Thriller

The Old West.. where a lone cowboy leads an uprising against a terror from beyond our world. 1873. New Mexico Territory. A stranger with no memory of his past stumbles into the hard desert town of Absolution. The only hint to his history is a mysterious shackle that encircles one wrist. What he discovers is that the people of Absolution don’t welcome strangers, and nobody makes a move on its streets unless ordered to do so by the iron-fisted Colonel Dolarhyde (Ford). It’s a town that lives in fear. But Absolution is about to experience fear it can scarcely comprehend as the desolate city is attacked by marauders from the sky. Screaming down with breathtaking velocity and blinding lights to abduct the helpless one by one, these monsters challenge everything the residents have ever known. Now, the stranger they rejected is their only hope for salvation. As this gunslinger slowly starts to remember who he is and where he’s been, he realizes he holds a secret that could give the town a fighting chance against the alien force. With the help of the elusive traveler Ella (Olivia Wilde), he pulls together a posse comprised of former opponents-townsfolk, Dolarhyde and his boys, outlaws and Apache warriors-all in danger of annihilation. United against a common enemy, they will prepare for an epic showdown for survival.
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Twenty two years earlier, Karen helped convict her father, Frank, for the murder of her mother. With his new freedom, thanks to parole, Frank returns home to seek revenge. Having always pleaded his innocence, Frank soon works his way back into Karen’s life.
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When their daughter is abducted and taken for ransom by a gang of serial kidnappers, a young doctor and his wife find themselves held hostage while a 24-hour plan to extort their money is set into motion. Now, with time running out and the health of their asthmatic daughter at serious risk, they find themselves in a life-and-death race against the clock as the “perfect crime” begins spiraling towards an unthinkable, terrifying and deadly conclusion.
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London is terrorised by a vicious sex killer known as the neck tie murderer. Following the brutal slaying of his ex-wife, down-on-his-luck Richard Blaney is suspected by the police of being the killer. He goes on the run, determined to prove his innocence.
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In the enthralling Blow Out, brilliantly crafted by Brian De Palma, John Travolta gives one of his greatest performances, as a movie sound-effects man who believes he has accidentally recorded a political assassination. He enlists the help of a possible eyewitness to the crime (Nancy Allen), who may be in danger herself, to uncover the truth. With its jolting stylistic flourishes, intricate plot, profoundly felt characterizations, and gritty evocation of early-1980s Philadelphia, Blow Out is an American paranoia thriller unlike any other, as well as a devilish reflection on moviemaking.
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British Ministry agent John Steed, under direction from “Mother”, investigates a diabolical plot by arch-villain Sir August de Wynter to rule the world with his weather control machine. Steed investigates the beautiful Doctor Mrs. Emma Peel, the only suspect, but simultaneously falls for her and joins forces with her to combat Sir August.
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A thief (Duke Anderson) just released from ten years in jail, takes up with his old girlfriend (Ingrid) in her posh apartment. He makes plans to rob the entire building. What he doesn’t know is that his every move is recorded on audio and video tape, although he is not the subject of any surveillance.
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While on the run from the police, Steve Railsback hides in a group of moviemakers where he pretends to be a stunt man. Both aided and endangered by the director (Peter O’Toole) he avoids both the police and sudden death as a stuntman. The mixture of real danger and fantasy of the movie is an interesting twist for the viewer as the two blend in individual scenes.
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A boy preacher named Isaac goes to a town in Nebraska called Gatlin and gets all the children to murder every adult in town. A young couple have a murder to report and they go to the nearest town (Gatlin) to seek help but the town seems deserted. They are soon trapped in Gatlin with little chance of getting out alive.
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A scheming woman (Krista Errickson) seeks to kill her husband to collect the insurance money, and is willing to seduce anyone she can to do it – including her husband’s brother.
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