Romance

A man invites a woman to share his room in a hostel in Djibouti because she seems to have some problems. Gradually he falls in love with her. They embark on a trip to the towns in the desert and, on the way, they learn more about each other. The man never appears on screen, so the camera becomes his point of view.
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Four sisters in New Zealand fall for four U.S. soldiers en route to the Pacific theater in WWII.
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Discovery by Flo Ziegfeld changes a girl’s life but not necessarily for the better, as three beautiful women find out when they join the spectacle on Broadway: Susan, the singer who must leave behind her ageing vaudevillian father; vulnerable Sheila, the working girl pursued both by a millionaire and by her loyal boyfriend from Flatbush; and the mysterious European beauty Sandra, whose concert violinist husband cannot endure the thought of their escaping from poverty by promenading her glamor in skimpy costumes.
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Middle-aged Oscar winning actress Margaret Elliot – Maggie to those that know her – is a Hollywood has-been. Her life is in shambles. She clings to the hope of resurrecting her past movie stardom as a leading ingénue. No one will hire her, she’s penniless with creditors selling off anything that she owns that is of monetary value, and she has no one to turn to that can see her through financially. She has in the past supported her sister and brother-in-law, who still want to use her as their meal ticket. Divorced from her actor husband, she shares joint custody of their teen-aged daughter Gretchen, from who Maggie tries to hide her problems. When it looks as if Maggie has hit rock bottom, Jim Johannsen re-enters her life. Jim, who once had the stage name Barry Lester, got his big break in Hollywood movies by Maggie. He came to the quick realization that he was neither good as an actor or that he wanted to do it as a profession. He now works as a boat parts supplier and mechanic.
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Unable to sleep in the sweltering heat, a young couple bares their bodies –- and their souls –- to each other over one life-changing night. They didn’t know each other when the night began. It got hot, they stayed in. Now they know each other better than most.
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Three high school seniors preparing for final exams in the early 1960s have the normal teenage concerns about girls, sex and relationships. They try to find out if going steady with one girlfriend is better or if changing girlfriends all the time makes for too many complications. By the end of summer, all things get better.
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Miranda Presley moves from New York to Nashville to become a song writer. At an unsuccessful audition she meets James Wright a promising newcomer. After only a few days they marry, head over heels, but start to regret it very soon.
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In a small pleasant European village, there is one unhappy person: Ella. She is despised by everyone, and mistreated by her step-mother and step-sisters. Out feeling miserable one day, Ella meets a handsome young man, who falls for her. He is really Prince Charles, the son of the Duke, but he tells her he is the son of the cook, and invites her to a great ball at the Duke’s castle. A strange woman who lives in the mountains by herself befriends Ella, and dresses her up so she can attend the ball. She goes, and is a great success, but must run out at midnight. In her haste, she drops a single glass slipper. The Prince uses the slipper to find her.
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A philosophy teacher restless with the need to do something with his life meets a young woman suspected of driving an artist to his death. He finds the very simple Cecilia irritating but develops a sexual rapport with her. Obsessed with the need to own and tormented by her inability to respond to him, he becomes increasingly violent in a quest he can’t name – a quest that slowly begins to undermine his certainties.
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In a story interspersed with interview tales of romantic pitfalls, friendship turns to romantic rivalry for gay man Francis and straight woman Marie when a veritable Adonis named Nicolas enters their lives. Sexual tensions mount as Francis and Marie await Nicolas’ show of preference.
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