Sci-Fi

Another planet in the period of medieval times. An employee of the institute of experimental history from Earth, who is send under the name of noble don Rumata of Estor as a spy with a mission to contact the local resident of the institute, arrives in the city of Arkanar.
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In a bleak, postnuclear future world, warring factions struggle to claim the Equalizer 2000, the one weapon powerful enough to guarantee survival.
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Bavaria in the late fifties. Someday the life of Maria, a young girl, changes all of a sudden when she finds the body of a woman. The scientist Dr. Robert Hoelzlein and the American Captain John Welles, deployed in Bavaria, are commissioned to solve the apparently obvious murder case.
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Get ready for some holiday spirits as the first family of fright rallies to show melancholy Eddie Munster (Bug Hall) some of the holly, jolly magic that only Santa can bring.
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A bunch of young people are invited to a Caribbean cruise on a gangster’s yacht, to distract the attention of the authorities. Unfortunately, a mutant cat which escaped from a test laboratory also gets on board, and kills most of the passengers.
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Three vibrantly retro space girls from the planet Vanisia must try to fit in as normal Beverly Hills women when they suddenly make a crash landing in the backyard of wealthy infamous playboy Baron Von Benson. Baron and his women chasing buddy Steve, soon realize that it takes something out of this galaxy to tame their cheap bad boy ways.
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The Clone Returns Home is a compelling meditation on the paradox of life and death, and the meaning of love and family. Set in an imaginary – yet utterly imaginable – future, this quietly provocative film skillfully transposes complex emotional drama into the realm of science fiction by exploring the influence of technology on human memory and experience. Filled with stunning imagery and haunting stillness, The Clone Returns Home deftly combines subtly nuanced sci-fi with a uniquely Japanese perspective on the universal themes of family, life, love, and death.
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A budding young scientist lad is caught by his mom checking out the lady across the way with his telescope, whereupon she lectures him on the evils of women. Twenty years later and all grown up, the scientist announces his theories of invisibility, and his colleagues laugh, to which he responds by killing four of them. He escapes from the loony bin and gets a job teaching summer school physics at a high school. The students decide to tease him about the same time as he perfects his invisible juice, and he goes on a spree of vengeance.
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The film is set in a terrorizing world of the future, where technology commands the movements of individuals, supervised by the doctors, carrying out a program to improve the human race. Thus, instead of doctors creating a monster, the monsters are already there as the species of the future – but one of them is suspected by the doctors of being a human being. That is Golem in reverse.
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The nightmarish world of Oscar the entomologist, involving his various fears of, and relationships with, women, intertwined with his love for insects, especially the metamorphosing and predatory kind. In this dark dream-world which is constantly drowned in darkness of a solar eclipse punctuated by brief flashes of blinding sunlight, everything is spliced together and nothing makes sense.
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