Romance

Ex-marshal Billy Reynolds, sent to state prison for killing two men in self defense, learns that killer Jessie Gorman, brother of the two men Billy shot, is in the same prison and vows revenge. Complicating matters further is the incarceration of Gorman’s girlfriend Abby who helps Gorman plan an escape while at the same time is unsuccessful hiding her feelings for Reynolds.
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A young reverend and his wife are on the way from England to Australia to minister to their flock. The bishop asks him to visit an eccentric artist prone to sexual depictions and requests that he voluntarily withdraw a controversial work call “Crucified Venus” from his show. The minister, who considers himself a progressive, is shocked at the amoral atmosphere surrounding the painter, his wife, and the three models living at his estate. The minister’s wife is troubled also, and has to deal with latent sexual urges while trying to remain loyal to her husband.
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While on the run from the police, Steve Railsback hides in a group of moviemakers where he pretends to be a stunt man. Both aided and endangered by the director (Peter O’Toole) he avoids both the police and sudden death as a stuntman. The mixture of real danger and fantasy of the movie is an interesting twist for the viewer as the two blend in individual scenes.
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Among the most praised and sought-after titles in all contemporary film, this singular masterpiece of Taiwanese cinema, directed by Edward Yang, finally comes to home video in the United States. Set in the early sixties in Taiwan, A Brighter Summer Day is based on the true story of a crime that rocked the nation. A film of both sprawling scope and tender intimacy, this novelistic, patiently observed epic centers on the gradual, inexorable fall of a young teenager (Chen Chang, in his first role) from innocence to juvenile delinquency, and is set against a simmering backdrop of restless youth, rock and roll, and political turmoil.
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A woman and three men. Nina, who’s come to Paris to act and sleeps with any man at hand, meets Paulot, a young estate agent; he’s smitten. She also meets Paulot’s flatmate Quentin, a compulsive who stalks her. To Paulot’s jealous dismay, she’s willing to sleep with Quentin, and wants Paulot’s friendship. After a desperate act by Quentin, Nina and Paulot share a flat, but she still won’t take him as a lover; instead, her energy goes into a production of “Romeo and Juliet” directed by a detached, intense man who becomes her father figure. Quentin’s ghost taunts her, Paulot wants to end all contact, and the director plans to return to London. The art of the theater may be her only refuge.
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Jade (Taiwanese singer Rainie Yang) is a cute, young webcam performer who thinks that getting a tattoo will enhance her sexy performance skills. Upon venturing out to the tattoo parlor owned by half-Japanese ink-slinger Takeko (Isabella Leong), Jade recalls a crush she harbored ten years ago. Subsequently entering into a surreal cyberspace seduction that emerges through computer images, flashbacks, and lavish costumes highlighted by lime-green wigs, Takeko finds the lines between reality and fantasy blurring as Jade’s teasing slowly chips away at her fragile facade.
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Spans 300 years in the life of one famed musical instrument that winds up in present-day Montreal on the auction block. Crafted by the Italian master Bussotti (Cecchi) in 1681, the red violin derives its unusual color from the human blood mixed into the finish. With this legacy, the violin travels to Austria, England, China, and Canada, leaving both beauty and tragedy in its wake.
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Packard Walsh and his motorized gang control and terrorize an Arizona desert town where they force drivers to drag-race so they can ‘win’ their vehicles. After Walsh stabs the decent teenager Jamie Hankins to death for being intimate with a girl whom Walsh wants for himself, the mysterious Jake Kesey arrives, an extremely cool motor-biker with an invincible car. Jake befriends Jamie’s girlfriend Keri Johnson, takes Jamie’s sweet brother Billy under his wing and manages what Sheriff Loomis can not – the methodical and otherworldly elimination of Packard’s criminal gang.
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Verne wants nothing more than to escape from a penal colony located off the northern coast of South America. He tries to involve Julie, a saloon girl, in his plans but she turns him in to the authorities. On Verne’s next try, he piggybacks on the escape of six other convicts and runs into Julie again in the process. One of the convicts is a spiritual figure who seems to know what will happen before anyone else. The group attempts to travel through the jungle, board a boat, and make it to the mainland.
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Jonathan Street is a struggling composer when he meets and marries Annette. The problem is that Jonathan was drunk and does not want to be married. Annette does go with him to Paris and does the cooking and cleaning. To get his music published, Annette takes it to Paul and he is won over – by her voice and not the music. So he manages her career and she becomes a star as an opera singer everywhere she goes. Since Jonathan cannot sell anything he writes, he leaves Annette and that makes Annette sad as she wants only to be his wife.
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