Romance

Picknick am Valentinstag / Picnic at Hanging Rock (1975) Peter Weir, Rachel Roberts, Anne-Louise Lambert, Vivean Gray, Drama, Mystery, Romance

Picnic at Hanging Rock (1975)
Three students and a school teacher disappear on an excursion to Hanging Rock, in Victoria, on Valentine’s Day, 1900. Widely (and incorrectly) regarded as being based on a true story, the movie follows those that disappeared, and those that stayed behind, but it delights in the asking of questions, not the answering of them.
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About Last Night… (1986) Edward Zwick, Rob Lowe, Demi Moore, James Belushi, Comedy, Drama, Romance

About Last Night… (1986)
Danny and Bernie are two single men living their lives on the wild side. But when Danny meets Debbie at a bar and the two start a relationship with a one night stand, Danny’s life takes a different turn. How does this passionate night become a full affair and what effect will this relationship have on both people and their friendship with their best mates?
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The Jazz Singer (1980) Richard Fleischer, Laurence Olivier, Neil Diamond, Lucie Arnaz, Drama, Music, Romance

The Jazz Singer (Richard Fleischer, 1980)
Neil Diamond stars in this motion picture as Yussel Rabinovitch, a young Jewish cantor who strives to make a career outside the synagogue in popular music as Jess Robin. Against the wishes of his rigid father and his loving wife, Yussel travels from New York City to Los Angeles to play his music. Swept up by the excitement, he meets a spunky manager who believes in his talent and shares his dream. He grows apart from his family, and becomes confused about what he should ultimately do with his life.
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Breaking the Sound Barrier (1952) David Lean, Ralph Richardson, Ann Todd, Nigel Patrick, Drama, Romance, War

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Tony successful fighter pilot during World War II marries into the family of a wealthy oil magnate who also designs airplanes. The movie traces the company’s attempt to break the sound barrier, as well as tensions between father and daughter. Lots of footage of early 50s jet aviation in Great Britain as well as shots of the Comet airliner, world’s first jet passenger plane.
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Devil’s Canyon (1953) Alfred L. Werker, Virginia Mayo, Dale Robertson, Stephen McNally, Action, Crime, Drama, Romance, Western

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Ex-marshal Billy Reynolds, sent to state prison for killing two men in self defense, learns that killer Jessie Gorman, brother of the two men Billy shot, is in the same prison and vows revenge. Complicating matters further is the incarceration of Gorman’s girlfriend Abby who helps Gorman plan an escape while at the same time is unsuccessful hiding her feelings for Reynolds.
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The Stunt Man (1980) Richard Rush, Peter O’Toole, Steve Railsback, Barbara Hershey, Action, Comedy, Drama, Romance, Thriller

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While on the run from the police, Steve Railsback hides in a group of moviemakers where he pretends to be a stunt man. Both aided and endangered by the director (Peter O’Toole) he avoids both the police and sudden death as a stuntman. The mixture of real danger and fantasy of the movie is an interesting twist for the viewer as the two blend in individual scenes.
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A Brighter Summer Day / Gu ling jie shao nian sha ren shi jian (1991) Edward Yang, Chen Chang, Lisa Yang, Kuo-Chu Chang, Crime, Drama, Romance

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Among the most praised and sought-after titles in all contemporary film, this singular masterpiece of Taiwanese cinema, directed by Edward Yang, finally comes to home video in the United States. Set in the early sixties in Taiwan, A Brighter Summer Day is based on the true story of a crime that rocked the nation. A film of both sprawling scope and tender intimacy, this novelistic, patiently observed epic centers on the gradual, inexorable fall of a young teenager (Chen Chang, in his first role) from innocence to juvenile delinquency, and is set against a simmering backdrop of restless youth, rock and roll, and political turmoil.
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Rendez-vous (1985) André Téchiné, Lambert Wilson, Juliette Binoche, Wadeck Stanczak, Drama, Romance

Rendez-vous (Andre Techine, 1985)
A woman and three men. Nina, who’s come to Paris to act and sleeps with any man at hand, meets Paulot, a young estate agent; he’s smitten. She also meets Paulot’s flatmate Quentin, a compulsive who stalks her. To Paulot’s jealous dismay, she’s willing to sleep with Quentin, and wants Paulot’s friendship. After a desperate act by Quentin, Nina and Paulot share a flat, but she still won’t take him as a lover; instead, her energy goes into a production of “Romeo and Juliet” directed by a detached, intense man who becomes her father figure. Quentin’s ghost taunts her, Paulot wants to end all contact, and the director plans to return to London. The art of the theater may be her only refuge.
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