Romance

Alex Owens is a female dynamo: steel worker by day, exotic dancer by night. Her dream is to get into a real dance company, though, and with encouragement from her boss/boyfriend, she may get her chance. The city of Pittsburgh co-stars. What a feeling!
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In this film based on John Steinbeck’s epic novel, Cal Trask (James Dean), the son of a California farmer (Raymond Massey), feels that his father cares only about his brother, Aron (Richard Davalos). When Cal embarks on a business venture to gain the favor of his dad, he finds himself dealing with his estranged mother (Jo Van Fleet), now the owner of a brothel, and tensions in the family rise even further when he begins to fall for Aron’s girlfriend, Abra (Julie Harris).
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Five short stories loosely dealing with the roles of women in society. A superstar actress travels to a mountain resort, only to evoke jealousy from women and lust from men. A woman offers to take an injured man to the hospital. A widowed father and his son seek for a new wife/mother. A man seeks revenge for a woman’s honor. A bored housewife tries to explain to her husband that he’s not as romantic as he used to be.
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Film opens with the mad rush of haphazard freedom as the concentration camps are liberated. Men are trying to grab food, change clothes, bury their tormentors they find alive. Then they are herded into other camps as the Allies try to devise policy to control the situation. A young poet who cannot quite find himself in this new situation, meets a headstrong Jewish young girl who wants him to run off with her, to the West. He cannot cope with her growing demands for affection, while still harboring the hatred for the Germans and disdain for his fellow men who quickly revert to petty enmities.
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Girls Just Want to Have Fun

Janey is new in town, and soon meets Lynne, who shares her passion for dancing in general, and “Dance TV” in particular. When a competition is announced to find a new Dance TV regular couple, Janey and Lynne are determined to audition. The only problem is that Janey’s father doesn’t approve of that kind of thing.
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Given a bigger budget than usual, cult director Edgar G. Ulmer rises to the occasion in The Naked Dawn. Filmed in Mexico, the story focuses on a poor but proud farmer named Manuel (Eugene Iglesias) and his wife Maria (Betta St. John). When glib-tongued drifter Santiago (Arthur Kennedy) tries to get Manuel mixed up in a train robbery, the farmer is at first resistant, but is goaded into joining Santiago by the covetous Maria. Corrupted by the prospect of untold wealth, Manuel begins plotting the murder of Santiago; meanwhile, Maria makes plans to bump off Manuel and run off with the handsome stranger. There’s a moral in all this, and Ulmer makes certain that we don’t miss it.
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Kitty Vane, Alan Trent, and Gerald Shannon have been inseparable friends since childhood. Kitty has always known she would marry one of them, but has waited until the beginning of World War I before finally choosing Alan. Gerald graciously gives them his blessing. Then, Gerald and Alan go to war. Angered over a misunderstanding involving Alan and Kitty, Gerald sends Alan on a dangerous mission that will change all their lives forever.
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One of Brian De Palma’s most divisive films, Dressed to Kill is a spine-chilling Alfred Hitchcock update for the late 1970s. Sexually frustrated wife and mother Kate Miller (Angie Dickinson) visits her New York psychiatrist, Dr. Elliott (Michael Caine), to complain about her unfulfilling erotic life. When she then goes to meet her husband at a museum, she meets an anonymous man whom she follows out to a cab. After an afternoon of satisfying sex, Kate discovers that the man has a venereal disease, but that information becomes a moot point when a razor-wielding blonde woman slashes Kate to ribbons in the elevator of the man’s building. Blonde prostitute Liz (Nancy Allen), who caught a glimpse of the murderer, becomes both the prime suspect and the killer’s next target. With the police less than willing to believe her story, Liz joins forces with Kate’s son Peter (Keith Gordon) to get the psychopath themselves.
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Swedish-American farmer’s daughter Katrin ‘Katie’ Holstrom leaves the farm to study nursing in the big, wicked city. Thanks to a chiseling acquaintance, her tuition and expense money disappears the first day, and she’s forced to get a job…as a domestic for congressman Glenn Morley. Impressed by her political awareness as well as her many charms and capabilities, Glenn is soon infatuated with Katie, and she with him, but their feelings remain unspoken…until Katie speaks up at a party rally and is abruptly thrust into politics herself.
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Comedian Alvy Singer (Woody Allen) examines the rise and fall of his relationship with struggling nightclub singer Annie Hall (Diane Keaton). Speaking directly to the audience in front of a bare background, Singer reflects briefly on his childhood and his early adult years before settling in to tell the story of how he and Annie met, fell in love, and struggled with the obstacles of modern romance, mixing surreal fantasy sequences with small moments of emotional drama.
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