Romance

Lloyds of London traces the rise to prominence of the venerable British insurance company, as seen through the eyes of fictional 19th-century Londoner Jonathan Blake (Tyrone Power, in his first starring role). A lifelong friend of naval hero Lord Nelson, Blake puts his job (and the future existence of Lloyds) on the line when he announces Nelson’s victory at Trafalgar – before it takes place.
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There is something vaguely mythical to the manner in which Konwicki introduces his characters, both to us and to each other, lapped as much by the ethereal eeriness of the score as by the seaside winds that send their hair aflutter. When they tend to speak to each other in whispers, it seems almost out of respect for the otherworldly aura of their locale, as though it is to their eyes as improbably beautiful as Konwicki’s camera renders it to us. They—referred to in the credits only as “He” and “She”, mysterious and mythical in themselves—do not whisper much; there’s a clear silent heritage at work here, conferring meaning to the motion of faces and the movement of the camera along this spectral shore.
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Gabriel has been separated for four years now. Since then his 8 year old daughter is the center of his life. Completely avoiding getting involved in a new romantic relationship, Gabriel focus all his energy in his daughter and work. This plan gets spoiled when Vicky, a platonic love from his adolescence, now a beautiful and independent woman appears in his life. When romance is about to start, she puts one condition: She would never get involved with a man with children. She just does not want children in her life. When Gabriel is confronted with this, he says he has no children. From that moment on his life becomes a torment, playing every trick at hand in order to hide his child and belongings from Vicky in every date.
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Rollo decides to marry his sweetheart Betsy and sail to Honolulu. When she rejects him he decides to go alone but boards the wrong ship, the “Navigator” owned by Betsy’s father. Unaware of this, Betsy boards the ship to look for her father. whom spies capture before cutting the ship loose. It drifts out to sea with the two socialites each unaware of there being anyone else on board.
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Flying Tiger Fred Atwell sneaks away from his famous squadron’s personal appearance tour and goes incognito for several days of leave. He quickly falls for photographer Joan Manion, pursuing her in the guise of a carefree drifter.
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A tragicomic film about people from the social periphery. Director Dušan Hanák portrayed his characters with a sensitive understanding, without romanticizing. That was also why the f ilm, similarly to Hanák’s previous works 322 and Pictures of the Old World, ended up on a shelf until 1988. Impressive performances are given by Czech actress Iva Janžurová, Polish actor Roman Klosowski and Serbian actor Milan Jeli?. In 1989, the film won a Silver Bear for Best Directing from the IFF Berlin.
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Marie wants to escape from her job and also from her lover, Paul, an unemployed drunk. She dreams of going off with Jean, a dockworker. The two men quarrel and fight over Marie on two occasions, but Paul retains a hold over her. Marie has a baby who falls ill and as time goes on Jean and a crippled neighbor try to help the child. Paul nearly causes the death of the child whilst in a drunken stupor and in a final struggle that occurs, the crippled woman seizes Paul’s gun and shoots him dead.
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Mario is in Hannover to work as a miner but after loosing his job he decides to go back to Italy. When Totonno steals his passport to avoid the police and later on he offers him a new job as “magliaro” (cloth seller), Mario changes his mind and decides to follow Totonno to Hamburg. In Hamburg, Totonno and his friends have to sell Mayer’s cloth but they meet with the hostility of a Polish gang and Mario falls in love with Paula Mayer.
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In melodramatic fashion, the film tells the tale of a young German woman who finds herself alone in the world when the rest of her family is killed in a WWII air raid. Helping an American military man escape the Gestapo, she finds herself on the run from the Russian Army. Escaping to the American (and safe) side of Berlin, she registers herself as a prostitute (unknowingly) and finds herself caught between the German officer who thinks she is for sale and the American officer who she saved and is now in love with her.
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Winter, 1943. The German army has halted the American advance in the mountains of Italy; back-and-forth combat decimates Joe Peterson’s platoon. On leave in Naples, Joe meets WAC lieutenant Eleanor MacKay; initially cool, she begins to melt during a bombing raid. Their romance develops despite Joe’s periodic returns to the front. But whether he’ll come back in the end becomes more than doubtful…
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