Mystery

A woman has recently been murdered. A teacher at the nearby high school receives threatening notes from a student. Detective Graham is the only one who believes that she is in danger. She fingers the boy, a popular student. Her teaching career is threatened, as is her life. The detective looks for evidence, and brings him in on burglary and murder charges. Both crimes are solved.
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The hardworking detectives of the 87th Precinct in an unnamed city during a massive heat wave investigate the seemingly random murders of policemen.
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Vicky Barton and her brother, Johnny, take a trip to the 1896 Paris Exhibition. They both sleep in seperate rooms in a hotel. When the sister gets up the next morning, she finds her brother and his room had disappeared and no one will even acknowledge that he was ever there. Now Vicky must find out what exactly happened to her brother.
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A group is invited, under false pretenses, to an isolated hotel in the Iranian desert. After dinner, a cassette tape accuses them all of crimes that they have gotten away with. One by one they begin to die, in accordance to the Ten Little Indians nursery rhyme. After a search is made of the hotel, they realize that the murderer is one of them. A few members of the group attempt to trust each other, but the question still remains, who can one trust? And who will leave the hotel alive?
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A former Spanish Civil War prisoner, John McKittrick arrives in New York to find the truth behind the death of his friend Louie Lepetino. He finds himself being chased by Nazi agents who want an item he has brought back from Spain and cannot give up. When another of his friends is murdered, McKittrick realizes that he cannot trust anyone around him – not anyone.
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Vienna, 1956. After Soviet tanks crush the Hungarian uprising, soldier-of-fortune Mike Reynolds is hired to help a threatened Hungarian scientist (Prof. Jansci) escape from Budapest. He and Julia, the professor’s daughter, cross the boulder posing as journalists, but they encounter a problem. The staunch freedom fighter doesn’t want to go!
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The intercut story of two women: a nearly-mute beauty queen who descends into withdrawal and madness, and another who captains a ship laden with candy and sugar, luring men and boys aboard for sex, death, and revolutionary talk. The beauty queen passes from a wealthy husband whose honeymoon delight is to urinate on her, to a muscular keeper who punches her, stows her in a suitcase, and ships her to Paris, to a lip-synching rock idol with whom she has a love spasm, to an Austrian commune complete with a banquet of vomit, urine, feces, chopped dildos, and wet nurses. By then she’s in a fetal position, until everyone’s rescued by reminders that “it’s just a movie.”
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The career of horror icon Paul Toombes (Vincent Price) ends in scandal when his fiancée dies under mysterious circumstances. Freed from the mental hospital where he had been committed, the recovered Toombes and screenwriter Herbert Flay (Peter Cushing) intend to revive his most popular character, Dr. Death, for a television series. But the dead bodies start piling up – all of them killed in ways that mimic the victims in Toombes’ films – and to clear his name he must find the real killer.
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As Christmas break approaches, the dormitories at Billingsley University are restless with sex-crazed students. Although eager to relinquish his burdensome virginity, Booker (Chris Owen) has thus far failed in this endeavor. His charitable older brother, Styles (Patrick Renna), does the sensible thing and hires a prostitute (Boti Bliss) to usher Booker into the realm of manhood. Unfortunately, some misunderstandings complicate this procedure, prompting sophomoric shenanigans.
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One of Brian De Palma’s most divisive films, Dressed to Kill is a spine-chilling Alfred Hitchcock update for the late 1970s. Sexually frustrated wife and mother Kate Miller (Angie Dickinson) visits her New York psychiatrist, Dr. Elliott (Michael Caine), to complain about her unfulfilling erotic life. When she then goes to meet her husband at a museum, she meets an anonymous man whom she follows out to a cab. After an afternoon of satisfying sex, Kate discovers that the man has a venereal disease, but that information becomes a moot point when a razor-wielding blonde woman slashes Kate to ribbons in the elevator of the man’s building. Blonde prostitute Liz (Nancy Allen), who caught a glimpse of the murderer, becomes both the prime suspect and the killer’s next target. With the police less than willing to believe her story, Liz joins forces with Kate’s son Peter (Keith Gordon) to get the psychopath themselves.
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