Thriller

China’s enfant terrible Lou Ye returns after a five-year government ban on filmmaking with Mystery (2012), a rain-soaked melodrama set against the disconsolate mist of Wuhan’s impetuously erected industrial landscape. Opening with an explosive car crash, Ye’s latest is a tangled wreck of moral impasses and social inspection. Slicing through a sheet of unrelenting rainfall, two modified sports cars – driven by a group of insufferably affluent kids – race through the streets of the Hubei province capital. Their recklessness is dramatically halted, however, when they fail to notice a young woman who has wandered into the road.
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Colum Kennedy went with his family to an Irish village to visit the places of origin of their ancestors. Once he arrived in the village realizes that the community is populated by beastly shape-shifting beings able to transform into animals. Colum begins to feel an intense passion for a woman who can transform into a wolf and must make a choice: return to his family and bring her home or to give in to temptation.
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Rinku is a suicide-prevention counselor, living with her husband Shigehiko. He’s older than she, scrubbing things constantly, sexually indifferent. They sleep apart. During Tokyo’s rainy season, Iguchi, a photographer Rinku has counseled by phone, sends her pictures he has taken through her skylight: she’s wearing a short skirt, masturbating. He offers her the negatives if she’ll follow his instructions. She’s humiliated and agrees. He tells her he’s only giving her license to express her inner desires. He sends her into the night to walk on the wild side. Then, she asks a favor of him, and soon her husband receives phone calls and photographs. Where will this triangle lead?
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Sam Dietz, the relentless police detective, returns to Los Angeles from a self-imposed exile to help the police solve another series of brutal killings committed by another crafty serial killer whom targets Dietz’s latest love interest.
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Detective Ulisse Moretti (von Sydow) is investigating a series of murders in Turin in 1983 known as The Dwarf Murders. The main suspect, a giallo novelist named Vincenzo de Fabritiis, turns up dead and the case is considered closed. However, seventeen years later, a similar series of murders begin and draw the since-retired Moretti back into the case. Moretti teams up with Giacomo (Stefano Dionisi), whose mother was murdered in the 1983 spree, to determine if de Fabritiis is still alive or was actually innocent of the crimes for which he was accused. As the murders continue, the investigating duo discovers that the murderer is arranging their murder to an old nursery rhyme about the killing of animals..
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Beverly Hills shrink Dr. Jonathan Brooks (Nick Cassavetes) seemingly has everything; wealth, a successful practice and a beautiful lawyer fiancée, Jennifer (Diana Barton). Brooks is helping his cop friend Harry Reams (Richard Roundtree) compile a psychological profile of a serial killer on the loose in L.A. Meantime, he starts treating an interesting new patient, Laura (Shannon Whirry), a shy woman who transforms under hypnosis into a completely different persona; the seductive Lana. A torrid affair takes place between the irresistible Lana and Brooks, but he gets more than he bargained for. Lana steals videotapes of ‘sessions’ the doctor has had with other patients and blackmails him with the damning evidence, while at the same time Harry Reams is getting closer and closer to identifying the serial killer.
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Seasoned ex-criminal is drawn into counterfeit money deal that turns into shooting spree. During the incident, undercover cop was killed and his sister is determined to find the killers.
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Continuing his penchant for directing films in the characteristically Japanese genre he virtually created, director Takashi Ishii here presents yet another stylish rape/thriller. Nami is an attractive woman, and she loves her husband, who runs the real estate agency she works at. One day, during a rainstorm, a mysterious drifter stumbles into her and, following her on her way back to the office, asks for (and gets) a job from her husband, over her protests. Not long after that, Nami and the newcomer are trading amorous glances. When the drifter gets her alone in a model house, he rapes her on the floor. For some reason, this doesn’t offend Nami, and she encourages the socially backward man to take her to bed often. Eventually, the two of them decide to do away with her husband, despite the fact that Nami still loves him.
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John and Laura Baxter are in Venice when they meet a pair of elderly sisters, one of whom claims to be psychic. She insists that she sees the spirit of the Baxters’ daughter, who recently drowned. Laura is intrigued, but John resists the idea. He, however, seems to have his own psychic flashes, seeing their daughter walk the streets in her red cloak, as well as Laura and the sisters on a funeral gondola.
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A vicious corporation tries to kill and starve the last remaining habitants of the Bronx in order to build their own high-rise developments. A lone long-haired, hot-tempered warrior, Trash, is his only obstacle. Trash, a psychopathic bomb-maker and his equally psychopathic preschool son and an annoying activist help him out by kidnapping “the President” (of the corporation), a Richard Dreyfuss look-alike. Henry Silva plays another psychopath, this one on the side of the corporations. A favorite movie of Mystery Science Theater 3000 series.
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