love with fellow student Zhou Wei. Driven by obsessive passions they can neither understand nor control, their relationship becomes one of dangerous games – betrayals, recriminations, provocations – as all around them, their fellow students begin to demonstrate, demanding democracy and freedom. Protests collapse, and Yu and Zhou lose each other amidst the social chaos and panicked crowds. Zhou Wei is sent to a summer military camp, and on his release moves to Berlin, fleeing both his country and memories of Yu. She finds a job, a lover, but can not forget Zhou. In Germany, social unrest is mounting: calls for freedom, demonstrations for democracy. A familiar story for Zhou.
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Deep Waters (1948) Henry King, Dana Andrews, Jean Peters, Cesar Romero

Deep Waters 1948
A Maine lobster fisherman, trained as an architect, prefers to be a fisherman over the objections of his fiancée. The latter, a welfare worker for the state, finds a home for a 12-year-old orphan who loves the sea. He and the fisherman become friends but the fiancée, fearful of the dangers of sea life, forces the fisherman to restrict the boy from his boat. Denied the life he loves, the boy, in retribution, steals a camera and is sent to reform school. The couple marries and succeeds in getting a judge to grant a petition allowing them to adopt the boy.
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El hombre robado / The Stolen Man (2007) Matías Piñeiro, Ana Cambre, Francisco García Faure, Daniel Gilman Calderón

El hombre robado (2007)
Piñeiro’s sparkling debut film breathlessly follows a clever, capricious young woman as she carefully interweaves friends and lovers into an intricate web of secretive yet often unexpectedly compassionate games. Together with her best friend and fellow tour guide at a rival Buenos Aires historical museum, Piñeiro’s headstrong heroine attempts to tame the unpredictable course of her heart, eccentrically drawing inspiration from Sarmiento’s magnum opus, Facundo. With its grainy 16mm black-and-white cinematography, its political sub- and super-texts and its compelling portrait of impetuous youth, The Stolen Man recalls the alternately sober and sprightly nouvelle vague of Jean Eustache and Jacques Rivette.
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Tous peuvent me tuer / Everybody Wants to Kill Me (1957) Henri Decoin, François Périer, Peter van Eyck, Anouk Aimée

Tous peuvent me tuer (1957)
The holdup of the bank is a success. All happened according to plan. Now, Cyril Gad and his four accomplices must secure an alibi. What better place than a prison cell? As a result the five gangsters have themselves arrested on minor charges and start waiting until they are released. Unfortunately three of them die mysteriously, another one is openly murdered. The only man still alive, Tony, is scared.
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Max (2002) Menno Meyjes, John Cusack, Noah Taylor, Leelee Sobieski

Max (2002)
Munich, 1918. German-Jew Max Rothman has returned to much of his pre-war life which includes to his wife Nina and their two children, to his mistress Liselore von Peltz, and to his work as an art dealer. He has however not returned to being an aspiring painter as he lost his dominant right arm during the war. He is approached by an aspiring painter, a thirty-year old Austrian war veteran named Adolf Hitler, who wants him to show his works. Although he doesn’t think the paintings are all that original and he doesn’t really like Hitler as a person, Rothman takes Hitler under his wings if only because of their camaraderie of being war veterans, and knowing that Hitler had nothing and no one to come back to after the war unlike himself. Rothman believes that Hitler has promise if only he can find his original artistic point of view. In part out of need for money, Hitler, on the urging of Captain Karl Mayr, agrees to work for the army as a political spokesman in anti-Semitic propaganda.
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Tanin no kao / The Face of Another (1966) Hiroshi Teshigahara, Tatsuya Nakadai, Mikijirô Hira, Kyôko Kishida

Tanin no kao (1966)
A businessman facially scarred in a laboratory fire receives psychotherapy from a psychiatrist, and obtains an amazingly lifelike mask from the doctor. Soon after being fitted for the mask, he seduces his wife and succeeds. But his wife claims she was aware all along who he was and believed that both were just masquerading together as most couples usually do in different ways. Strangely enough, his personality seemingly begins to change after he puts on the mask as if the mask has influenced his personality. His new identity does not enable him to reintegrate into society after all. A subplot is inserted in fragments. A good-natured young woman, the right side of whose face is disfigured, has been hurt by others’ inquisitive eyes and insults, and has been shunned by men. She asks her older brother, the only man who understands her pain and solitude, to make love to her, hiding from him the intent of killing herself after then.
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